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TRANSJAKARTA MOGOK BUAT JALAN DAAN MOGOT MACET PARAH
Bus gandeng Transjakarta koridor VIII jurusan Lebak Bulus-Harmoni bernomor polisi B 7559 TGA mogok tepat di lampu merah Pesing,
Bus gandeng Transjakarta koridor VIII jurusan Lebak Bulus-Harmoni bernomor polisi B 7559 TGA mogok tepat di lampu merah Pesing, Kebon Jeruk, Jakarta Barat. Akibatnya arus lalu lintas di Jalan Daan Mogot menjadi tersendat.
Wakasat Lantas Polres Jakarta Barat Kompol Budiono mengatakan, bus dari arah Harmoni menuju Lebak Bulus itu mogok sejak pukul 08.00 WIB. Ia menjelaskan, hampir seluruh badan jalan dari arah Grogol menuju Cengkareng menjadi tertutup.
"Tadi bus juga sempat didorong dan ditarik, tapi kita terkendala karena terkunci," jelas Budiono, Kamis (13/2).
Pengendara yang menyaksikan kejadian ini, semakin memperparah kemacetan di kedua arah Jalan Daan Mogot. Banyak kendaraan yang berhenti untuk menyaksikan bus mogot tersebut.
Budiono menambahkan, hingga pukul 09.00 WIB, posisi badan bus masih melintang di tengah jalan. Bus yang mogok di tengah jalan ini mengakibatkan bus Transjakarta yang berada di belakangnya menjadi terganggu.
"Bus yang sama dari arah Harmoni ikut terganggu karena tersangkut di separator busway," ujar Budiono.
SEJARAH NABI DI MUSEUM MEDIA MADINAH
REPUBLIKA.CO.ID, Museum Media Madinah menyimpan sejumlah maket sejarah Nabi Muhammad SAW. Museum ini pun dapat membuat pengunjun
REPUBLIKA.CO.ID, Museum Media Madinah menyimpan sejumlah maket sejarah Nabi Muhammad SAW. Museum ini pun dapat membuat pengunjung membayangkan bagaimana sejarah saat Rasulullah berdakwah.
Antara yang mengunjungi museum, Sabtu, melihat sejumlah maket ditampilkan seperti tiga maket Masjid Nabawi dari bentuk awal, perubahan bentuk saat ada perintah mengubah kiblat, dan bentuk perluasan masjid pada masa Rasulullah.
Maket situasi perang juga ditampilkan seperti Perang Uhud dan Perang Khandaq. Dibandingkan dengan masa Nabi, situasi di bukit Uhud sudah banyak berubah. Pun parit yang digali saat Perang Khandaq sudah tidak ada. Melihat maket itu pun dapat membuat pikiran melayang ke masa itu.
Pengunjung juga diajak untuk menyaksikan tayangan film pembangunan Masjid Nabawi pada jaman Rasulullah yang dinarasikan Muhamad Muslim bin Hasan Bisri asal Cirebon, Jawa Barat.
Ia menjelaskan, awalnya di mesjid seluas 30 x 35 meter itu hanya sebagian yang diberi atap pelepah kurma yaitu pada seperempat bagian belakang mesjid yang disebut sufa.
Sufa adalah tempat musafir dan anak yatim berteduh. Saat malam hari, biasanya Rasulullah mengajak mereka makan malam bersama di rumahnya yang terletak di sebelah kiri depan masjid.
Pada bulan-16 setelah hijrah, masjid sederhana itu mengubah arah kiblatnya dari Masjidil Aqsha ke Ka,bah di Makkah sehingga ada perubahan pintu dan bagian depan.
Kemudian pada tahun ke-6 Hijriah, bagian depan mesjid diberi atap dari tanah liat dengan tinggi sekitar tiga meter karena untuk mencegah air hujan masuk.
Setahun kemudian, setelah Perang Khaibar, masjid diperluas karena jumlah umat Islam sudah semakin banyak. Masjid diperluas di bagian utara dan barat sehingga ukurannya menjadi 50 x 45 meter.
Di museum juga terdapat sejumlah peralatan penyiaran jaman dulu seperti kamera dan proyektor sehingga ada nama media yang menempel pada kata museum. Benda lain yang ditampilkan yakni maket sejumlah masjid bersejarah, sejumlah batu dari berbagai daerah di Madinah, maket Raudhah dan makam nabi, serta tiruan baju perang saat masa Rasulullah.
Sayangnya masih banyak maket yang tidak tampil mungkin karena keterbatasan areal museum seperti Perang Badar, Gua Hira, dan kondisi pemukiman Madinah sejak awal hijrah sampai meninggalnya Rasulullah.
Ruang museum juga sebagian sudah menjadi toko cenderamata yang menjual video kisah perjuangan Islam, Alquran mini, hiasan dinding, hiasan kaca, dan kurma Madinah.
Jamaah haji Indonesia gelombang dua yang akan berkunjung ke Madinah untuk beribadah shalat arbain, bisa memanfaatkan waktu luang mengunjungi museum yang hanya berjarak 1,5 kilometer sebelah timur Mesjid Nabawi. Tiket masuk saat musim haji didiskon 50 persen menjadi hanya 5 riyal atau sekitar Rp15.500 per orang.
Ex-C.I.A. Official Rebuts Republican Claims on Benghazi Attack in ‘The Great War of Our Time’
WASHINGTON — The former deputy director of the C.I.A. asserts in a forthcoming book that Republicans, in their eagerness to politicize the killing of the American ambassador to Libya, repeatedly distorted the agency’s analysis of events. But he also argues that the C.I.A. should get out of the business of providing “talking points” for administration officials in national security events that quickly become partisan, as happened after the Benghazi attack in 2012.
The official, Michael J. Morell, dismisses the allegation that the United States military and C.I.A. officers “were ordered to stand down and not come to the rescue of their comrades,” and he says there is “no evidence” to support the charge that “there was a conspiracy between C.I.A. and the White House to spin the Benghazi story in a way that would protect the political interests of the president and Secretary Clinton,” referring to the secretary of state at the time, Hillary Rodham Clinton.
But he also concludes that the White House itself embellished some of the talking points provided by the Central Intelligence Agency and had blocked him from sending an internal study of agency conclusions to Congress.
“I finally did so without asking,” just before leaving government, he writes, and after the White House released internal emails to a committee investigating the State Department’s handling of the issue.
A lengthy congressional investigation remains underway, one that many Republicans hope to use against Mrs. Clinton in the 2016 election cycle.
In parts of the book, “The Great War of Our Time” (Twelve), Mr. Morell praises his C.I.A. colleagues for many successes in stopping terrorist attacks, but he is surprisingly critical of other C.I.A. failings — and those of the National Security Agency.
Soon after Mr. Morell retired in 2013 after 33 years in the agency, President Obama appointed him to a commission reviewing the actions of the National Security Agency after the disclosures of Edward J. Snowden, a former intelligence contractor who released classified documents about the government’s eavesdropping abilities. Mr. Morell writes that he was surprised by what he found.
“You would have thought that of all the government entities on the planet, the one least vulnerable to such grand theft would have been the N.S.A.,” he writes. “But it turned out that the N.S.A. had left itself vulnerable.”
He concludes that most Wall Street firms had better cybersecurity than the N.S.A. had when Mr. Snowden swept information from its systems in 2013. While he said he found himself “chagrined by how well the N.S.A. was doing” compared with the C.I.A. in stepping up its collection of data on intelligence targets, he also sensed that the N.S.A., which specializes in electronic spying, was operating without considering the implications of its methods.
“The N.S.A. had largely been collecting information because it could, not necessarily in all cases because it should,” he says.
Mr. Morell was a career analyst who rose through the ranks of the agency, and he ended up in the No. 2 post. He served as President George W. Bush’s personal intelligence briefer in the first months of his presidency — in those days, he could often be spotted at the Starbucks in Waco, Tex., catching up on his reading — and was with him in the schoolhouse in Florida on the morning of Sept. 11, 2001, when the Bush presidency changed in an instant.
Mr. Morell twice took over as acting C.I.A. director, first when Leon E. Panetta was appointed secretary of defense and then when retired Gen. David H. Petraeus resigned over an extramarital affair with his biographer, a relationship that included his handing her classified notes of his time as America’s best-known military commander.
Mr. Morell says he first learned of the affair from Mr. Petraeus only the night before he resigned, and just as the Benghazi events were turning into a political firestorm. While praising Mr. Petraeus, who had told his deputy “I am very lucky” to run the C.I.A., Mr. Morell writes that “the organization did not feel the same way about him.” The former general “created the impression through the tone of his voice and his body language that he did not want people to disagree with him (which was not true in my own interaction with him),” he says.
But it is his account of the Benghazi attacks — and how the C.I.A. was drawn into the debate over whether the Obama White House deliberately distorted its account of the death of Ambassador J. Christopher Stevens — that is bound to attract attention, at least partly because of its relevance to the coming presidential election. The initial assessments that the C.I.A. gave to the White House said demonstrations had preceded the attack. By the time analysts reversed their opinion, Susan E. Rice, now the national security adviser, had made a series of statements on Sunday talk shows describing the initial assessment. The controversy and other comments Ms. Rice made derailed Mr. Obama’s plan to appoint her as secretary of state.
The experience prompted Mr. Morell to write that the C.I.A. should stay out of the business of preparing talking points — especially on issues that are being seized upon for “political purposes.” He is critical of the State Department for not beefing up security in Libya for its diplomats, as the C.I.A., he said, did for its employees.
But he concludes that the assault in which the ambassador was killed took place “with little or no advance planning” and “was not well organized.” He says the attackers “did not appear to be looking for Americans to harm. They appeared intent on looting and conducting some vandalism,” setting fires that killed Mr. Stevens and a security official, Sean Smith.
Mr. Morell paints a picture of an agency that was struggling, largely unsuccessfully, to understand dynamics in the Middle East and North Africa when the Arab Spring broke out in late 2011 in Tunisia. The agency’s analysts failed to see the forces of revolution coming — and then failed again, he writes, when they told Mr. Obama that the uprisings would undercut Al Qaeda by showing there was a democratic pathway to change.
“There is no good explanation for our not being able to see the pressures growing to dangerous levels across the region,” he writes. The agency had again relied too heavily “on a handful of strong leaders in the countries of concern to help us understand what was going on in the Arab street,” he says, and those leaders themselves were clueless.
Moreover, an agency that has always overvalued secretly gathered intelligence and undervalued “open source” material “was not doing enough to mine the wealth of information available through social media,” he writes. “We thought and told policy makers that this outburst of popular revolt would damage Al Qaeda by undermining the group’s narrative,” he writes.
Instead, weak governments in Egypt, and the absence of governance from Libya to Yemen, were “a boon to Islamic extremists across both the Middle East and North Africa.”
Mr. Morell is gentle about most of the politicians he dealt with — he expresses admiration for both Mr. Bush and Mr. Obama, though he accuses former Vice President Dick Cheney of deliberately implying a connection between Al Qaeda and Iraq that the C.I.A. had concluded probably did not exist. But when it comes to the events leading up to the Bush administration’s decision to go to war in Iraq, he is critical of his own agency.
Mr. Morell concludes that the Bush White House did not have to twist intelligence on Saddam Hussein’s alleged effort to rekindle the country’s work on weapons of mass destruction.
“The view that hard-liners in the Bush administration forced the intelligence community into its position on W.M.D. is just flat wrong,” he writes. “No one pushed. The analysts were already there and they had been there for years, long before Bush came to office.”
Ghostly Voices From Thomas Edison’s Dolls Can Now Be Heard
Though Robin and Joan Rolfs owned two rare talking dolls manufactured by Thomas Edison’s phonograph company in 1890, they did not dare play the wax cylinder records tucked inside each one.
The Rolfses, longtime collectors of Edison phonographs, knew that if they turned the cranks on the dolls’ backs, the steel phonograph needle might damage or destroy the grooves of the hollow, ring-shaped cylinder. And so for years, the dolls sat side by side inside a display cabinet, bearers of a message from the dawn of sound recording that nobody could hear.
In 1890, Edison’s dolls were a flop; production lasted only six weeks. Children found them difficult to operate and more scary than cuddly. The recordings inside, which featured snippets of nursery rhymes, wore out quickly.
Yet sound historians say the cylinders were the first entertainment records ever made, and the young girls hired to recite the rhymes were the world’s first recording artists.
Year after year, the Rolfses asked experts if there might be a safe way to play the recordings. Then a government laboratory developed a method to play fragile records without touching them.
The technique relies on a microscope to create images of the grooves in exquisite detail. A computer approximates — with great accuracy — the sounds that would have been created by a needle moving through those grooves.
In 2014, the technology was made available for the first time outside the laboratory.
“The fear all along is that we don’t want to damage these records. We don’t want to put a stylus on them,” said Jerry Fabris, the curator of the Thomas Edison Historical Park in West Orange, N.J. “Now we have the technology to play them safely.”
Last month, the Historical Park posted online three never-before-heard Edison doll recordings, including the two from the Rolfses’ collection. “There are probably more out there, and we’re hoping people will now get them digitized,” Mr. Fabris said.
The technology, which is known as Irene (Image, Reconstruct, Erase Noise, Etc.), was developed by the particle physicist Carl Haber and the engineer Earl Cornell at Lawrence Berkeley. Irene extracts sound from cylinder and disk records. It can also reconstruct audio from recordings so badly damaged they were deemed unplayable.
“We are now hearing sounds from history that I did not expect to hear in my lifetime,” Mr. Fabris said.
The Rolfses said they were not sure what to expect in August when they carefully packed their two Edison doll cylinders, still attached to their motors, and drove from their home in Hortonville, Wis., to the National Document Conservation Center in Andover, Mass. The center had recently acquired Irene technology.
Cylinders carry sound in a spiral groove cut by a phonograph recording needle that vibrates up and down, creating a surface made of tiny hills and valleys. In the Irene set-up, a microscope perched above the shaft takes thousands of high-resolution images of small sections of the grooves.
Stitched together, the images provide a topographic map of the cylinder’s surface, charting changes in depth as small as one five-hundredth the thickness of a human hair. Pitch, volume and timbre are all encoded in the hills and valleys and the speed at which the record is played.
At the conservation center, the preservation specialist Mason Vander Lugt attached one of the cylinders to the end of a rotating shaft. Huddled around a computer screen, the Rolfses first saw the wiggly waveform generated by Irene. Then came the digital audio. The words were at first indistinct, but as Mr. Lugt filtered out more of the noise, the rhyme became clearer.
Recently, the conservation center turned up another surprise.
In 2010, the Woody Guthrie Foundation received 18 oversize phonograph disks from an anonymous donor. No one knew if any of the dirt-stained recordings featured Guthrie, but Tiffany Colannino, then the foundation’s archivist, had stored them unplayed until she heard about Irene.
Last fall, the center extracted audio from one of the records, labeled “Jam Session 9” and emailed the digital file to Ms. Colannino.
“I was just sitting in my dining room, and the next thing I know, I’m hearing Woody,” she said. In between solo performances of “Ladies Auxiliary,” “Jesus Christ,” and “Dead or Alive,” Guthrie tells jokes, offers some back story, and makes the audience laugh. “It is quintessential Guthrie,” Ms. Colannino said.
The Rolfses’ dolls are back in the display cabinet in Wisconsin. But with audio stored on several computers, they now have a permanent voice.