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Demo buruh dalam rangka peringatan Hari Buruh Internasional atau May Day di Jakarta, Rabu (1/5/2013), dijadwalkan berlangsung mulai pukul 10.00 WIB sampai 18.00 WIB. Titik awal berkumpulnya 150 ribu buruh yang menyatakan bakal ikut aksi ini, adalah Bundaran Patung Selamat Datang, atau lebih dikenal sebagai Bundaran HI.

JAKARTA, Saco-Indonesia.com - Demo buruh dalam rangka peringatan Hari Buruh Internasional atau May Day di Jakarta, Rabu (1/5/2013), dijadwalkan berlangsung mulai pukul 10.00 WIB sampai 18.00 WIB. Titik awal berkumpulnya 150 ribu buruh yang menyatakan bakal ikut aksi ini, adalah Bundaran Patung Selamat Datang, atau lebih dikenal sebagai Bundaran HI.

Presiden Konfederasi Serikat Pekerja Indonesia (KSPI) yang tergabung dalam Majelis Pekerja Buruh Indonesia (MPBI), Said Iqbal, menyatakan peserta aksi tidak akan melanggar aturan. "Kami pastikan tidak akan ada yang bertindak anarkis atau memprovokasi petugas kepolisian," ujarnya, dalam konferensi pers, Selasa (30/4/2013).

Said memaparkan pula jadwal dan jalur yang akan dilintasi selama aksi hari ini. Berikut ini adalah rinciannya: 

Pukul 10.00 WIB
Sebanyak 150 ribu buruh akan berkumpul di Bundaran HI dan melakukan aksi unjuk rasa di lokasi tersebut. Buruh berasal dari Jabodetabek, Karawang dan Purwakarta.

Pukul 11.00 WIB
Buruh akan melakukan aksi longmarch (berjalan bersama-sama) menuju Istana Negara. Para buruh akan menutup ruas jalan Sudirman-Thamrin.

Pukul 13.30 WIB
Sekitar 70 ribu buruh akan bergerak menuju gedung DPR RI, Balai Kota Jakarta, Kemenakertrans, Kemenkes, Kemeneg BUMN, Kemenkokesra, Kemenkeu dan Kemenko Perekonomian. Sedangkan sekitar 80 ribu buruh akan tetap berada di depan Istana Negara.

Pukul 18.00 WIB
Aksi buruh akan usai, sesuai imbauan Polda Metro Jaya. Para buruh akan menuju parkiran IRTI Monas dan pulang ke daerah masing-masing.

Berita terkait dapat dibaca dalam topik: Demo Buruh

 

Sumber  :  KOMPAS.com
Editor :  Palupi Annisa Auliani

Museum fatahillah merupakan salah satu objek wisata bersejarah yang berada di kota DKI Jakarta yang dapat anda kunjungi bersama

Museum fatahillah merupakan salah satu objek wisata bersejarah yang berada di kota DKI Jakarta yang dapat anda kunjungi bersama keluarga ataupun teman – teman anda. Museum yang terdapat di Jakarta Barat ini tepatnya di Jalan Taman Fatahillah No 2, juga di kenal dengan nama lainnya sebagai Museum Batavia ataupun Museum Sejarah Jakarta oleh masyarakat sekitar.

Objek wisata museum fatahillah telah mempunyai luas sekitar 1300 meter persegi yang telah dibangun sekitar tahun 1707 hingga 1710. Sejarah Museum Fathillah ini di bangun sebagai pusat Balai Kota Stadhius oleh seorang Gubernur yang bernama Jendral Johan Van Hoorn. Namun setelah Indonesia mencanangkan dirinya telah merdeka, hingga pada tanggal 30 maret 1974 gedung tersebut telah di ambil alih secara penuh dan di fungsikan sebagai bangunan Museum Fatahillah oleh presiden Soekarno.

Arsitektur Bangunan Dan Koleksi Peninggalan Sejarah Museum Fatahillah

Jika anda memperhatikan dengan seksama, Bangunan Museum Fatahillah hampir sama dengan sebuah Istana Dam yang terdapat di Amsterdam Belanda. Di mana bangunan tersebut telah mempunyai arsitektur dengan dua sayap pada bagian barat dan timur dengan berbagai macam fungsi sebagai tempat kerja, tempat pengadilan dan beberapa ruangan penjara bawah tanah.

Museum Fatahillah telah memberikan berbagai macam peninggalan – peninggalan bersejarah mulai dari cerita perjalanan kota Jakarta, beberapa replika peninggalan kerajaan pajajaran dan tarumanegara, benda – benda arkeologi yang pernah di temukan di Jakarta, dan masih banyak lagi yang lainnya. Semua situs yang di temukan telah di simpan di sekitar 5 ruangan berbeda; Ruang MH Thamrin, Jayakarta, Sultan Agung, Tarumanegara dan Fatahillah.

Selain berbagai macam peninggalan bersejarah yang dapat anda temukan di Museum Fatahillah, anda juga dapat melihat berbagai benda – benda kebudayaan betawi, kendaraan becak dan sekarang ini ada sebuah patung Dewa Hermes yang merupakan seorang dewa perlindungan dan keberuntungan.

Anda juga akan menemukan berbagai macam fasilitas – fasilitas umum yang mempermudah untuk dapat melakukan berbagai aktivitas dengan aman dan nyaman, seperti tempat perpustakaan, kantin, toko perbelanjaan, sinema fatahillah, musholla (tempat ibadah umat islam), ruang pameran dan pertemuan, dan sebuah taman yang di tumbuhi berbagai macam tanaman hias dengan luas sekitar 1000 meter persegi. Taman tersebut juga sering digunakan untuk berbagai keperluan mulai dari pentas seni, gathering ataupun resepsi pernikahan.

Secara garis besar, objek wisata museum fatahillah juga merupakan salah satu wisata bersejarah yang patut anda kunjungi untuk lebih mengenal lebih jauh tentang sejarah yang ada di Indonesia, khususnya untuk kota Jakarta Sendiri. Museum ini di buka setiap hari mulai pukul 8 pagi hingga pukul 2 siang pada hari senin, hari jum-at hingga pukul 11:30 dan untuk hari sabtu hingga pukul 1 siang.

Demikian uraian singkat mengenai museum fathillah jakarta, semoga dengan kita selalu mengunjungi tempat seperti ini, akan dapat menambah wawasan kita mengenai sejarah dari Negara Indonesia yang kita cinta ini. Nah untuk kamu yang ingin menambah wawasan mengenai budaya Indonesia dan Sejarah Indonesia, anda juga dapat berkunjung ke Museum Wayang Jakarta dan Museum Satria Mandala yang lokasinya masih di Jakarta Juga.

A lapsed seminarian, Mr. Chambers succeeded Saul Alinsky as leader of the social justice umbrella group Industrial Areas Foundation.

Late in April, after Native American actors walked off in disgust from the set of Adam Sandler’s latest film, a western sendup that its distributor, Netflix, has defended as being equally offensive to all, a glow of pride spread through several Native American communities.

Tantoo Cardinal, a Canadian indigenous actress who played Black Shawl in “Dances With Wolves,” recalled thinking to herself, “It’s come.” Larry Sellers, who starred as Cloud Dancing in the 1990s television show “Dr. Quinn, Medicine Woman,” thought, “It’s about time.” Jesse Wente, who is Ojibwe and directs film programming at the TIFF Bell Lightbox in Toronto, found himself encouraged and surprised. There are so few film roles for indigenous actors, he said, that walking off the set of a major production showed real mettle.

But what didn’t surprise Mr. Wente was the content of the script. According to the actors who walked off the set, the film, titled “The Ridiculous Six,” included a Native American woman who passes out and is revived after white men douse her with alcohol, and another woman squatting to urinate while lighting a peace pipe. “There’s enough history at this point to have set some expectations around these sort of Hollywood depictions,” Mr. Wente said.

The walkout prompted a rhetorical “What do you expect from an Adam Sandler film?,” and a Netflix spokesman said that in the movie, blacks, Mexicans and whites were lampooned as well. But Native American actors and critics said a broader issue was at stake. While mainstream portrayals of native peoples have, Mr. Wente said, become “incrementally better” over the decades, he and others say, they remain far from accurate and reflect a lack of opportunities for Native American performers. What’s more, as Native Americans hunger for representation on screen, critics say the absence of three-dimensional portrayals has very real off-screen consequences.

“Our people are still healing from historical trauma,” said Loren Anthony, one of the actors who walked out. “Our youth are still trying to figure out who they are, where they fit in this society. Kids are killing themselves. They’re not proud of who they are.” They also don’t, he added, see themselves on prime time television or the big screen. Netflix noted while about five people walked off the “The Ridiculous Six” set, 100 or so Native American actors and extras stayed.

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But in interviews, nearly a dozen Native American actors and film industry experts said that Mr. Sandler’s humor perpetuated decades-old negative stereotypes. Mr. Anthony said such depictions helped feed the despondency many Native Americans feel, with deadly results: Native Americans have the highest suicide rate out of all the country’s ethnicities.

The on-screen problem is twofold, Mr. Anthony and others said: There’s a paucity of roles for Native Americans — according to the Screen Actors Guild in 2008 they accounted for 0.3 percent of all on-screen parts (those figures have yet to be updated), compared to about 2 percent of the general population — and Native American actors are often perceived in a narrow way.

In his Peabody Award-winning documentary “Reel Injun,” the Cree filmmaker Neil Diamond explored Hollywood depictions of Native Americans over the years, and found they fell into a few stereotypical categories: the Noble Savage, the Drunk Indian, the Mystic, the Indian Princess, the backward tribal people futilely fighting John Wayne and manifest destiny. While the 1990 film “Dances With Wolves” won praise for depicting Native Americans as fully fleshed out human beings, not all indigenous people embraced it. It was still told, critics said, from the colonialists’ point of view. In an interview, John Trudell, a Santee Sioux writer, actor (“Thunderheart”) and the former chairman of the American Indian Movement, described the film as “a story of two white people.”

“God bless ‘Dances with Wolves,’ ” Michael Horse, who played Deputy Hawk in “Twin Peaks,” said sarcastically. “Even ‘Avatar.’ Someone’s got to come save the tribal people.”

Dan Spilo, a partner at Industry Entertainment who represents Adam Beach, one of today’s most prominent Native American actors, said while typecasting dogs many minorities, it is especially intractable when it comes to Native Americans. Casting directors, he said, rarely cast them as police officers, doctors or lawyers. “There’s the belief that the Native American character should be on reservations or riding a horse,” he said.

“We don’t see ourselves,” Mr. Horse said. “We’re still an antiquated culture to them, and to the rest of the world.”

Ms. Cardinal said she was once turned down for the role of the wife of a child-abusing cop because the filmmakers felt that casting her would somehow be “too political.”

Another sore point is the long run of white actors playing American Indians, among them Burt Lancaster, Rock Hudson, Audrey Hepburn and, more recently, Johnny Depp, whose depiction of Tonto in the 2013 film “Lone Ranger,” was viewed as racist by detractors. There are, of course, exceptions. The former A&E series “Longmire,” which, as it happens, will now be on Netflix, was roundly praised for its depiction of life on a Northern Cheyenne reservation, with Lou Diamond Phillips, who is of Cherokee descent, playing a Northern Cheyenne man.

Others also point to the success of Mr. Beach, who played a Mohawk detective in “Law & Order: Special Victims Unit” and landed a starring role in the forthcoming D C Comics picture “Suicide Squad.” Mr. Beach said he had come across insulting scripts backed by people who don’t see anything wrong with them.

“I’d rather starve than do something that is offensive to my ancestral roots,” Mr. Beach said. “But I think there will always be attempts to drawn on the weakness of native people’s struggles. The savage Indian will always be the savage Indian. The white man will always be smarter and more cunning. The cavalry will always win.”

The solution, Mr. Wente, Mr. Trudell and others said, lies in getting more stories written by and starring Native Americans. But Mr. Wente noted that while independent indigenous film has blossomed in the last two decades, mainstream depictions have yet to catch up. “You have to stop expecting for Hollywood to correct it, because there seems to be no ability or desire to correct it,” Mr. Wente said.

There have been calls to boycott Netflix but, writing for Indian Country Today Media Network, which first broke news of the walk off, the filmmaker Brian Young noted that the distributor also offered a number of films by or about Native Americans.

The furor around “The Ridiculous Six” may drive more people to see it. Then one of the questions that Mr. Trudell, echoing others, had about the film will be answered: “Who the hell laughs at this stuff?”

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