Jual Sparepart Genset Cummins Murah di Tambrauw Hubungi : 0821 - 1310 - 3112/(021) 9224 - 2423 PT. Tribuana Diesel Adalah penjualan Generating-Set (genset) berkualitas import (builtup) bagi anda yang membutuhkan product berkualitas serta pengadaan yang cepat urgent tanpa berbelit-belit, Genset kami di lengkapi dengan dokumen Certificate Of Original , Manual book engine dan manual book generator, Kami sediakan Genset kapasitas 10 Kva - 650Kva (ANDA PESAN KAMI ANTAR).

Jual Sparepart Genset Cummins Murah di Tambrauw Kami juga menerima pembuatan box silent dan perakitan diesel generator set. Produk kami meliputi berbagai diesel generator set model open, silent lokal yang ukuranya menyesuaikan lokasi pondasi genset, mobile/ trailer . Sebagian besar mesin kami menggunakan Merk : Perkins, Cummins, Deutz, Lovol, Isuzu Foton dengan generator Leroy Somer, Stamford, kualitas terbaik brushless alternator. Jual Sparepart Genset Cummins Murah di Tambrauw

Jual Sparepart Genset Cummins Murah di Tambrauw

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Jual Sparepart genset LOVOL OPEN DAN SILENT KAP 45KVA -175KVA di Mimika

Jual Sparepart genset LOVOL OPEN DAN SILENT KAP 45KVA -175KVA di Mimika Hubungi : 0821 - 1310 - 3112/(021) 9224 - 2423 PT. Tribuana Diesel Adalah penjualan Generating-Set (genset) berkualitas import (builtup) bagi anda yang membutuhkan product berkualitas serta pengadaan yang cepat urgent tanpa berbelit-belit, Genset kami di lengkapi dengan dokumen Certificate Of Original , Manual book engine dan manual book generator, Kami sediakan Genset kapasitas 10 Kva - 650Kva (ANDA PESAN KAMI ANTAR). Jual Sparepart genset LOVOL OPEN DAN SILENT KAP 45KVA -175KVA di Mimika

saco-indonesia.com, Kantor Royal Lindo Grup di Jalan Tanah Abang 1 Blok 1 No.10, Gambir, Jakarta Pusat, telah dibobol maling, Sa

saco-indonesia.com, Kantor Royal Lindo Grup di Jalan Tanah Abang 1 Blok 1 No.10, Gambir, Jakarta Pusat, telah dibobol maling, Sabtu (1/2) dinihari. Peristiwa pencurian di perkantoran itu baru telah diketahui karyawan yang mau masuk kerja, pagi.

“Saat karyawan mau masuk melihat kantor sudah terbuka kemudian dilaporkan pada pemiliknya Iqbal,” tegas Kapolsek Gambir AKBP Agung, saat dikonfirmasi.

Keterangan yang telah dihimpun, kejadian tersebut telah diperkirakan tengah malam dan baru diketahui sekitar pukul 08:00 pagi , saat salah seorang karyawan mau masuk dan telah melihat pintu sudah terbuka. Khawatir akan terjadi apa-apa, kasus ini telah dilaporkan ke pemilik perusahaan diteruskan ke Polsek Gambir.

Petugas dari Polsek Gambir pimpinan Kanit Reskrim Kompol Joko Waluyo, yang tiba di lokasi segera melakukan olah TKP di ruangan yang sudah diacak-acak oleh pelaku.

Dari tempat kejadian itu, petugas telah menemukan sidik jari salah satu pelaku yang nempel di di atas meja yang ada kaca. “Kerena barang-barang berantakan hingga pemilik belum tahu barang-barang apa saja yang hilang serta jumlah keruigian,” kata kapolsek.

Hingga saat ini petugas Polsek Gambir serta Polres Jakarta Pusat, masih harus melekukan pemeriksaan sejumlah saksi dan warga sekitar yang telah diduga mengetahui kejadian itu.


Editor : Dian Sukmawati

"Farhat Abbas telah meraih 23,85 persen, mengalahkan Jokowi yang menempati posisi kedua dengan 16,4 persen," ujar Direktur Utama Katapedia Deddy Rahman di Jakarta.

Survei telah menempatkan pengacara kontroversial Farhat Abbas menempati peringkat pertama calon presiden (capres) yang paling populer pada jejaring sosial Twitter. Namun tak dijelaskan apakah Farhat paling populer karena dibully atau disukai.

Hal itu berdasarkan dari hasil survei lembaga riset Katapedia yang telah dilakukan 8 Januari hingga 8 Februari 2014 lalu . Katapedia adalah lembaga survei yang melakukan analisa berdasarkan media jejaring sosial maupun portal berita.

"Farhat Abbas telah meraih 23,85 persen, mengalahkan Jokowi yang menempati posisi kedua dengan 16,4 persen," ujar Direktur Utama Katapedia Deddy Rahman di Jakarta.

Lembaga survei tersebut telah melakukan pemantauan dengan metode data mining dengan kata kunci capres dan presiden. Jumlah data yang telah berhasil dikumpulkan yakni 122.907.

Peringkat ketiga diraih oleh Anis Matta dengan persentase 12,91. Kemudian disusul Megawati Soekarnoputri 10,39 persen.

Popularitas partai yang banyak diperbincangkan di Twitter yakni PPP sebanyak 25,58 persen, PKS sebanyak 20,73 persen, Demokrat 14,57 persen, PDIP 10,17 persen, dan Golkar 9,75 persen.

Sementara jumlah perbincangan politik di jejaring sosial Facebook sepanjang 8 Januari hingga 8 Februari paling banyak mengenai capres yakni 65,8 persen, caleg 31,35 persen dan parpol 31,097 persen.

"Sepanjang 8 Februari hingga 8 Maret masih didominasi capres yakni 57,08 persen, parpol 27,93 persen dan caleg 27,8 persen."

Hasil pemantauan portal berita mengenai capres, didominasi oleh Jokowi.

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Many bodies prepared for cremation last week in Kathmandu were of young men from Gongabu, a common stopover for Nepali migrant workers headed overseas. Credit Daniel Berehulak for The New York Times

KATHMANDU, Nepal — When the dense pillar of smoke from cremations by the Bagmati River was thinning late last week, the bodies were all coming from Gongabu, a common stopover for Nepali migrant workers headed overseas, and they were all of young men.

Hindu custom dictates that funeral pyres should be lighted by the oldest son of the deceased, but these men were too young to have sons, so they were burned by their brothers or fathers. Sukla Lal, a maize farmer, made a 14-hour journey by bus to retrieve the body of his 19-year-old son, who had been on his way to the Persian Gulf to work as a laborer.

“He wanted to live in the countryside, but he was compelled to leave by poverty,” Mr. Lal said, gazing ahead steadily as his son’s remains smoldered. “He told me, ‘You can live on your land, and I will come up with money, and we will have a happy family.’ ”

Weeks will pass before the authorities can give a complete accounting of who died in the April 25 earthquake, but it is already clear that Nepal cannot afford the losses. The countryside was largely stripped of its healthy young men even before the quake, as they migrated in great waves — 1,500 a day by some estimates — to work as laborers in India, Malaysia or one of the gulf nations, leaving many small communities populated only by elderly parents, women and children. Economists say that at some times of the year, one-quarter of Nepal’s population is working outside the country.

Late in April, after Native American actors walked off in disgust from the set of Adam Sandler’s latest film, a western sendup that its distributor, Netflix, has defended as being equally offensive to all, a glow of pride spread through several Native American communities.

Tantoo Cardinal, a Canadian indigenous actress who played Black Shawl in “Dances With Wolves,” recalled thinking to herself, “It’s come.” Larry Sellers, who starred as Cloud Dancing in the 1990s television show “Dr. Quinn, Medicine Woman,” thought, “It’s about time.” Jesse Wente, who is Ojibwe and directs film programming at the TIFF Bell Lightbox in Toronto, found himself encouraged and surprised. There are so few film roles for indigenous actors, he said, that walking off the set of a major production showed real mettle.

But what didn’t surprise Mr. Wente was the content of the script. According to the actors who walked off the set, the film, titled “The Ridiculous Six,” included a Native American woman who passes out and is revived after white men douse her with alcohol, and another woman squatting to urinate while lighting a peace pipe. “There’s enough history at this point to have set some expectations around these sort of Hollywood depictions,” Mr. Wente said.

The walkout prompted a rhetorical “What do you expect from an Adam Sandler film?,” and a Netflix spokesman said that in the movie, blacks, Mexicans and whites were lampooned as well. But Native American actors and critics said a broader issue was at stake. While mainstream portrayals of native peoples have, Mr. Wente said, become “incrementally better” over the decades, he and others say, they remain far from accurate and reflect a lack of opportunities for Native American performers. What’s more, as Native Americans hunger for representation on screen, critics say the absence of three-dimensional portrayals has very real off-screen consequences.

“Our people are still healing from historical trauma,” said Loren Anthony, one of the actors who walked out. “Our youth are still trying to figure out who they are, where they fit in this society. Kids are killing themselves. They’re not proud of who they are.” They also don’t, he added, see themselves on prime time television or the big screen. Netflix noted while about five people walked off the “The Ridiculous Six” set, 100 or so Native American actors and extras stayed.

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But in interviews, nearly a dozen Native American actors and film industry experts said that Mr. Sandler’s humor perpetuated decades-old negative stereotypes. Mr. Anthony said such depictions helped feed the despondency many Native Americans feel, with deadly results: Native Americans have the highest suicide rate out of all the country’s ethnicities.

The on-screen problem is twofold, Mr. Anthony and others said: There’s a paucity of roles for Native Americans — according to the Screen Actors Guild in 2008 they accounted for 0.3 percent of all on-screen parts (those figures have yet to be updated), compared to about 2 percent of the general population — and Native American actors are often perceived in a narrow way.

In his Peabody Award-winning documentary “Reel Injun,” the Cree filmmaker Neil Diamond explored Hollywood depictions of Native Americans over the years, and found they fell into a few stereotypical categories: the Noble Savage, the Drunk Indian, the Mystic, the Indian Princess, the backward tribal people futilely fighting John Wayne and manifest destiny. While the 1990 film “Dances With Wolves” won praise for depicting Native Americans as fully fleshed out human beings, not all indigenous people embraced it. It was still told, critics said, from the colonialists’ point of view. In an interview, John Trudell, a Santee Sioux writer, actor (“Thunderheart”) and the former chairman of the American Indian Movement, described the film as “a story of two white people.”

“God bless ‘Dances with Wolves,’ ” Michael Horse, who played Deputy Hawk in “Twin Peaks,” said sarcastically. “Even ‘Avatar.’ Someone’s got to come save the tribal people.”

Dan Spilo, a partner at Industry Entertainment who represents Adam Beach, one of today’s most prominent Native American actors, said while typecasting dogs many minorities, it is especially intractable when it comes to Native Americans. Casting directors, he said, rarely cast them as police officers, doctors or lawyers. “There’s the belief that the Native American character should be on reservations or riding a horse,” he said.

“We don’t see ourselves,” Mr. Horse said. “We’re still an antiquated culture to them, and to the rest of the world.”

Ms. Cardinal said she was once turned down for the role of the wife of a child-abusing cop because the filmmakers felt that casting her would somehow be “too political.”

Another sore point is the long run of white actors playing American Indians, among them Burt Lancaster, Rock Hudson, Audrey Hepburn and, more recently, Johnny Depp, whose depiction of Tonto in the 2013 film “Lone Ranger,” was viewed as racist by detractors. There are, of course, exceptions. The former A&E series “Longmire,” which, as it happens, will now be on Netflix, was roundly praised for its depiction of life on a Northern Cheyenne reservation, with Lou Diamond Phillips, who is of Cherokee descent, playing a Northern Cheyenne man.

Others also point to the success of Mr. Beach, who played a Mohawk detective in “Law & Order: Special Victims Unit” and landed a starring role in the forthcoming D C Comics picture “Suicide Squad.” Mr. Beach said he had come across insulting scripts backed by people who don’t see anything wrong with them.

“I’d rather starve than do something that is offensive to my ancestral roots,” Mr. Beach said. “But I think there will always be attempts to drawn on the weakness of native people’s struggles. The savage Indian will always be the savage Indian. The white man will always be smarter and more cunning. The cavalry will always win.”

The solution, Mr. Wente, Mr. Trudell and others said, lies in getting more stories written by and starring Native Americans. But Mr. Wente noted that while independent indigenous film has blossomed in the last two decades, mainstream depictions have yet to catch up. “You have to stop expecting for Hollywood to correct it, because there seems to be no ability or desire to correct it,” Mr. Wente said.

There have been calls to boycott Netflix but, writing for Indian Country Today Media Network, which first broke news of the walk off, the filmmaker Brian Young noted that the distributor also offered a number of films by or about Native Americans.

The furor around “The Ridiculous Six” may drive more people to see it. Then one of the questions that Mr. Trudell, echoing others, had about the film will be answered: “Who the hell laughs at this stuff?”

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