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Jual Sparepart Genset Lovol di Mojokerto Hubungi : 0821 - 1310 - 3112/(021) 9224 - 2423 PT. Tribuana Diesel Adalah penjualan Generating-Set (genset) berkualitas import (builtup) bagi anda yang membutuhkan product berkualitas serta pengadaan yang cepat urgent tanpa berbelit-belit, Genset kami di lengkapi dengan dokumen Certificate Of Original , Manual book engine dan manual book generator, Kami sediakan Genset kapasitas 10 Kva - 650Kva (ANDA PESAN KAMI ANTAR).

Jual Sparepart Genset Lovol di Mojokerto Kami juga menerima pembuatan box silent dan perakitan diesel generator set. Produk kami meliputi berbagai diesel generator set model open, silent lokal yang ukuranya menyesuaikan lokasi pondasi genset, mobile/ trailer . Sebagian besar mesin kami menggunakan Merk : Perkins, Cummins, Deutz, Lovol, Isuzu Foton dengan generator Leroy Somer, Stamford, kualitas terbaik brushless alternator. Jual Sparepart Genset Lovol di Mojokerto

Jual Sparepart Genset Lovol di Mojokerto

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genset perkins CHINA/LOVOL Kap 70 kva Prime power type 1004TG bergaransi dan berkualitas di Sulawesi Barat

genset perkins CHINA/LOVOL Kap 70 kva Prime power type 1004TG bergaransi dan berkualitas di Sulawesi Barat Hubungi : 0821 - 1310 - 3112/(021) 9224 - 2423 PT. Tribuana Diesel Adalah penjualan Generating-Set (genset) berkualitas import (builtup) bagi anda yang membutuhkan product berkualitas serta pengadaan yang cepat urgent tanpa berbelit-belit, Genset kami di lengkapi dengan dokumen Certificate Of Original , Manual book engine dan manual book generator, Kami sediakan Genset kapasitas 10 Kva - 650Kva (ANDA PESAN KAMI ANTAR). genset perkins CHINA/LOVOL Kap 70 kva Prime power type 1004TG bergaransi dan berkualitas di Sulawesi Barat

SUZUKI ERTIGA, Suzuki Indomobil Sales telah meluncurkan salah satu produk MPV (Multi Passenger Vehicle); yaitu kendaraan yang d

SUZUKI ERTIGA, Suzuki Indomobil Sales telah meluncurkan salah satu produk MPV (Multi Passenger Vehicle); yaitu kendaraan yang dapat mengangkut penumpang dalam jumlah relatif banyak, setelah sebelumnya Suzuki telah mengeluarkan produk MPV lainnya, yaitu Suzuki APV. Pada tanggal 22 April 2012, Suzuki Ertiga sebagai produk MPV Suzuki terbaru telah diluncurkan, dan pada saat launching tersebut juga disiarkan secara langsung oleh salah satu stasiun TV swasta nasional.

Dan pada saat ini, khusus untuk Suzuki Ertiga, pihak Suzuki Indomobil Sales yang telah meramalkan bahwa produk terbarunya ini, Suzuki Ertiga, akan sukses di pasar, maka pihak Suzuki Indomobil Sales mempersiapkan diri dengan merancang suatu sistem pemantauan pemesanan Suzuki Ertiga (Ertiga Customer Indent Tracking).

Adapun fungsi dari adanya pemantauan antrian / banyaknya pemesan yang rela inden adalah supaya masing-masing customer yang telah menginden dapat melihat bahwa tidak adanya sistem tumpang tindih yang memungkinkan dealer / sales memainkan harga dengan menaikkan harga Suzuki Ertiga tersebut (upping harga Suzuki Ertiga).

Untuk harga / pricelist Suzuki Ertiga waktu pertama kali launching hingga tanggal tulisan ini dibuat adalah sebagai berikut:

Ertiga GA --- Rp 143.000.000

Ertiga GL --- Rp 153.000.000

Ertiga GX --- Rp 165.000.000

SPESIFIKASI SUZUKI ERTIGA

* Eksterior *

Desain bodi Suzuki Ertiga sangat aerodinamis, sehingga mobil berjalan seperti tanpa hambatan (tidak tertahan oleh angin) Grille depan Suzuki Ertiga seperti membentuk huruf V, memberikan kesan sporty dan juga tegas Terdapat Fog Lamp pada Suzuki Ertiga (pada tipe GL dan tipe GX) Velg Racing / Alloy Wheel (pada Suzuki Ertiga GL dan Suzuki Ertiga GX) Terdapat Door Mirror Cover With Turn Signal (Kaca spion dilengkapi lampu sign) pada Suzuki Ertiga tipe GL dan Suzuki Ertiga GX.

*Interior*

Interior Suzuki Ertiga sangat mewah, dengan dashboar berwarna coklat muda yang sangat modern, selain itu dilengkapi Head Unit yang sangat canggih, dan juga untuk menunjang kenyamanan berkendara tersebut maka Suzuki Ertiga menyediakan slot USB, sehingga sensasi berkendara jadi lebih menyenangkan Tilt Steering pada Suzuki Ertiga membuat pengemudi dapat menyesuaikan kenyamanannya dengan dapat disesuaikannya posisi stir dengan postur tubuh pengemudi

Dashboard kendaraan MPV selama ini menampilkan informasi hanya Trip Meter, Odo Meter, dan Jam Digital saja. Namun, pada Suzuki Ertiga informasi-informasi tersebut ditambahkan lagi dengan adanya Fuel Consumption Average (pengukur pemakaian bahan bakar rata-rata, dan pengukur pemakaian bahan bakar pada saat berjalan) -Khusus pada Suzuki Ertiga tipe GX ada penambahan Termometer (pengukur suhu luar kendaraan) Kursi pada baris kedua, bisa digeser sejauh 240mm, sehingga menyediakan ruang yang leluasa untuk penumpang pada baris ketiga Fitur One Touch Walk In pada bangku pada baris kedua; hanya dengan mengangkat tuas keatas maka memudahkan akses bagi penumpang di baris ketiga.

Steering Switch, memudahkan pengemudi Suzuki Ertiga untuk mengganti channel audio tanpa harus memindahkan tangan dari setir.

*Security / Keamanan*

Pada setiap pintu Suzuki Ertiga (baik depan maupun belakang) sudah dilengkapi oleh Side Beam, fitur ini tidaklah digunakan oleh produk kompetitor. Adapun fungsi dari Side Beam adalah memperkecil efek benturan dari samping, sehingga penumpang akan lebih aman terhadap efek-efek yang berakibat fatal.

Seat Belt pada masing-masing penumpang Suzuki Ertiga akan membuat keseluruhan penumpang menjadi lebih aman ABS & EBD yang tersedia hanya pada Suzuki Ertiga GX Pada Suzuki Ertiga GX tersedia Air Bag

*Kenyamanan*

Bila pada kompetitor-kompetitor menggunakan roda belakang sebagai penggerak, maka pada Suzuki Ertiga penggeraknya adalah roda depan. Oleh karena itu maka tenaga yang dihasilkan Suzuki Ertiga adalah lebih maksimal dan karena digerakkan oleh roda depan juga menghasilkan konsumsi bensin yang lebih irit Jarak roda antara ban depan dengan ban belakang Suzuki Ertiga adalah lebih jauh bila dibandingkan dengan kompetitor sehingga menghasilkan kestabilan kendaraan yang jauh lebih baik dibandingkan dengan kompetitor-komptetitornya.

Demikian adalah spesifikiasi dan keunggulan dari Suzuki Ertiga dibandingkan pesaing, namun itu semua belumlah lengkap apabila anda belum mencoba Test Drive secara langsung Suzuki Ertiga ini dan merasakan sensasinya secara langsung bersama keluarga anda.

Selain itu pihak Suzuki Indomobil Sales mengadakan Test Drive berhadiah 5 Mobil Suzuki Ertiga dan 50 Motor Suzuki Nex bagi anda yang beruntung, masing-masing setiap bulannya akan diambil 1 pemenang Suzuki Ertiga dan juga 10 pemenang motor Suzuki Nex, kesempatan ini bisa anda dapatkan hanya dengan Test Drive Suzuki Ertiga saja.

Tiga pegawai Badan Penelitian dan Pengembangan (Balitbang) Kementerian Kehutanan yakni Magdalena Gultom (45), warga Jalan Tekuku

Tiga pegawai Badan Penelitian dan Pengembangan (Balitbang) Kementerian Kehutanan yakni Magdalena Gultom (45), warga Jalan Tekukur II/31, Perum Bekasi, Agata Susilowati (52), warga Perumahan Titian Kencana, Bekasi Barat dan Nandar Aditia (25) seorang sopir warga Jalan Kusuma Timur, Blok D 27/5, Kelurahan Arum Jaya, Bekasi tewas setelah mengalami kecelakaan di KM 32.600 Tol Jagorawi, Senin (10/3). Informasi yang telah diperoleh menyebutkan kecelakaan nahas itu telah terjadi sekitar pukul 06.30 pagi WIB saat mobil Nissan Terrano yang ditumpanginya melintas dari Jakarta menuju Bogor. Diduga karena Nandar, sang sopir mengantuk akhirnya menabrak mobil boks di depannya hingga terbalik. Korban tewas mengalami luka benturan di bagian kepala dan dada. Saat ini, seluruh korban sudah berada di ruang forensik RS PMI Bogor. Kasat Lantas Polres Bogor AKP Muhammad Chaniago saat dikonfirmasi telah mengatakan seluruh korban sudah dievakuasi ke RS PMI untuk diautopsi. "Sedangkan penyelidikan kasus kecelakaan ini juga masih ditangani unit Laka Tol Jagorawi. Dugaan sementara karena sang sopir mengantuk," katanya. Berdasarkan pantauan hingga saat ini belasan rekan kerja korban di Balitbang, Kementerian Kehutanan yang berkantor di Gunung Batu, Bogor Barat, Kota Bogor ramai mengunjungi ruang forensik RS PMI. Beberapa pegawai wanita menangis saat mengetahui rekannya meninggal dunia akibat kecelakaan. "Korban sebelumnya bertugas di Balitbang di kantor Jakarta, baru dua bulan pindah ke Bogor," tutur salah seorang rekan kerja korban.

A lapsed seminarian, Mr. Chambers succeeded Saul Alinsky as leader of the social justice umbrella group Industrial Areas Foundation.

Late in April, after Native American actors walked off in disgust from the set of Adam Sandler’s latest film, a western sendup that its distributor, Netflix, has defended as being equally offensive to all, a glow of pride spread through several Native American communities.

Tantoo Cardinal, a Canadian indigenous actress who played Black Shawl in “Dances With Wolves,” recalled thinking to herself, “It’s come.” Larry Sellers, who starred as Cloud Dancing in the 1990s television show “Dr. Quinn, Medicine Woman,” thought, “It’s about time.” Jesse Wente, who is Ojibwe and directs film programming at the TIFF Bell Lightbox in Toronto, found himself encouraged and surprised. There are so few film roles for indigenous actors, he said, that walking off the set of a major production showed real mettle.

But what didn’t surprise Mr. Wente was the content of the script. According to the actors who walked off the set, the film, titled “The Ridiculous Six,” included a Native American woman who passes out and is revived after white men douse her with alcohol, and another woman squatting to urinate while lighting a peace pipe. “There’s enough history at this point to have set some expectations around these sort of Hollywood depictions,” Mr. Wente said.

The walkout prompted a rhetorical “What do you expect from an Adam Sandler film?,” and a Netflix spokesman said that in the movie, blacks, Mexicans and whites were lampooned as well. But Native American actors and critics said a broader issue was at stake. While mainstream portrayals of native peoples have, Mr. Wente said, become “incrementally better” over the decades, he and others say, they remain far from accurate and reflect a lack of opportunities for Native American performers. What’s more, as Native Americans hunger for representation on screen, critics say the absence of three-dimensional portrayals has very real off-screen consequences.

“Our people are still healing from historical trauma,” said Loren Anthony, one of the actors who walked out. “Our youth are still trying to figure out who they are, where they fit in this society. Kids are killing themselves. They’re not proud of who they are.” They also don’t, he added, see themselves on prime time television or the big screen. Netflix noted while about five people walked off the “The Ridiculous Six” set, 100 or so Native American actors and extras stayed.

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But in interviews, nearly a dozen Native American actors and film industry experts said that Mr. Sandler’s humor perpetuated decades-old negative stereotypes. Mr. Anthony said such depictions helped feed the despondency many Native Americans feel, with deadly results: Native Americans have the highest suicide rate out of all the country’s ethnicities.

The on-screen problem is twofold, Mr. Anthony and others said: There’s a paucity of roles for Native Americans — according to the Screen Actors Guild in 2008 they accounted for 0.3 percent of all on-screen parts (those figures have yet to be updated), compared to about 2 percent of the general population — and Native American actors are often perceived in a narrow way.

In his Peabody Award-winning documentary “Reel Injun,” the Cree filmmaker Neil Diamond explored Hollywood depictions of Native Americans over the years, and found they fell into a few stereotypical categories: the Noble Savage, the Drunk Indian, the Mystic, the Indian Princess, the backward tribal people futilely fighting John Wayne and manifest destiny. While the 1990 film “Dances With Wolves” won praise for depicting Native Americans as fully fleshed out human beings, not all indigenous people embraced it. It was still told, critics said, from the colonialists’ point of view. In an interview, John Trudell, a Santee Sioux writer, actor (“Thunderheart”) and the former chairman of the American Indian Movement, described the film as “a story of two white people.”

“God bless ‘Dances with Wolves,’ ” Michael Horse, who played Deputy Hawk in “Twin Peaks,” said sarcastically. “Even ‘Avatar.’ Someone’s got to come save the tribal people.”

Dan Spilo, a partner at Industry Entertainment who represents Adam Beach, one of today’s most prominent Native American actors, said while typecasting dogs many minorities, it is especially intractable when it comes to Native Americans. Casting directors, he said, rarely cast them as police officers, doctors or lawyers. “There’s the belief that the Native American character should be on reservations or riding a horse,” he said.

“We don’t see ourselves,” Mr. Horse said. “We’re still an antiquated culture to them, and to the rest of the world.”

Ms. Cardinal said she was once turned down for the role of the wife of a child-abusing cop because the filmmakers felt that casting her would somehow be “too political.”

Another sore point is the long run of white actors playing American Indians, among them Burt Lancaster, Rock Hudson, Audrey Hepburn and, more recently, Johnny Depp, whose depiction of Tonto in the 2013 film “Lone Ranger,” was viewed as racist by detractors. There are, of course, exceptions. The former A&E series “Longmire,” which, as it happens, will now be on Netflix, was roundly praised for its depiction of life on a Northern Cheyenne reservation, with Lou Diamond Phillips, who is of Cherokee descent, playing a Northern Cheyenne man.

Others also point to the success of Mr. Beach, who played a Mohawk detective in “Law & Order: Special Victims Unit” and landed a starring role in the forthcoming D C Comics picture “Suicide Squad.” Mr. Beach said he had come across insulting scripts backed by people who don’t see anything wrong with them.

“I’d rather starve than do something that is offensive to my ancestral roots,” Mr. Beach said. “But I think there will always be attempts to drawn on the weakness of native people’s struggles. The savage Indian will always be the savage Indian. The white man will always be smarter and more cunning. The cavalry will always win.”

The solution, Mr. Wente, Mr. Trudell and others said, lies in getting more stories written by and starring Native Americans. But Mr. Wente noted that while independent indigenous film has blossomed in the last two decades, mainstream depictions have yet to catch up. “You have to stop expecting for Hollywood to correct it, because there seems to be no ability or desire to correct it,” Mr. Wente said.

There have been calls to boycott Netflix but, writing for Indian Country Today Media Network, which first broke news of the walk off, the filmmaker Brian Young noted that the distributor also offered a number of films by or about Native Americans.

The furor around “The Ridiculous Six” may drive more people to see it. Then one of the questions that Mr. Trudell, echoing others, had about the film will be answered: “Who the hell laughs at this stuff?”

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