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Jual Sparepart Genset Doosan Murah di Maluku Tenggara Barat Hubungi : 0821 - 1310 - 3112/(021) 9224 - 2423 PT. Tribuana Diesel Adalah penjualan Generating-Set (genset) berkualitas import (builtup) bagi anda yang membutuhkan product berkualitas serta pengadaan yang cepat urgent tanpa berbelit-belit, Genset kami di lengkapi dengan dokumen Certificate Of Original , Manual book engine dan manual book generator, Kami sediakan Genset kapasitas 10 Kva - 650Kva (ANDA PESAN KAMI ANTAR).

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Jual Sparepart Genset Doosan Murah di Maluku Tenggara Barat

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Jual Sparepart genset perkins CHINA/LOVOL Kap 135 kva Prime power type 1006TAG1A di Enrekang Hubungi : 0821 - 1310 - 3112/(021) 9224 - 2423 PT. Tribuana Diesel Adalah penjualan Generating-Set (genset) berkualitas import (builtup) bagi anda yang membutuhkan product berkualitas serta pengadaan yang cepat urgent tanpa berbelit-belit, Genset kami di lengkapi dengan dokumen Certificate Of Original , Manual book engine dan manual book generator, Kami sediakan Genset kapasitas 10 Kva - 650Kva (ANDA PESAN KAMI ANTAR). Jual Sparepart genset perkins CHINA/LOVOL Kap 135 kva Prime power type 1006TAG1A di Enrekang

Berlibur dengan menggunakan jasa sewa mobil jogja murah juga merupakan kegiatan yang sangat mengasikkan. Salah satu alasannya ad

Berlibur dengan menggunakan jasa sewa mobil jogja murah juga merupakan kegiatan yang sangat mengasikkan. Salah satu alasannya adalah Anda dapat menghemat biaya transportasi yang harus dikeluarkan bila Anda menggunakan angkutan umum lain. Selain itu Anda juga dapat melakukan perjalanan dengan lebih nyaman dan mengasikkan karena Anda dapat menentukan sendiri kapan harus berangkat dan pulang tanpa terpaku dengan jadwal yang telah ditentukan. Jasa sewa mobil murah juga telah memiliki berbagai macam jenis mobil yang ditawarkan, Anda juga dapat memilih mobil yang memiliki hanya 4 penumpang sampai yang dapat memuat lebih dari 10 penumpang. Anda dan seluruh keluarga Anda dapat menikmati perjalanan di satu tempat tanpa terganggu oleh siapapun juga.

Menggunakan jasa sewa mobil murah tentu saja akan jauh menghemat pengeluaran Anda apalagi bila Anda termasuk orang yang sangat menyukai spontanitas. Anda tidak perlu mengeluarkan biaya tambahan bila tiba-tiba Anda ingin berhenti di tengah jalan atau berganti tujuan. Hal yang sama tidak akan dapat Anda lakukan jika Anda menggunakan transportasi umum. Mereka telah memiliki jalur yang telah ditetapkan dan tidak dapat Anda ajak untuk berhenti di tengah jalan demi memuaskan rasa ingin tahu Anda. Jika Anda ingin perjalanan Anda lebih nyaman dan tidak capai di tempat tujuan, Anda bisa menyewa mobil beserta sopir sekaligus. Supir ini akan membuat perjalanan Anda lebih nyaman dan bebas dari gangguan. Selain itu, Anda tidak perlu khawatir jika mobil yang Anda sewa mengalami kerusakan di tengah jalan. Supir yang Anda bawa akan mengurus segalanya. Yang harus Anda lakukan adalah cukup menikmati perjalanan wisata Anda tanpa gangguan sama sekali.

Sebelum Anda memutuskan jenis mobil dan durasi penyewaan mobil di jasa sewa mobil murah, Anda harus secara pasti tahu berapa jumlah orang yang akan ikut termasuk kota tujuan yang akan Anda datangi. Jika pesertanya cukup banyak, maka mintalah pada pihak rental mobil jogja murah untuk menyewakan mobil dengan kapasitas yang besar seperti APV atau Avanza. Selain itu, Anda harus memperlakukan supir rental mobil jogja murah dengan baik tetapi tetap harus waspada dengan mereka agar tidak terjadi hal yang tidak diinginkan.

saco-indonesia.com, Komisi Pemberantasan Korupsi (KPK) masih akan terus menelusuri kasus dugaan korupsi hibah kereta KRL dari Je

saco-indonesia.com, Komisi Pemberantasan Korupsi (KPK) masih akan terus menelusuri kasus dugaan korupsi hibah kereta KRL dari Jepang tahun 2006-2007 lalu , yang diduga telah melibatkan menteri perekonomian Hatta Rajasa. Menurut Wakil Ketua KPK, Bambang Widjojanto memang saat ini belum ada perkembangan yang signifikan dari kasus tersebut.
 
"Hibah KRL Jepang kami belum dapat laporan lagi dari penyidik. Kami juga lihat tidak ada potensi yang bisa dikembangkan lagi," kata Bambang dalam pemaparan capaian kinerja KPK tahun 2013 di Gedung KPK, Kuningan, Jakarta Selatan.
 
Kendati demikian, sambung Bambang, penyelidikan juga akan dilakukan kembali bila memang ditemukan bukti baru. "Nanti kalau ada bukti-bukti baru bisa saja dikembangkan lagi," tandasnya
 
Seperti yang diketahui, kasus ini bermula ketika pemerintah Jepang telah memberikan bantuan berupa kereta KRL kepada Kementerian Perhubungan tahun 2006-2007 lalu dengan total proyek senilai Rp48 miliar, namun telah terjadi penggelembungan biaya pengiriman yang telah mengakibatkan kerugian negara yang ditaksir telah mencapai Rp11 miliar.
 
Terkait kasus ini,  Majelis Hakim Pengadilan Tipikor Jakarta telah menjerat satu terdakwa, mantan Dirjen Perkeretaapian Kemenhub Soemino Eko Saputro yang divonis tiga tahun penjara pada 2011 karena terbukti korupsi dalam proses pengangkutan 60 unit KRL dari Jepang.
 
Namun, Soemino telah menyatakan bila penunjukkan langsung perusahaan Sumino Corporation atas persetujuan Hatta Rajasa, termasuk proyek hibah KRL tersebut.


Editor : Dian Sukmawati

Photo
 
United’s first-class and business fliers get Rhapsody, its high-minded in-flight magazine, seen here at its office in Brooklyn. Credit Sam Hodgson for The New York Times

Last summer at a writers’ workshop in Oregon, the novelists Anthony Doerr, Karen Russell and Elissa Schappell were chatting over cocktails when they realized they had all published work in the same magazine. It wasn’t one of the usual literary outlets, like Tin House, The Paris Review or The New Yorker. It was Rhapsody, an in-flight magazine for United Airlines.

It seemed like a weird coincidence. Then again, considering Rhapsody’s growing roster of A-list fiction writers, maybe not. Since its first issue hit plane cabins a year and a half ago, Rhapsody has published original works by literary stars like Joyce Carol Oates, Rick Moody, Amy Bloom, Emma Straub and Mr. Doerr, who won the Pulitzer Prize for fiction two weeks ago.

As airlines try to distinguish their high-end service with luxuries like private sleeping chambers, showers, butler service and meals from five-star chefs, United Airlines is offering a loftier, more cerebral amenity to its first-class and business-class passengers: elegant prose by prominent novelists. There are no airport maps or disheartening lists of in-flight meal and entertainment options in Rhapsody. Instead, the magazine has published ruminative first-person travel accounts, cultural dispatches and probing essays about flight by more than 30 literary fiction writers.

 

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Sean Manning, executive editor of Rhapsody, which publishes works by the likes of Joyce Carol Oates, Amy Bloom and Anthony Doerr, who won a Pulitzer Prize. Credit Sam Hodgson for The New York Times

 

An airline might seem like an odd literary patron. But as publishers and writers look for new ways to reach readers in a shaky retail climate, many have formed corporate alliances with transit companies, including American Airlines, JetBlue and Amtrak, that provide a captive audience.

Mark Krolick, United Airlines’ managing director of marketing and product development, said the quality of the writing in Rhapsody brings a patina of sophistication to its first-class service, along with other opulent touches like mood lighting, soft music and a branded scent.

“The high-end leisure or business-class traveler has higher expectations, even in the entertainment we provide,” he said.

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Some of Rhapsody’s contributing writers say they were lured by the promise of free airfare and luxury accommodations provided by United, as well as exposure to an elite audience of some two million first-class and business-class travelers.

“It’s not your normal Park Slope Community Bookstore types who read Rhapsody,” Mr. Moody, author of the 1994 novel “The Ice Storm,” who wrote an introspective, philosophical piece about traveling to the Aran Islands of Ireland for Rhapsody, said in an email. “I’m not sure I myself am in that Rhapsody demographic, but I would like them to buy my books one day.”

In addition to offering travel perks, the magazine pays well and gives writers freedom, within reason, to choose their subject matter and write with style. Certain genres of flight stories are off limits, naturally: no plane crashes or woeful tales of lost luggage or rude flight attendants, and nothing too risqué.

“We’re not going to have someone write about joining the mile-high club,” said Jordan Heller, the editor in chief of Rhapsody. “Despite those restrictions, we’ve managed to come up with a lot of high-minded literary content.”

Guiding writers toward the right idea occasionally requires some gentle prodding. When Rhapsody’s executive editor asked Ms. Russell to contribute an essay about a memorable flight experience, she first pitched a story about the time she was chaperoning a group of teenagers on a trip to Europe, and their delayed plane sat at the airport in New York for several hours while other passengers got progressively drunker.

“He pointed out that disaster flights are not what people want to read about when they’re in transit, and very diplomatically suggested that maybe people want to read something that casts air travel in a more positive light,” said Ms. Russell, whose novel “Swamplandia!” was a finalist for the 2012 Pulitzer Prize.

She turned in a nostalgia-tinged essay about her first flight on a trip to Disney World when she was 6. “The Magic Kingdom was an anticlimax,” she wrote. “What ride could compare to that first flight?”

Ms. Oates also wrote about her first flight, in a tiny yellow propeller plane piloted by her father. The novelist Joyce Maynard told of the constant disappointment of never seeing her books in airport bookstores and the thrill of finally spotting a fellow plane passenger reading her novel “Labor Day.” Emily St. John Mandel, who was a finalist for the National Book Award in fiction last year, wrote about agonizing over which books to bring on a long flight.

“There’s nobody that’s looked down their noses at us as an in-flight magazine,” said Sean Manning, the magazine’s executive editor. “As big as these people are in the literary world, there’s still this untapped audience for them of luxury travelers.”

United is one of a handful of companies showcasing work by literary writers as a way to elevate their brands and engage customers. Chipotle has printed original work from writers like Toni Morrison, Jeffrey Eugenides and Barbara Kingsolver on its disposable cups and paper bags. The eyeglass company Warby Parker hosts parties for authors and sells books from 14 independent publishers in its stores.

JetBlue offers around 40 e-books from HarperCollins and Penguin Random House on its free wireless network, allowing passengers to read free samples and buy and download books. JetBlue will start offering 11 digital titles from Simon & Schuster soon. Amtrak recently forged an alliance with Penguin Random House to provide free digital samples from 28 popular titles, which passengers can buy and download over Amtrak’s admittedly spotty wireless service.

Amtrak is becoming an incubator for literary talent in its own right. Last year, it started a residency program, offering writers a free long-distance train trip and complimentary food. More than 16,000 writers applied and 24 made the cut.

Like Amtrak, Rhapsody has found that writers are eager to get onboard. On a rainy spring afternoon, Rhapsody’s editorial staff sat around a conference table discussing the June issue, which will feature an essay by the novelist Hannah Pittard and an unpublished short story by the late Elmore Leonard.

“Do you have that photo of Elmore Leonard? Can I see it?” Mr. Heller, the editor in chief, asked Rhapsody’s design director, Christos Hannides. Mr. Hannides slid it across the table and noted that they also had a photograph of cowboy spurs. “It’s very simple; it won’t take away from the literature,” he said.

Rhapsody’s office, an open space with exposed pipes and a vaulted brick ceiling, sits in Dumbo at the epicenter of literary Brooklyn, in the same converted tea warehouse as the literary journal N+1 and the digital publisher Atavist. Two of the magazine’s seven staff members hold graduate degrees in creative writing. Mr. Manning, the executive editor, has published a memoir and edited five literary anthologies.

Mr. Manning said Rhapsody was conceived from the start as a place for literary novelists to write with voice and style, and nobody had been put off that their work would live in plane cabins and airport lounges.

Still, some contributors say they wish the magazine were more widely circulated.

“I would love it if I could read it,” said Ms. Schappell, a Brooklyn-based novelist who wrote a feature story for Rhapsody’s inaugural issue. “But I never fly first class.”

The career criminals in genre novels don’t have money problems. If they need some, they just go out and steal it. But such financial transactions can backfire, which is what happened back in 2004 when the Texas gang in Michael

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