Jual Sparepart Genset Doosan di Maybrat Hubungi : 0821 - 1310 - 3112/(021) 9224 - 2423 PT. Tribuana Diesel Adalah penjualan Generating-Set (genset) berkualitas import (builtup) bagi anda yang membutuhkan product berkualitas serta pengadaan yang cepat urgent tanpa berbelit-belit, Genset kami di lengkapi dengan dokumen Certificate Of Original , Manual book engine dan manual book generator, Kami sediakan Genset kapasitas 10 Kva - 650Kva (ANDA PESAN KAMI ANTAR).

Jual Sparepart Genset Doosan di Maybrat Kami juga menerima pembuatan box silent dan perakitan diesel generator set. Produk kami meliputi berbagai diesel generator set model open, silent lokal yang ukuranya menyesuaikan lokasi pondasi genset, mobile/ trailer . Sebagian besar mesin kami menggunakan Merk : Perkins, Cummins, Deutz, Lovol, Isuzu Foton dengan generator Leroy Somer, Stamford, kualitas terbaik brushless alternator. Jual Sparepart Genset Doosan di Maybrat

Jual Sparepart Genset Doosan di Maybrat

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Jual Sparepart Genset Cummins 30Kva Built Up bergaransi dan berkualitas di Buton Utara

Jual Sparepart Genset Cummins 30Kva Built Up bergaransi dan berkualitas di Buton Utara Hubungi : 0821 - 1310 - 3112/(021) 9224 - 2423 PT. Tribuana Diesel Adalah penjualan Generating-Set (genset) berkualitas import (builtup) bagi anda yang membutuhkan product berkualitas serta pengadaan yang cepat urgent tanpa berbelit-belit, Genset kami di lengkapi dengan dokumen Certificate Of Original , Manual book engine dan manual book generator, Kami sediakan Genset kapasitas 10 Kva - 650Kva (ANDA PESAN KAMI ANTAR). Jual Sparepart Genset Cummins 30Kva Built Up bergaransi dan berkualitas di Buton Utara

saco-indonesia.com, Kasus pembunuhan sadis telah terjadi di Cianjur. Pupun yang berusia (40) tahun telah tega memutilasi ibu kan

saco-indonesia.com, Kasus pembunuhan sadis telah terjadi di Cianjur. Pupun yang berusia (40) tahun telah tega memutilasi ibu kandungnya yang berusia 65 tahun di Kampung Pasir Gombong, Desa Sukamulya, Kecamatan Cugenang, Kabupaten Cianjur Jawa Barat.

"(Mutilasi) ini telah dilakukan oleh anak kandung terhadap ibu," kata Direskrimum Polda Jawa Barat Jabar Kombes Erwin Faisal di Bandung, Jumat (20/12).

Menurut Erwin, aksi keji yang telah dilakukan oleh Pupun terhadap korban telah terjadi pada Rabu (18/12) lalu sekitar pukul 03.00 WIB.

"Tapi baru diketahui, kejadian pada hari ini di mana pelaku juga mengaku kepada saksi IM yang berusia (50) tahun ," terang dia.

Saat ini jajaran Kepolisian Cianjur juga masih harus melakukan olah tempat kejadian perkara. Belum dapat diketahui motif dari pembunuhan keji ini.


Editor ; Dian Sukmawati

 

saco-indonesia.com, Pemerintah Kota (Pemkot) Banda Aceh akan menggelar renungan tsunami di pelataran Balai Kota Banda Aceh. Dala

saco-indonesia.com, Pemerintah Kota (Pemkot) Banda Aceh akan menggelar renungan tsunami di pelataran Balai Kota Banda Aceh. Dalam renungan itu, selain tausiah yang akan disampaikan oleh Ary Ginanjar, juga ada pemutaran film saat Aceh dilanda tsunami.

Ribuan pengunjung telah terlihat khidmat saat menonton film tsunami yang diputarkan oleh panitia. Kemudian usai pemutaran film, salah seorang musisi putra Aceh, Raffly Kande langsung menyanyikan lagu berjudul "Aneuk Yatim" (Anak Yatim).

Wakil Wali Kota Banda Aceh, Illiza Sa'aduddin Djamal juga mengatakan, setelah tsunami kota Banda Aceh ibarat kota mati. Banda Aceh telah hancur porak-poranda dan juga ribuan masyarakat telah kehilangan tempat tinggal dan juga keluarganya.

"Saat itu Banda Aceh memang jadi kota mati pasca tsunami. Wali kota saat itu Syarifuddin Latif yang juga ikut menjadi korban tsunami, Banda Aceh memang telah menjadi kota mati," kata Illiza Sa'aduddin Djamal, Rabu (25/12) malam di Balai Kota Banda Aceh.

Illiza juga menegaskan, ia telah menjadi saksi hidup dalam melakukan pembangunan kota Banda Aceh yang porak-poranda dihantam tsunami 9 tahun silam. Ribuan masyarakat telah kehilangan tempat tinggal, keluarga, dan kota Banda Aceh rata dengan tanah disapu oleh gelombang tsunami. Dan, kini Banda Aceh juga sudah kembali pulih dan tertata rapi kembali.

Atas dasar itulah, Illiza telah menyebutkan Wali Kota Banda Aceh, Mawardi Nurdin telah menjadi bapak pembangunan kota Banda Aceh. Di tengah-tengah porak-poranda Banda Aceh, ia telah berhasil kembali membangun Banda Aceh seperti saat ini yang tertata rapi.

"Bapak Mawardi Nurdin layak kita sebut sebagai bapak pembangunan di Banda Aceh," tegasnya.

Kendati demikian, Illiza juga tidak menampik pembangunan di Banda Aceh juga atas bantuan banyak pihak. Baik pihak Pemerintah Indonesia maupun pihak dunia internasional. "Terimakasih yang telah membantu Banda Aceh, baik TNI, polisi dan juga dunia internasional," imbuhnya.


Editor : Dian Sukmawati

Children playing last week in Sandtown-Winchester, the Baltimore neighborhood where Freddie Gray was raised. One young resident called it “a tough community.”
Todd Heisler/The New York Times

Children playing last week in Sandtown-Winchester, the Baltimore neighborhood where Freddie Gray was raised. One young resident called it “a tough community.”

Hard but Hopeful Home to ‘Lot of Freddies’

Late in April, after Native American actors walked off in disgust from the set of Adam Sandler’s latest film, a western sendup that its distributor, Netflix, has defended as being equally offensive to all, a glow of pride spread through several Native American communities.

Tantoo Cardinal, a Canadian indigenous actress who played Black Shawl in “Dances With Wolves,” recalled thinking to herself, “It’s come.” Larry Sellers, who starred as Cloud Dancing in the 1990s television show “Dr. Quinn, Medicine Woman,” thought, “It’s about time.” Jesse Wente, who is Ojibwe and directs film programming at the TIFF Bell Lightbox in Toronto, found himself encouraged and surprised. There are so few film roles for indigenous actors, he said, that walking off the set of a major production showed real mettle.

But what didn’t surprise Mr. Wente was the content of the script. According to the actors who walked off the set, the film, titled “The Ridiculous Six,” included a Native American woman who passes out and is revived after white men douse her with alcohol, and another woman squatting to urinate while lighting a peace pipe. “There’s enough history at this point to have set some expectations around these sort of Hollywood depictions,” Mr. Wente said.

The walkout prompted a rhetorical “What do you expect from an Adam Sandler film?,” and a Netflix spokesman said that in the movie, blacks, Mexicans and whites were lampooned as well. But Native American actors and critics said a broader issue was at stake. While mainstream portrayals of native peoples have, Mr. Wente said, become “incrementally better” over the decades, he and others say, they remain far from accurate and reflect a lack of opportunities for Native American performers. What’s more, as Native Americans hunger for representation on screen, critics say the absence of three-dimensional portrayals has very real off-screen consequences.

“Our people are still healing from historical trauma,” said Loren Anthony, one of the actors who walked out. “Our youth are still trying to figure out who they are, where they fit in this society. Kids are killing themselves. They’re not proud of who they are.” They also don’t, he added, see themselves on prime time television or the big screen. Netflix noted while about five people walked off the “The Ridiculous Six” set, 100 or so Native American actors and extras stayed.

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But in interviews, nearly a dozen Native American actors and film industry experts said that Mr. Sandler’s humor perpetuated decades-old negative stereotypes. Mr. Anthony said such depictions helped feed the despondency many Native Americans feel, with deadly results: Native Americans have the highest suicide rate out of all the country’s ethnicities.

The on-screen problem is twofold, Mr. Anthony and others said: There’s a paucity of roles for Native Americans — according to the Screen Actors Guild in 2008 they accounted for 0.3 percent of all on-screen parts (those figures have yet to be updated), compared to about 2 percent of the general population — and Native American actors are often perceived in a narrow way.

In his Peabody Award-winning documentary “Reel Injun,” the Cree filmmaker Neil Diamond explored Hollywood depictions of Native Americans over the years, and found they fell into a few stereotypical categories: the Noble Savage, the Drunk Indian, the Mystic, the Indian Princess, the backward tribal people futilely fighting John Wayne and manifest destiny. While the 1990 film “Dances With Wolves” won praise for depicting Native Americans as fully fleshed out human beings, not all indigenous people embraced it. It was still told, critics said, from the colonialists’ point of view. In an interview, John Trudell, a Santee Sioux writer, actor (“Thunderheart”) and the former chairman of the American Indian Movement, described the film as “a story of two white people.”

“God bless ‘Dances with Wolves,’ ” Michael Horse, who played Deputy Hawk in “Twin Peaks,” said sarcastically. “Even ‘Avatar.’ Someone’s got to come save the tribal people.”

Dan Spilo, a partner at Industry Entertainment who represents Adam Beach, one of today’s most prominent Native American actors, said while typecasting dogs many minorities, it is especially intractable when it comes to Native Americans. Casting directors, he said, rarely cast them as police officers, doctors or lawyers. “There’s the belief that the Native American character should be on reservations or riding a horse,” he said.

“We don’t see ourselves,” Mr. Horse said. “We’re still an antiquated culture to them, and to the rest of the world.”

Ms. Cardinal said she was once turned down for the role of the wife of a child-abusing cop because the filmmakers felt that casting her would somehow be “too political.”

Another sore point is the long run of white actors playing American Indians, among them Burt Lancaster, Rock Hudson, Audrey Hepburn and, more recently, Johnny Depp, whose depiction of Tonto in the 2013 film “Lone Ranger,” was viewed as racist by detractors. There are, of course, exceptions. The former A&E series “Longmire,” which, as it happens, will now be on Netflix, was roundly praised for its depiction of life on a Northern Cheyenne reservation, with Lou Diamond Phillips, who is of Cherokee descent, playing a Northern Cheyenne man.

Others also point to the success of Mr. Beach, who played a Mohawk detective in “Law & Order: Special Victims Unit” and landed a starring role in the forthcoming D C Comics picture “Suicide Squad.” Mr. Beach said he had come across insulting scripts backed by people who don’t see anything wrong with them.

“I’d rather starve than do something that is offensive to my ancestral roots,” Mr. Beach said. “But I think there will always be attempts to drawn on the weakness of native people’s struggles. The savage Indian will always be the savage Indian. The white man will always be smarter and more cunning. The cavalry will always win.”

The solution, Mr. Wente, Mr. Trudell and others said, lies in getting more stories written by and starring Native Americans. But Mr. Wente noted that while independent indigenous film has blossomed in the last two decades, mainstream depictions have yet to catch up. “You have to stop expecting for Hollywood to correct it, because there seems to be no ability or desire to correct it,” Mr. Wente said.

There have been calls to boycott Netflix but, writing for Indian Country Today Media Network, which first broke news of the walk off, the filmmaker Brian Young noted that the distributor also offered a number of films by or about Native Americans.

The furor around “The Ridiculous Six” may drive more people to see it. Then one of the questions that Mr. Trudell, echoing others, had about the film will be answered: “Who the hell laughs at this stuff?”

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