Jual Sparepart Genset Cummins di Bolaang Mongondow Hubungi : 0821 - 1310 - 3112/(021) 9224 - 2423 PT. Tribuana Diesel Adalah penjualan Generating-Set (genset) berkualitas import (builtup) bagi anda yang membutuhkan product berkualitas serta pengadaan yang cepat urgent tanpa berbelit-belit, Genset kami di lengkapi dengan dokumen Certificate Of Original , Manual book engine dan manual book generator, Kami sediakan Genset kapasitas 10 Kva - 650Kva (ANDA PESAN KAMI ANTAR).

Jual Sparepart Genset Cummins di Bolaang Mongondow Kami juga menerima pembuatan box silent dan perakitan diesel generator set. Produk kami meliputi berbagai diesel generator set model open, silent lokal yang ukuranya menyesuaikan lokasi pondasi genset, mobile/ trailer . Sebagian besar mesin kami menggunakan Merk : Perkins, Cummins, Deutz, Lovol, Isuzu Foton dengan generator Leroy Somer, Stamford, kualitas terbaik brushless alternator. Jual Sparepart Genset Cummins di Bolaang Mongondow

Jual Sparepart Genset Cummins di Bolaang Mongondow

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Jual Sparepart Genset Cummins 37 Kva Silent di Jembrana

Jual Sparepart Genset Cummins 37 Kva Silent di Jembrana Hubungi : 0821 - 1310 - 3112/(021) 9224 - 2423 PT. Tribuana Diesel Adalah penjualan Generating-Set (genset) berkualitas import (builtup) bagi anda yang membutuhkan product berkualitas serta pengadaan yang cepat urgent tanpa berbelit-belit, Genset kami di lengkapi dengan dokumen Certificate Of Original , Manual book engine dan manual book generator, Kami sediakan Genset kapasitas 10 Kva - 650Kva (ANDA PESAN KAMI ANTAR). Jual Sparepart Genset Cummins 37 Kva Silent di Jembrana

    saco-indonesi.com,     I’ve made up my mind,     Don’t need to

    saco-indonesi.com,

    I’ve made up my mind,
    Don’t need to think it over,
    if I’m wrong I am right,
    Don’t need to look no further,
    This ain’t lust,
    i know this is love but,

    If i tell the world,
    I’ll never say enough,
    Cause it was not said to you,
    And thats exactly what i need to do,
    If i’m in love with you,

    Should i give up,
    Or should i just keep chasing pavements?
    Even if it leads nowhere,
    Or would it be a waste?
    Even If i knew my place should i leave it there?
    Should i give up,
    Or should i just keep chasing pavements?
    Even if it leads nowhere

    I’d build myself up,
    And fly around in circles,
    Wait then as my heart drops,
    and my back begins to tingle
    finally could this be it

    Should i give up,
    Or should i just keep chasing pavements?
    Even if it leads nowhere,
    Or would it be a waste?
    Even If i knew my place should i leave it there?
    Should i give up,
    Or should i just keep chasing pavements?
    Even if it leads nowhere

    Should i give up,
    Or should i just keep chasing pavements?
    Even if it leads nowhere,
    Or would it be a waste?
    Even If i knew my place should i leave it there?
    Should i give up,
    Or should i just keep chasing pavements?
    Even if it leads nowhere


    Editor : Dian Sukmawati

saco-indonesia.com, Memasang LED TV di dalam kamar atau ruang tamu memang telah menambah kesan yang elegan dan rapi. Selain itu

saco-indonesia.com, Memasang LED TV di dalam kamar atau ruang tamu memang telah menambah kesan yang elegan dan rapi. Selain itu juga tidak terlalu memakan tempat, pemasangan LED TV memakai bracket juga dianggap lebih aman karena TV tidak mudah tersenggol atau dijangkau oleh anak-anak. Nah, agar hasilnya optimal, berikut saya sajikan tips untuk memilih bracket LED TV.

Tips Memilih Bracket LED TV
Dalam memilih bracket LED TV yang paling bagus, aman, dan nyaman bagi TV itu sendiri maupun bagi anggota keluarga, kita juga harus memperhatikan beberapa hal sebagai berikut:

Ukuran
Bracket TV telah dijual dengan ukuran yang beraneka ragam. Menariknya, ukuran tersebut juga berupa rentang jadi kita dapat memanfaatkan satu jenis bracket untuk sejumlah ukuran, misal dari 22 inch hingga 42 inch. Jadi, sebelum mebeli, pastikan ukuran LED TV sobat.

Model
Model bracket beraneka ragam, dari yang berpegangan satu maupun dua. Artinya, dengan bentuknya yang sedemikian rupa, bracket ada yang telah menyediakan satu penopang bagi LED TV namun ada juga yang dua penopang. Pilihlah yang sesuai dengan keinginan sobat.

Fleksibilitas
Bracket TV telah dibuat beraneka ragam dengan fleksibilitas yang berbeda pula, ada yang hanya menghadap kedepan, ada pula yang dapat ditengokkan ke kanan dan kekiri. Usahakan memilih yang paling fleksibel sehingga LED TV sobat dapat dilihat dari depan, samping kanan, maupun samping kiri.

Kualitas
bahan bracket juga beraneka ragam, ada yang kuat dan ada yang mudah keropos. Pilihlah bracket yang kualitasnya dapat diandalkan, baik besi maupun catnya. Jangan sampai bracket yang sobat beli mudah keropos dan catnya mudah terkelupas karena justru akan mengotori ruangan serta tidak aman untuk TV maupun penontonnya.

Nah, itulah sekilas tentang tips untuk memilih bracket LED TV. Memang dalam hal pemilihan, kita sering dibuat pusing. Akan tetapi dengan berbekal pertimbangan diatas, sobat dapat mengambil keputusan yang terbaik. Semoga bermanfaat. Salam.


Editor : Dian Sukmawati

Though Robin and Joan Rolfs owned two rare talking dolls manufactured by Thomas Edison’s phonograph company in 1890, they did not dare play the wax cylinder records tucked inside each one.

The Rolfses, longtime collectors of Edison phonographs, knew that if they turned the cranks on the dolls’ backs, the steel phonograph needle might damage or destroy the grooves of the hollow, ring-shaped cylinder. And so for years, the dolls sat side by side inside a display cabinet, bearers of a message from the dawn of sound recording that nobody could hear.

In 1890, Edison’s dolls were a flop; production lasted only six weeks. Children found them difficult to operate and more scary than cuddly. The recordings inside, which featured snippets of nursery rhymes, wore out quickly.

Yet sound historians say the cylinders were the first entertainment records ever made, and the young girls hired to recite the rhymes were the world’s first recording artists.

Year after year, the Rolfses asked experts if there might be a safe way to play the recordings. Then a government laboratory developed a method to play fragile records without touching them.

Audio

The technique relies on a microscope to create images of the grooves in exquisite detail. A computer approximates — with great accuracy — the sounds that would have been created by a needle moving through those grooves.

In 2014, the technology was made available for the first time outside the laboratory.

“The fear all along is that we don’t want to damage these records. We don’t want to put a stylus on them,” said Jerry Fabris, the curator of the Thomas Edison Historical Park in West Orange, N.J. “Now we have the technology to play them safely.”

Last month, the Historical Park posted online three never-before-heard Edison doll recordings, including the two from the Rolfses’ collection. “There are probably more out there, and we’re hoping people will now get them digitized,” Mr. Fabris said.

The technology, which is known as Irene (Image, Reconstruct, Erase Noise, Etc.), was developed by the particle physicist Carl Haber and the engineer Earl Cornell at Lawrence Berkeley. Irene extracts sound from cylinder and disk records. It can also reconstruct audio from recordings so badly damaged they were deemed unplayable.

“We are now hearing sounds from history that I did not expect to hear in my lifetime,” Mr. Fabris said.

The Rolfses said they were not sure what to expect in August when they carefully packed their two Edison doll cylinders, still attached to their motors, and drove from their home in Hortonville, Wis., to the National Document Conservation Center in Andover, Mass. The center had recently acquired Irene technology.

Audio

Cylinders carry sound in a spiral groove cut by a phonograph recording needle that vibrates up and down, creating a surface made of tiny hills and valleys. In the Irene set-up, a microscope perched above the shaft takes thousands of high-resolution images of small sections of the grooves.

Stitched together, the images provide a topographic map of the cylinder’s surface, charting changes in depth as small as one five-hundredth the thickness of a human hair. Pitch, volume and timbre are all encoded in the hills and valleys and the speed at which the record is played.

At the conservation center, the preservation specialist Mason Vander Lugt attached one of the cylinders to the end of a rotating shaft. Huddled around a computer screen, the Rolfses first saw the wiggly waveform generated by Irene. Then came the digital audio. The words were at first indistinct, but as Mr. Lugt filtered out more of the noise, the rhyme became clearer.

“That was the Eureka moment,” Mr. Rolfs said.

In 1890, a girl in Edison’s laboratory had recited:

There was a little girl,

And she had a little curl

Audio

Right in the middle of her forehead.

When she was good,

She was very, very good.

But when she was bad, she was horrid.

Recently, the conservation center turned up another surprise.

In 2010, the Woody Guthrie Foundation received 18 oversize phonograph disks from an anonymous donor. No one knew if any of the dirt-stained recordings featured Guthrie, but Tiffany Colannino, then the foundation’s archivist, had stored them unplayed until she heard about Irene.

Last fall, the center extracted audio from one of the records, labeled “Jam Session 9” and emailed the digital file to Ms. Colannino.

“I was just sitting in my dining room, and the next thing I know, I’m hearing Woody,” she said. In between solo performances of “Ladies Auxiliary,” “Jesus Christ,” and “Dead or Alive,” Guthrie tells jokes, offers some back story, and makes the audience laugh. “It is quintessential Guthrie,” Ms. Colannino said.

The Rolfses’ dolls are back in the display cabinet in Wisconsin. But with audio stored on several computers, they now have a permanent voice.

Gagne wrestled professionally from the late 1940s until the 1980s and was a transitional figure between the early 20th century barnstormers and the steroidal sideshows of today

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