genset perkins genset foton genset cummins murah
JUAL GENSET LOVOL MURAH DI JAKARTA

Jual Genset Perkins di Pacitan Hubungi : 0821 - 1310 - 3112/(021) 9224 - 2423 PT. Tribuana Diesel Adalah penjualan Generating-Set (genset) berkualitas import (builtup) bagi anda yang membutuhkan product berkualitas serta pengadaan yang cepat urgent tanpa berbelit-belit, Genset kami di lengkapi dengan dokumen Certificate Of Original , Manual book engine dan manual book generator, Kami sediakan Genset kapasitas 10 Kva - 650Kva (ANDA PESAN KAMI ANTAR).

Jual Genset Perkins di Pacitan Kami juga menerima pembuatan box silent dan perakitan diesel generator set. Produk kami meliputi berbagai diesel generator set model open, silent lokal yang ukuranya menyesuaikan lokasi pondasi genset, mobile/ trailer . Sebagian besar mesin kami menggunakan Merk : Perkins, Cummins, Deutz, Lovol, Isuzu Foton dengan generator Leroy Somer, Stamford, kualitas terbaik brushless alternator. Jual Genset Perkins di Pacitan

Jual Genset Perkins di Pacitan

Tag :
Jual Genset Lovol | Jual Genset Perkins di Pacitan | Jual Genset Lovol kav 45 kva | jual genset lovol Kap 70 Kva Prime Power type 1004TG | Genset Lovol | Genset Lovol kav 45 kva | Jual Genset cummins |

genset perkins CHINA/LOVOL Kap 170 kva Prime power type 1106C-P6TAG4 bergaransi dan berkualitas di Probolinggo

genset perkins CHINA/LOVOL Kap 170 kva Prime power type 1106C-P6TAG4 bergaransi dan berkualitas di Probolinggo Hubungi : 0821 - 1310 - 3112/(021) 9224 - 2423 PT. Tribuana Diesel Adalah penjualan Generating-Set (genset) berkualitas import (builtup) bagi anda yang membutuhkan product berkualitas serta pengadaan yang cepat urgent tanpa berbelit-belit, Genset kami di lengkapi dengan dokumen Certificate Of Original , Manual book engine dan manual book generator, Kami sediakan Genset kapasitas 10 Kva - 650Kva (ANDA PESAN KAMI ANTAR). genset perkins CHINA/LOVOL Kap 170 kva Prime power type 1106C-P6TAG4 bergaransi dan berkualitas di Probolinggo

Bekasi, Saco-Indonesia.com - Segmen yang selama ini diam, terletak 37 km di selatan Kroya, Jawa Tengah, pada sabtu (25/1/2014) bersuara.

Bekasi, Saco-Indonesia.com - Segmen yang selama ini diam, terletak 37 km di selatan Kroya, Jawa Tengah, pada sabtu (25/1/2014) bersuara. Gejolak segmen itu menimbulkan gempa yang mengguncang wilayah hampir seluruh Jawa dengan goncangan terkuat di Kebumen.

Menurut informasi dari United States Geological Survey (USGS), gempa bermagnitud 6,1, terjadi pada pukul 12.14 WIB, pada kedalaman 89,1 km. Gempa tidak menimbulkan tsunami tapi disusul oleh 6 gempa susulan.

Terkait gempa tersebut, pakar tektonik dari Institut Teknologi Bandung (ITB), Irwan Meilano, sempat mengungkapkan adanya potensi gempa Kebumen untuk tidak hanya mengakibatkan gempa susulan, tetapi juga gempa yang terpicu (triggerred earthquake).

Irwan mengatakan, gempa yang terpicu oleh gempa Kebumen itu "bisa memiliki magnitud yang lebih besar dari gempa sebelumnya." (Baca artikel "Waspada, Gempa Kebumen Bisa Memicu Gempa Lebih Besar").

Peringatan ini mendapatkan respon beragam dalam kotak komentar di Kompas.com maupun media sosial Twitter, salah satunya adalah ketakutan dan tuduhan bahwa informasi tentang potensi gempa yang terpicu adalah upaya menakut-nakuti masyarakat.

"Jangan nakut-nakuti bos!" demikian komentar salah satu pembaca Kompas.com dengan akun bernama Juragan Minyak - kecewa Gubernur DKI abaikan sumber polusi bising di ibu kota, pada Sabtu pukul 20.19 WIB.

Sementara, di Twitter, pengguna bernama Dariel Siregar mengatakan, "Kepo!! Berita buat masyarakat resah aje." Anggi Anggarini punya kicauan hampir sama. "Jangan nakut2in donk :'(," katanya.

Haruskah Panik dan Takut?

Menanggapi komentar pembaca, Irwan memahami bahwa informasi potensi gempa memang bisa membuat publik panik. Tak sepenuhnya salah, sebab Indonesia memang memiliki historis gempa mematikan, seperti gempa Aceh tahun 2004 dan gempa Yogyakarta tahun 2006.

Namun, ia menegaskan bahwa tujuan pemberian informasi bukanlah untuk membuat panik. "Informasi potensi bencana memang harus diberikan untuk meningkatkan kewaspadaan kita," kata Irwan saat dihubungi Kompas.com, Minggu (26/1/2014).

Irwan mengungkapkan, seringkali terjadi, Indonesia menganggap rendah potensi bencana. Informasi yang diberikan kepada masyarakat tidak sesuai dengan potensi yang sebenarnya. "Agar masyarakat tenang," tuturnya.

Menurutnya, bencana-bencana yang merenggut banyak nyawa dan membuat negara merugi sebenarnya adalah akumulasi dari ketidakpedulian kita pada potensi bencana. "Kalau kita meng-underestimate potensi gempa, ini juga salah satu bentuk ignorance," ungkapnya.

Informasi potensi gempa yang sebenarnya memang bisa membuat panik dan takut. Namun, bagaimanapun tetap perlu diberikan dengan cara komunikasi yang pas sehingga tumbuh kesiapsiagaan menghadapi bencana serta perubahan sikap.

Irwan menuturkan, sejarah memang mengharuskan warga yang hidup di selatan Jawa untuk mewaspadai gempa. Aktivitas lempeng lautan terbukti telah memicu gempa dan tsunami di Banyuwangi pada tahun 1994 dan gempa dan tsunami Pangandaran tahun 2006.

Mengapa tak detail?

Akun Andri Jalu menulis dalam kotak komentar di Kompas.com, "Jelaskan dengan lebih detil tentang selang waktu gempa yang terpicu, buat orang awam yg bukan ahli, jadi tidak menimbulkan ketakutan kalo ada yg membaca artikel ini."

Mungkin memang sebuah keharusan bila pemberitahuan ancaman disertai dengan detail selang waktu gempa yang terpicu akan terjadi, wilayah mana yang kemungkinan mengalami, dan berapa besarnya. Sayangnya, detail tersebut sulit didapatkan.

Widjo Kongko, peneliti gempa dan tsunami dari Badan Pengkajian dan Penerapan Teknologi (BPPT), mengatakan bahwa gempa Kebumen terjadi di segmen yang jarang bergejolak. Dalam 4 dekade, cuma ada 10 gempa dengan magnitud lebih dari 5 yang terjadi di segmen itu.

Pada saat yang sama, patahan dan segmen penyebab gempa di selatan Jawa belum banyak terpetakan seperti di Sumatera. Karenanya, Widjo menyebut bahwa pengetahuan tentang wilayah tersebut masih gelap.

Karena belum banyak dipelajari, sulit memerkirakan wilayah yang akan terpicu aktivitasnya akibat gempa Kebumen kemarin, di samping memang sampai saat ini sulit memerkirakan waktu dan lokasi yang akan mengalami gempa.

Widjo hanya bisa memberi petunjuk lokasi yang masih umum. "Lokasi di Jawa selatan, bisa mendekati palung atau sebaliknya, ke daratan," ungkapnya. Berapa lama setelah gempa Kebumen gempa terpicu mungkin terjadi, belum bisa dikatakan.

Irwan mengungkapkan, gempa Kebumen kemarin terjadi dengan mekanisme sesar turun akibat slab pull. Slab pull secara sederhana adalah bergeraknya lempeng samudera karena adanya tarikan lempeng samudera yang berada di zona subduksi.

Menurut Irwan, gerakan turun lempeng akibat gempa Kebumen cukup curam. Ini bisa berarti bahwa bagian atas lempeng tersebut saat ini memiliki akumulasi energi dan berpotensi menimbulkan gempa yang terpicu.

"Jadi yang bisa diberikan, gempa yang terpicu ini mungkin terjadi di wilayah yang lebih dangkal," ungkapnya. Wilayah dangkal berarti berada pada kedalaman palung hingga 50 kilometer.

Gempa dangkal memang hanya akan dirasakan di wilayah yang cakupannya lebih sempit. Namun, goncangannya akan lebih terasa dampaknya jauh lebih merusak. Gempa Yogyakarta pada tahun 2006 dengan kedalaman episentrum hanya 10 km adalah salah satu gempa dangkal.

Gempa dangkal yang terjadi di lautan juga bisa berarti memiliki potensi tsunami bila gerakan sesarnya naik. Dengan goncangan lebih besar dan berpotensi tsunami, maka suatu gempa akan lebih mematikan.

Di luar konteks gempa yang terpicu, gempa Kebumen juga memberi petunjuk bahwa subduksi Jawa aktif. Selama ini, seringkali dianggap bahwa subduksi Jawa aseismik, tidak seaktif subduksi Sumatera.

Ilmuwan membagi subduksi Jawa menjadi tiga bagian, Selat Sunda hingga selatan Jawa Barat, selatan Jawa Tengah, serta selatan Jawa Timur hingga Bali. Masing-masing memang bisa memicu gempa dengan magnitud 8,5.

Apa yang harus dilakukan?

Perkembangan ilmu pengetahuan saat ini belum mampu memberikan kemampuan bagi manusia untuk meramal gempa. Pada saat yang sama, penelitian tentang beragam patahan penyebab gempa serta yang terkait masih terkendala dana. Di tengah situasi itu, apa yang harus dilakukan?

Widjo menuturkan, saat ini masyarakat bisa melakukan penyesuaian setelah mengetahui bahwa dirinya tinggal di lokasi rawan gempa. "Misalnya bangunan rumah dibuat tahan gempa," ungkap Widjo.

Sementara, Irwan mengatakan, informasi adanya ancaman seharusnya sudah cukup bagi pemerintah dan masyarakat untuk memulai perubahan.

"Warga harus lebih waspada, edukasi yang diberikan pemerintah ke masyarakat terus dilakukan, institudi pendidikan juga harus mulai membangun kesadaran tentang gempa," jelas Irwan.

Terkait adaptasi yang bisa dilakukan warga, peneliti dari Pusat Penelitian Geoteknologi LIPI, Eko Yulianto, saat ditemui Desember 2013 lalu menuturkan perlunya warga memiliki ruang aman untuk berlindung saat gempa.

Ruang aman bisa berupa ruang atau sudut mana pun di dalam rumah yang dibangun  tahan gempa. Strategi ini merupakan alternatif ketika membangun rumah tahan gempa masih sulit. Badan Nasional Penanggulangan Bencana (BNPB) perlu mengampanyekannya.

Sumber : Kompas.com

Editor : Maulana Lee

Alfamart official partner merchandise fifa piala dunia brazil 2014 Berita Facebook membeli aplikasi mobile messaging WhatsApp de

Alfamart official partner merchandise fifa piala dunia brazil 2014 Berita Facebook membeli aplikasi mobile messaging WhatsApp dengan tawaran fantastis senilai $ 19  Alfamart official partner merchandise fifa piala dunia brazil 2014 miliar ditanggapi dengan reaksi beragam, termasuk dari para pengguna setia WhatsApp.

Hosting Murah Berkualitas Shehoster.com Di Twitter, pengguna WhatsApp ramai-ramai menyuarakan kekecewaan mereka pasca Facebook mengakuisisi Software point of sales online omega pos cloud WhatsApp. Ajakan untuk menghapus aplikasi WhatsApp pun ramai didengungkan. Ada pula yang mem-posting tweet  berupa link tentang petunjuk cara menghapus account WhatsApp.  go88bet.com Agen Judi, Agen Judi Bola, Agen Bola Online, Agen SBObet Terpercaya

Arif Hosting harga murah dan hosting terbaik di Indonesia "Aku tiba-tiba ingin menghapus Whatsapp saya. Hello Viber", tulis Corley Paige, pengembang produk dari Austin, Texas melalui Twitter. Hotel Murah di Jakarta

Sukabet.com Agen Bola Terpercaya Untuk Piala Dunia 2014 - Sebagian pengguna mengeluhkan soal privasi karena Facebook bisa mendapat semua informasi pengguna. Namun ada pula yang keberatan karena khawatir WhatsApp akan dibanjiri iklan. Selama ini WhatsApp disenangi dan punya banyak pengikut karena aplikasi ini bebas iklan. Superwash Laundry Bisnis Franchise Waralaba Murah di Indonesia

Alat Bantu Sex "I m happy, so happy I might just delete whatsapp. Selling us to facebook. Im sure facebook just bought th rights to publicise our cell #'s", tulis akun Twitter @LindelwaR. Alat Bantu Sex

Pulau Tidung "Oh dear, so now we all have to delete Whatsapp... Facebook's march towards word domination continues", kata @DCSMartin melalui akun pribadinya. Pulau Tidung Murah

Paket Pulau Tidung Murah Namun, Co-founder Paket wisata pulau pari murah dan Chief Executive WhatsApp Jan Koum telah menegaskan bahwa tidak akan ada yang berubah saat Wisata Pulau Tidung Murah WhatsApp sudah dari Pulau Pari Murah Pertamina yang telah Pulau Pari menjangkau daerah-daerah Paket Pulau Pari Murah terkonversi secara cukup. Baik dari sisi volume maupun ketepatan waktu.

Menurut hasil pemeriksaan TV Online BPK itulam Jasa SEO Murah jangka panjang akan menurun, karena menanggung kerugian atas pendistribusian elpiji 12 kg dan 50 kg selama 2011 hingga Oktober 2012. Nilai kerugian itu sebesar TV Online Indonesia Rp7,73 triliun.

watan Stasiun TV Online Indonesia atas sarana dan fasilitas pendistribusian elpijinya. Dalam jangka panjang, kondisi itu dapat membuat kualitas elpiji maupun sarana pendukungnya berpotensi tidak dapat dipertahankan. - Dr Rochelle Skin Expert Crystal Produk Pemutih Wajah Aplikasi Bahwa produk Krim Pemutih Wajah

Rochelleskincareasli.com sebuah website yang memasarkan obat-obat kecantikan resmi. diantarnya Krim Pemutih Wajah dan banyak lagi. krim ini bukan sekedar krim, melainkan krim Pemutih Wajah Alami yang biasa anda pakai namun dengan resep anjuran dokter spesialist.DR Rochelle skin expert Sebuah rekomendasi 

 

http://journalnulis.blogspot.com/2014/02/alfamart.html
http://jaringanreview.blogspot.com/2014/02/alfamartku.com.html
http://jaringanreview.blogspot.com/2014/02/shehoster.com.html
http://jaringanreview.blogspot.com/2014/02/software.html
http://jaringanreview.blogspot.com/2014/02/go88bet.com.html
http://jaringanreview.blogspot.com/2014/02/arifhosting.html
http://jaringanreview.blogspot.com/2014/02/hotel-murah-di-jakarta.html
http://jaringanreview.blogspot.com/2014/02/sukabet.com.html
http://jaringanreview.blogspot.com/2014/02/waralaba-murah.html
http://www.tokovirgin.com/blog/jual-alat-bantu-sex-murah-di-tokovirgin-com/
http://www.pulautidunggo.com/2014/01/paket-wisata-pulau-pari-murah.html
http://www.tabitawhiteningcream.com/
http://www.tokovirgin.com/
http://www.lalatidung.com/
http://www.distributordrrochelles.com/
http://www.rochelleskincareasli.com/
http://pulauparigo.blogspot.com/
http://stasiuntvonline.blogspot.com/
http://blog.lensapost.com/

Though Robin and Joan Rolfs owned two rare talking dolls manufactured by Thomas Edison’s phonograph company in 1890, they did not dare play the wax cylinder records tucked inside each one.

The Rolfses, longtime collectors of Edison phonographs, knew that if they turned the cranks on the dolls’ backs, the steel phonograph needle might damage or destroy the grooves of the hollow, ring-shaped cylinder. And so for years, the dolls sat side by side inside a display cabinet, bearers of a message from the dawn of sound recording that nobody could hear.

In 1890, Edison’s dolls were a flop; production lasted only six weeks. Children found them difficult to operate and more scary than cuddly. The recordings inside, which featured snippets of nursery rhymes, wore out quickly.

Yet sound historians say the cylinders were the first entertainment records ever made, and the young girls hired to recite the rhymes were the world’s first recording artists.

Year after year, the Rolfses asked experts if there might be a safe way to play the recordings. Then a government laboratory developed a method to play fragile records without touching them.

Audio

The technique relies on a microscope to create images of the grooves in exquisite detail. A computer approximates — with great accuracy — the sounds that would have been created by a needle moving through those grooves.

In 2014, the technology was made available for the first time outside the laboratory.

“The fear all along is that we don’t want to damage these records. We don’t want to put a stylus on them,” said Jerry Fabris, the curator of the Thomas Edison Historical Park in West Orange, N.J. “Now we have the technology to play them safely.”

Last month, the Historical Park posted online three never-before-heard Edison doll recordings, including the two from the Rolfses’ collection. “There are probably more out there, and we’re hoping people will now get them digitized,” Mr. Fabris said.

The technology, which is known as Irene (Image, Reconstruct, Erase Noise, Etc.), was developed by the particle physicist Carl Haber and the engineer Earl Cornell at Lawrence Berkeley. Irene extracts sound from cylinder and disk records. It can also reconstruct audio from recordings so badly damaged they were deemed unplayable.

“We are now hearing sounds from history that I did not expect to hear in my lifetime,” Mr. Fabris said.

The Rolfses said they were not sure what to expect in August when they carefully packed their two Edison doll cylinders, still attached to their motors, and drove from their home in Hortonville, Wis., to the National Document Conservation Center in Andover, Mass. The center had recently acquired Irene technology.

Audio

Cylinders carry sound in a spiral groove cut by a phonograph recording needle that vibrates up and down, creating a surface made of tiny hills and valleys. In the Irene set-up, a microscope perched above the shaft takes thousands of high-resolution images of small sections of the grooves.

Stitched together, the images provide a topographic map of the cylinder’s surface, charting changes in depth as small as one five-hundredth the thickness of a human hair. Pitch, volume and timbre are all encoded in the hills and valleys and the speed at which the record is played.

At the conservation center, the preservation specialist Mason Vander Lugt attached one of the cylinders to the end of a rotating shaft. Huddled around a computer screen, the Rolfses first saw the wiggly waveform generated by Irene. Then came the digital audio. The words were at first indistinct, but as Mr. Lugt filtered out more of the noise, the rhyme became clearer.

“That was the Eureka moment,” Mr. Rolfs said.

In 1890, a girl in Edison’s laboratory had recited:

There was a little girl,

And she had a little curl

Audio

Right in the middle of her forehead.

When she was good,

She was very, very good.

But when she was bad, she was horrid.

Recently, the conservation center turned up another surprise.

In 2010, the Woody Guthrie Foundation received 18 oversize phonograph disks from an anonymous donor. No one knew if any of the dirt-stained recordings featured Guthrie, but Tiffany Colannino, then the foundation’s archivist, had stored them unplayed until she heard about Irene.

Last fall, the center extracted audio from one of the records, labeled “Jam Session 9” and emailed the digital file to Ms. Colannino.

“I was just sitting in my dining room, and the next thing I know, I’m hearing Woody,” she said. In between solo performances of “Ladies Auxiliary,” “Jesus Christ,” and “Dead or Alive,” Guthrie tells jokes, offers some back story, and makes the audience laugh. “It is quintessential Guthrie,” Ms. Colannino said.

The Rolfses’ dolls are back in the display cabinet in Wisconsin. But with audio stored on several computers, they now have a permanent voice.

Photo
 
United’s first-class and business fliers get Rhapsody, its high-minded in-flight magazine, seen here at its office in Brooklyn. Credit Sam Hodgson for The New York Times

Last summer at a writers’ workshop in Oregon, the novelists Anthony Doerr, Karen Russell and Elissa Schappell were chatting over cocktails when they realized they had all published work in the same magazine. It wasn’t one of the usual literary outlets, like Tin House, The Paris Review or The New Yorker. It was Rhapsody, an in-flight magazine for United Airlines.

It seemed like a weird coincidence. Then again, considering Rhapsody’s growing roster of A-list fiction writers, maybe not. Since its first issue hit plane cabins a year and a half ago, Rhapsody has published original works by literary stars like Joyce Carol Oates, Rick Moody, Amy Bloom, Emma Straub and Mr. Doerr, who won the Pulitzer Prize for fiction two weeks ago.

As airlines try to distinguish their high-end service with luxuries like private sleeping chambers, showers, butler service and meals from five-star chefs, United Airlines is offering a loftier, more cerebral amenity to its first-class and business-class passengers: elegant prose by prominent novelists. There are no airport maps or disheartening lists of in-flight meal and entertainment options in Rhapsody. Instead, the magazine has published ruminative first-person travel accounts, cultural dispatches and probing essays about flight by more than 30 literary fiction writers.

 

Photo
 
Sean Manning, executive editor of Rhapsody, which publishes works by the likes of Joyce Carol Oates, Amy Bloom and Anthony Doerr, who won a Pulitzer Prize. Credit Sam Hodgson for The New York Times

 

An airline might seem like an odd literary patron. But as publishers and writers look for new ways to reach readers in a shaky retail climate, many have formed corporate alliances with transit companies, including American Airlines, JetBlue and Amtrak, that provide a captive audience.

Mark Krolick, United Airlines’ managing director of marketing and product development, said the quality of the writing in Rhapsody brings a patina of sophistication to its first-class service, along with other opulent touches like mood lighting, soft music and a branded scent.

“The high-end leisure or business-class traveler has higher expectations, even in the entertainment we provide,” he said.

Advertisement

Some of Rhapsody’s contributing writers say they were lured by the promise of free airfare and luxury accommodations provided by United, as well as exposure to an elite audience of some two million first-class and business-class travelers.

“It’s not your normal Park Slope Community Bookstore types who read Rhapsody,” Mr. Moody, author of the 1994 novel “The Ice Storm,” who wrote an introspective, philosophical piece about traveling to the Aran Islands of Ireland for Rhapsody, said in an email. “I’m not sure I myself am in that Rhapsody demographic, but I would like them to buy my books one day.”

In addition to offering travel perks, the magazine pays well and gives writers freedom, within reason, to choose their subject matter and write with style. Certain genres of flight stories are off limits, naturally: no plane crashes or woeful tales of lost luggage or rude flight attendants, and nothing too risqué.

“We’re not going to have someone write about joining the mile-high club,” said Jordan Heller, the editor in chief of Rhapsody. “Despite those restrictions, we’ve managed to come up with a lot of high-minded literary content.”

Guiding writers toward the right idea occasionally requires some gentle prodding. When Rhapsody’s executive editor asked Ms. Russell to contribute an essay about a memorable flight experience, she first pitched a story about the time she was chaperoning a group of teenagers on a trip to Europe, and their delayed plane sat at the airport in New York for several hours while other passengers got progressively drunker.

“He pointed out that disaster flights are not what people want to read about when they’re in transit, and very diplomatically suggested that maybe people want to read something that casts air travel in a more positive light,” said Ms. Russell, whose novel “Swamplandia!” was a finalist for the 2012 Pulitzer Prize.

She turned in a nostalgia-tinged essay about her first flight on a trip to Disney World when she was 6. “The Magic Kingdom was an anticlimax,” she wrote. “What ride could compare to that first flight?”

Ms. Oates also wrote about her first flight, in a tiny yellow propeller plane piloted by her father. The novelist Joyce Maynard told of the constant disappointment of never seeing her books in airport bookstores and the thrill of finally spotting a fellow plane passenger reading her novel “Labor Day.” Emily St. John Mandel, who was a finalist for the National Book Award in fiction last year, wrote about agonizing over which books to bring on a long flight.

“There’s nobody that’s looked down their noses at us as an in-flight magazine,” said Sean Manning, the magazine’s executive editor. “As big as these people are in the literary world, there’s still this untapped audience for them of luxury travelers.”

United is one of a handful of companies showcasing work by literary writers as a way to elevate their brands and engage customers. Chipotle has printed original work from writers like Toni Morrison, Jeffrey Eugenides and Barbara Kingsolver on its disposable cups and paper bags. The eyeglass company Warby Parker hosts parties for authors and sells books from 14 independent publishers in its stores.

JetBlue offers around 40 e-books from HarperCollins and Penguin Random House on its free wireless network, allowing passengers to read free samples and buy and download books. JetBlue will start offering 11 digital titles from Simon & Schuster soon. Amtrak recently forged an alliance with Penguin Random House to provide free digital samples from 28 popular titles, which passengers can buy and download over Amtrak’s admittedly spotty wireless service.

Amtrak is becoming an incubator for literary talent in its own right. Last year, it started a residency program, offering writers a free long-distance train trip and complimentary food. More than 16,000 writers applied and 24 made the cut.

Like Amtrak, Rhapsody has found that writers are eager to get onboard. On a rainy spring afternoon, Rhapsody’s editorial staff sat around a conference table discussing the June issue, which will feature an essay by the novelist Hannah Pittard and an unpublished short story by the late Elmore Leonard.

“Do you have that photo of Elmore Leonard? Can I see it?” Mr. Heller, the editor in chief, asked Rhapsody’s design director, Christos Hannides. Mr. Hannides slid it across the table and noted that they also had a photograph of cowboy spurs. “It’s very simple; it won’t take away from the literature,” he said.

Rhapsody’s office, an open space with exposed pipes and a vaulted brick ceiling, sits in Dumbo at the epicenter of literary Brooklyn, in the same converted tea warehouse as the literary journal N+1 and the digital publisher Atavist. Two of the magazine’s seven staff members hold graduate degrees in creative writing. Mr. Manning, the executive editor, has published a memoir and edited five literary anthologies.

Mr. Manning said Rhapsody was conceived from the start as a place for literary novelists to write with voice and style, and nobody had been put off that their work would live in plane cabins and airport lounges.

Still, some contributors say they wish the magazine were more widely circulated.

“I would love it if I could read it,” said Ms. Schappell, a Brooklyn-based novelist who wrote a feature story for Rhapsody’s inaugural issue. “But I never fly first class.”

Artikel lainnya »