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Pemerintah Provinsi DKI Jakarta telah mengeluarkan Rp 3.621.272.885.000 untuk dana hibah, bantuan sosial, dan bantuan keuangan lainnya.

JAKARTA, Saco-Indonesia.com — Pemerintah Provinsi DKI Jakarta telah mengeluarkan Rp 3.621.272.885.000 untuk dana hibah, bantuan sosial, dan bantuan keuangan lainnya. Bantuan itu diberikan kepada individu, keluarga, masyarakat, kelompok masyarakat, ormas, pemda lain, dan partai politik.

Dilansir dari website resmi Wakil Gubernur DKI Jakarta Basuki Tjahaja Purnama, ahok.org, bantuan dana hibah itu telah sesuai dengan Keputusan Gubernur Nomor 465 Tahun 2013 tertanggal 26 Maret 2013.

Berikut rincian dana hibah dari Pemprov DKI yang dikeluarkan SKPD/UKPD:
1. Sekretariat DPRD Rp 2.500.000.000
2. Badan Perencanaan Pembangunan Daerah Rp 2.000.000.000
3. Satpol PP 23.000.000.000
4. Biro Tata Pemerintahan Rp 55.700.375.000
5. Dinas Kesehatan Rp 60.250.000.000
6. Dinas Olahraga dan Pemuda Rp 127.145.000.000
7. Dinas Pariwisata dan Kebudayaan Rp 22.300.000.000
8. Dinas Sosial Rp 2.200.000.000
9. Badan Pemberdayaan Masyarakat, Perempuan, dan KB Rp 72.000.000.000
10. Dinas Perindustrian dan Energi Rp 2.500.000.000
11. Badan Kesatuan Bangsa dan Politik Rp 7.379.500.000
12. DPP Korpri Provinsi DKI Jakarta Rp 2.500.000.000
13. Dinas Pendidikan Rp 2.296.725.010.000
14. Dinas Komunikasi, Informatika, dan Kehumasan Rp 11.575.000.000
15. Biro Kesejahteraan Sosial Rp 2.115.000.000
16. Biro Pendidikan dan Mental Spiritual Rp 49.268.480.000
17. Biro Hukum Rp 2.100.000.000
18. Dinas Kelautan dan Pertanian Rp 900.000.000
19. Dinas Koperasi, Usaha Mikro, Kecil, dan Menengah, dan Perdagangan Rp 2.350.000.000
20. Dinas Perumahan dan Gedung Pemda Rp 850.338.000
21. Biro Umum Rp 13.166.520.000

Total Rp 3.621.272.885.000

 

Editor :Liwon Maulana

Sumber:Kompas.com

Sebagian orang telah beranggapan bahwa mengecat dinding rumah adalah pekerjaan yang mudah, akan tetapi ternyata mengecat rumah a

Sebagian orang telah beranggapan bahwa mengecat dinding rumah adalah pekerjaan yang mudah, akan tetapi ternyata mengecat rumah ada tehnik tersendiri untuk bisa mendapatkan hasil pengecatan yang maksimal.

Perhatikan hal-hal yang harus diperhatikan dalam proses pengecatan rumah.

Pertama kali, pentingnya untuk bisa mengetahui apakah perlu atau tidaknya tembok disekrap, langkah yang harus dilakukan, kuaskan air pada permukaan dan tunggu sampai beberapa saat. Jika permukaan tampak gelembung-gelembung, maka tembok harus disekrap.

Bersihkan permukaan tembok yang akan di cat sebelumnya dengan menggunakan air hangat kemudian tunggu hingga

kering sebelum anda melakukan proses pengecatan rumah.

Untuk bisa menghemat cat dan menutup pori-pori dinding disarankan menggunakan plamir. Setelah tembok atau bagian yang akan di cat telah kering, mulailah mengecat dengan plamir, tunggu sampai kering dan cat

dengan dasar cat (putih) dan tunggu sampai kering.

Untuk anda yang belum mempunyai teknik pengecatan, anda juga dapat mempraktekan teknik-teknik pengecatan di tahap ini. Karena baik atau jelek hasil anda, tidak akan kelihatan pada akhir pengecatan.

 

Ms. Meadows was the older sister of Audrey Meadows, who played Alice Kramden on “The Honeymooners.”

Though Robin and Joan Rolfs owned two rare talking dolls manufactured by Thomas Edison’s phonograph company in 1890, they did not dare play the wax cylinder records tucked inside each one.

The Rolfses, longtime collectors of Edison phonographs, knew that if they turned the cranks on the dolls’ backs, the steel phonograph needle might damage or destroy the grooves of the hollow, ring-shaped cylinder. And so for years, the dolls sat side by side inside a display cabinet, bearers of a message from the dawn of sound recording that nobody could hear.

In 1890, Edison’s dolls were a flop; production lasted only six weeks. Children found them difficult to operate and more scary than cuddly. The recordings inside, which featured snippets of nursery rhymes, wore out quickly.

Yet sound historians say the cylinders were the first entertainment records ever made, and the young girls hired to recite the rhymes were the world’s first recording artists.

Year after year, the Rolfses asked experts if there might be a safe way to play the recordings. Then a government laboratory developed a method to play fragile records without touching them.

Audio

The technique relies on a microscope to create images of the grooves in exquisite detail. A computer approximates — with great accuracy — the sounds that would have been created by a needle moving through those grooves.

In 2014, the technology was made available for the first time outside the laboratory.

“The fear all along is that we don’t want to damage these records. We don’t want to put a stylus on them,” said Jerry Fabris, the curator of the Thomas Edison Historical Park in West Orange, N.J. “Now we have the technology to play them safely.”

Last month, the Historical Park posted online three never-before-heard Edison doll recordings, including the two from the Rolfses’ collection. “There are probably more out there, and we’re hoping people will now get them digitized,” Mr. Fabris said.

The technology, which is known as Irene (Image, Reconstruct, Erase Noise, Etc.), was developed by the particle physicist Carl Haber and the engineer Earl Cornell at Lawrence Berkeley. Irene extracts sound from cylinder and disk records. It can also reconstruct audio from recordings so badly damaged they were deemed unplayable.

“We are now hearing sounds from history that I did not expect to hear in my lifetime,” Mr. Fabris said.

The Rolfses said they were not sure what to expect in August when they carefully packed their two Edison doll cylinders, still attached to their motors, and drove from their home in Hortonville, Wis., to the National Document Conservation Center in Andover, Mass. The center had recently acquired Irene technology.

Audio

Cylinders carry sound in a spiral groove cut by a phonograph recording needle that vibrates up and down, creating a surface made of tiny hills and valleys. In the Irene set-up, a microscope perched above the shaft takes thousands of high-resolution images of small sections of the grooves.

Stitched together, the images provide a topographic map of the cylinder’s surface, charting changes in depth as small as one five-hundredth the thickness of a human hair. Pitch, volume and timbre are all encoded in the hills and valleys and the speed at which the record is played.

At the conservation center, the preservation specialist Mason Vander Lugt attached one of the cylinders to the end of a rotating shaft. Huddled around a computer screen, the Rolfses first saw the wiggly waveform generated by Irene. Then came the digital audio. The words were at first indistinct, but as Mr. Lugt filtered out more of the noise, the rhyme became clearer.

“That was the Eureka moment,” Mr. Rolfs said.

In 1890, a girl in Edison’s laboratory had recited:

There was a little girl,

And she had a little curl

Audio

Right in the middle of her forehead.

When she was good,

She was very, very good.

But when she was bad, she was horrid.

Recently, the conservation center turned up another surprise.

In 2010, the Woody Guthrie Foundation received 18 oversize phonograph disks from an anonymous donor. No one knew if any of the dirt-stained recordings featured Guthrie, but Tiffany Colannino, then the foundation’s archivist, had stored them unplayed until she heard about Irene.

Last fall, the center extracted audio from one of the records, labeled “Jam Session 9” and emailed the digital file to Ms. Colannino.

“I was just sitting in my dining room, and the next thing I know, I’m hearing Woody,” she said. In between solo performances of “Ladies Auxiliary,” “Jesus Christ,” and “Dead or Alive,” Guthrie tells jokes, offers some back story, and makes the audience laugh. “It is quintessential Guthrie,” Ms. Colannino said.

The Rolfses’ dolls are back in the display cabinet in Wisconsin. But with audio stored on several computers, they now have a permanent voice.

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