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AHOK DISARANKAN TAK PERLU TANGGAPI ULAH HAJI LULUNG
saco-indonesia.com, Perdebatan antara Wakil Gubernur DKI Jakarta Basuki T Purnama (Ahok) dan Wakil Ketua DPRD DKI Jakarta Abraha
saco-indonesia.com, Perdebatan antara Wakil Gubernur DKI Jakarta Basuki T Purnama (Ahok) dan Wakil Ketua DPRD DKI Jakarta Abraham Lunggana (Lulung) kembali terekspose media. Kali ini persoalannya terkait dalam penyelesaian masalah banjir di Ibu Kota.
Pakar komunikasi politik Lely Arrianie, juga telah mengatakan jaman sekarang pemimpin yang tempramental memang tidak disukai. Namun, dia telah menilai pernyataan Ahok yang ceplas-ceplos sebenarnya tak bermaksud membuat perdebatan politik.
"Ahok itu cuma geregetan dan ucapan ceplas-ceplosnya tidak bermuatan politik. Tapi, Ahok juga harus interospeksi diri, dia juga mau cepet target tercapai, tapi jagan lupa kinerja dan politik itu harus sejalan," jelas Lely, Senin (3/2/3014) kemarin .
Menurut Ketua Program Pascasarjana Komunikasi Universitas Jaya Baya ini, dalam komunikasi politik ada tiga kategori sebuah bahasa yang mengandung pendekatan politik. Pertama substansi informasinya. Kedua, setting di mana informasi disebarkan dan karena fungsi yang dijalankan.
Dia pun juga menyarankan kepada Ahok untuk tidak membuang waktu menanggapi ocehan dari Haji Lulung. Sebab, kalau terus ditanggapi maka akan ada perdebatan yang panjang.
"Enggak penting untuk dapat menanggapi hal seperti itu. Kalau bisa Ahok mengerem nada bicaranya. Kadang di balik celotehnya ada substansi yang terkadang tidak diterima publik," pungkas Dosen Fisip Universitas Bengkulu itu.
Editor : Dian Sukmawati
Kedatangan jenazah brimob dirumah duka mengundang jerit tangis yang
Jenazah Briptu M Sialen, anggota Brimob Daerah Sumatera Utara (Sumut) yang
tewas dikeroyok, sudah tiba di rumah duka di Medan. Ratusan pelayat terus berdatangan.
Jenazah Briptu M Silaen tiba sekitar pukul 13.00 WIB, Jumat (10/5/2013) di rumah duka, Jalan
Medan – Binjai Kilometer 7,8, Gg Sekata, Medan. Dengan diiringi tangis keluarga, jenazah di dalam
peti mati itu diletakkan di ruangan tengah rumah duka.
Para pelayat yang sudah berdatangan
sejak pagi, jumlahnya semakin banyak. Para pelayat terutama rekan-rekan sejawat Briptu Silaen
dari korps Brimob yang bertugas di Brimob Daerah Sumut.
Jenazah Briptu M Sialen, anggota
Brimob Daerah Sumatera Utara (Sumut) yang tewas dikeroyok, sudah tiba di rumah duka di Medan.
Ratusan pelayat terus berdatangan.
Jenazah Briptu M Silaen tiba sekitar pukul
13.00 WIB, Jumat (10/5/2013) di rumah duka, Jalan Medan – Binjai Kilometer 7,8, Gg
Sekata, Medan. Dengan diiringi tangis keluarga, jenazah di dalam peti mati itu diletakkan di
ruangan tengah rumah duka.
Para pelayat yang sudah berdatangan sejak pagi,
jumlahnya semakin banyak. Para pelayat terutama rekan-rekan sejawat Briptu Silaen dari korps
Brimob yang bertugas di Brimob Daerah Sumut.
Sejauh ini masih belum dipastikan
waktu dan lokasi pengebumian. Pihak keluarga masih bermusyawarah untuk mengambil keputusan.
Briptu M Silaen yang bertugas di Subden 4, Subden 4C Brimob Daerah Sumut tewas
dikeroyok sekelompok orang di Jalan Sei Serayu, Medan pada Jumat dinihari. Bagian kepala korban
dipukul dengan kayu berulang kali. Sepeda motor, handphone dan dompet korban hilang dirampas
Tribute for a Roller Hockey Warrior
Hockey is not exactly known as a city game, but played on roller skates, it once held sway as the sport of choice in many New York neighborhoods.
“City kids had no rinks, no ice, but they would do anything to play hockey,” said Edward Moffett, former director of the Long Island City Y.M.C.A. Roller Hockey League, in Queens, whose games were played in city playgrounds going back to the 1940s.
One street legend from the heyday of New York roller hockey was Craig Allen, who lived in the Woodside Houses projects and became one of the city’s hardest hitters and top scorers.
“Craig was a warrior, one of the best roller hockey players in the city in the ’70s,” said Dave Garmendia, 60, a retired New York police officer who grew up playing with Mr. Allen. “His teammates loved him and his opponents feared him.”
Young Craig took up hockey on the streets of Queens in the 1960s, playing pickup games between sewer covers, wearing steel-wheeled skates clamped onto school shoes and using a roll of electrical tape as the puck.
His skill and ferocity drew attention, Mr. Garmendia said, but so did his skin color. He was black, in a sport made up almost entirely by white players.
“Roller hockey was a white kid’s game, plain and simple, but Craig broke the color barrier,” Mr. Garmendia said. “We used to say Craig did more for race relations than the N.A.A.C.P.”
Mr. Allen went on to coach and referee roller hockey in New York before moving several years ago to South Carolina. But he continued to organize an annual alumni game at Dutch Kills Playground in Long Island City, the same site that held the local championship games.
The reunion this year was on Saturday, but Mr. Allen never made it. On April 26, just before boarding the bus to New York, he died of an asthma attack at age 61.
Word of his death spread rapidly among hundreds of his old hockey colleagues who resolved to continue with the event, now renamed the Craig Allen Memorial Roller Hockey Reunion.
The turnout on Saturday was the largest ever, with players pulling on their old equipment, choosing sides and taking once again to the rink of cracked blacktop with faded lines and circles. They wore no helmets, although one player wore a fedora.
Another, Vinnie Juliano, 77, of Long Island City, wore his hearing aids, along with his 50-year-old taped-up quads, or four-wheeled skates with a leather boot. Many players here never converted to in-line skates, and neither did Mr. Allen, whose photograph appeared on a poster hanging behind the players’ bench.
“I’m seeing people walking by wondering why all these rusty, grizzly old guys are here playing hockey,” one player, Tommy Dominguez, said. “We’re here for Craig, and let me tell you, these old guys still play hard.”
Everyone seemed to have a Craig Allen story, from his earliest teams at Public School 151 to the Bryant Rangers, the Woodside Wings, the Woodside Blues and more.
Mr. Allen, who became a yellow-cab driver, was always recruiting new talent. He gained the nickname Cabby for his habit of stopping at playgrounds all over the city to scout players.
Teams were organized around neighborhoods and churches, and often sponsored by local bars. Mr. Allen, for one, played for bars, including Garry Owen’s and on the Fiddler’s Green Jokers team in Inwood, Manhattan.
Play was tough and fights were frequent.
“We were basically street gangs on skates,” said Steve Rogg, 56, a mail clerk who grew up in Jackson Heights, Queens, and who on Saturday wore his Riedell Classic quads from 1972. “If another team caught up with you the night before a game, they tossed you a beating so you couldn’t play the next day.”
Mr. Garmendia said Mr. Allen’s skin color provoked many fights.
“When we’d go to some ignorant neighborhoods, a lot of players would use slurs,” Mr. Garmendia said, recalling a game in Ozone Park, Queens, where local fans parked motorcycles in a lineup next to the blacktop and taunted Mr. Allen. Mr. Garmendia said he checked a player into the motorcycles, “and the bikes went down like dominoes, which started a serious brawl.”
A group of fans at a game in Brooklyn once stuck a pole through the rink fence as Mr. Allen skated by and broke his jaw, Mr. Garmendia said, adding that carloads of reinforcements soon arrived to defend Mr. Allen.
And at another racially incited brawl, the police responded with six patrol cars and a helicopter.
Before play began on Saturday, the players gathered at center rink to honor Mr. Allen. Billy Barnwell, 59, of Woodside, recalled once how an all-white, all-star squad snubbed Mr. Allen by playing him third string. He scored seven goals in the first game and made first string immediately.
“He’d always hear racial stuff before the game, and I’d ask him, ‘How do you put up with that?’” Mr. Barnwell recalled. “Craig would say, ‘We’ll take care of it,’ and by the end of the game, he’d win guys over. They’d say, ‘This guy’s good.’”
Ghostly Voices From Thomas Edison’s Dolls Can Now Be Heard
Though Robin and Joan Rolfs owned two rare talking dolls manufactured by Thomas Edison’s phonograph company in 1890, they did not dare play the wax cylinder records tucked inside each one.
The Rolfses, longtime collectors of Edison phonographs, knew that if they turned the cranks on the dolls’ backs, the steel phonograph needle might damage or destroy the grooves of the hollow, ring-shaped cylinder. And so for years, the dolls sat side by side inside a display cabinet, bearers of a message from the dawn of sound recording that nobody could hear.
In 1890, Edison’s dolls were a flop; production lasted only six weeks. Children found them difficult to operate and more scary than cuddly. The recordings inside, which featured snippets of nursery rhymes, wore out quickly.
Yet sound historians say the cylinders were the first entertainment records ever made, and the young girls hired to recite the rhymes were the world’s first recording artists.
Year after year, the Rolfses asked experts if there might be a safe way to play the recordings. Then a government laboratory developed a method to play fragile records without touching them.
The technique relies on a microscope to create images of the grooves in exquisite detail. A computer approximates — with great accuracy — the sounds that would have been created by a needle moving through those grooves.
In 2014, the technology was made available for the first time outside the laboratory.
“The fear all along is that we don’t want to damage these records. We don’t want to put a stylus on them,” said Jerry Fabris, the curator of the Thomas Edison Historical Park in West Orange, N.J. “Now we have the technology to play them safely.”
Last month, the Historical Park posted online three never-before-heard Edison doll recordings, including the two from the Rolfses’ collection. “There are probably more out there, and we’re hoping people will now get them digitized,” Mr. Fabris said.
The technology, which is known as Irene (Image, Reconstruct, Erase Noise, Etc.), was developed by the particle physicist Carl Haber and the engineer Earl Cornell at Lawrence Berkeley. Irene extracts sound from cylinder and disk records. It can also reconstruct audio from recordings so badly damaged they were deemed unplayable.
“We are now hearing sounds from history that I did not expect to hear in my lifetime,” Mr. Fabris said.
The Rolfses said they were not sure what to expect in August when they carefully packed their two Edison doll cylinders, still attached to their motors, and drove from their home in Hortonville, Wis., to the National Document Conservation Center in Andover, Mass. The center had recently acquired Irene technology.
Cylinders carry sound in a spiral groove cut by a phonograph recording needle that vibrates up and down, creating a surface made of tiny hills and valleys. In the Irene set-up, a microscope perched above the shaft takes thousands of high-resolution images of small sections of the grooves.
Stitched together, the images provide a topographic map of the cylinder’s surface, charting changes in depth as small as one five-hundredth the thickness of a human hair. Pitch, volume and timbre are all encoded in the hills and valleys and the speed at which the record is played.
At the conservation center, the preservation specialist Mason Vander Lugt attached one of the cylinders to the end of a rotating shaft. Huddled around a computer screen, the Rolfses first saw the wiggly waveform generated by Irene. Then came the digital audio. The words were at first indistinct, but as Mr. Lugt filtered out more of the noise, the rhyme became clearer.
Recently, the conservation center turned up another surprise.
In 2010, the Woody Guthrie Foundation received 18 oversize phonograph disks from an anonymous donor. No one knew if any of the dirt-stained recordings featured Guthrie, but Tiffany Colannino, then the foundation’s archivist, had stored them unplayed until she heard about Irene.
Last fall, the center extracted audio from one of the records, labeled “Jam Session 9” and emailed the digital file to Ms. Colannino.
“I was just sitting in my dining room, and the next thing I know, I’m hearing Woody,” she said. In between solo performances of “Ladies Auxiliary,” “Jesus Christ,” and “Dead or Alive,” Guthrie tells jokes, offers some back story, and makes the audience laugh. “It is quintessential Guthrie,” Ms. Colannino said.
The Rolfses’ dolls are back in the display cabinet in Wisconsin. But with audio stored on several computers, they now have a permanent voice.