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MAKNA IBADAH HAJI DAN UMRAH
- Haji adalah salah satu rukun Islam yang lima. Menunaikan ibadah haji adalah bentuk ritual tahunan bagi kaum muslim yang mampu
- Haji adalah salah satu rukun Islam yang lima. Menunaikan ibadah haji adalah bentuk ritual tahunan bagi kaum muslim yang mampu secara material, fisik, maupun keilmuan dengan berkunjung ke beberapa tempat di Arab Saudi dan melaksanakan beberapa kegiatan pada satu waktu yang telah ditentukan yaitu pada bulan Dzulhijjah.
Secara estimologi (bahasa), Haji berarti niat (Al Qasdu), sedangkan menurut syara’ berarti Niat menuju Baitul Haram dengan amal-amal yang khusus.Temat-tempat tertentu yang dimaksud dalam definisi diatas adalah selain Ka’bah dan Mas’a (tempat sa’i), juga Padang Arafah (tempat wukuf), Muzdalifah (tempat mabit), dan Mina (tempat melontar jumroh).
Sedangkan yang dimaksud dengan waktu tertentu adalah bulan-bulan haji yaitu dimulai dari Syawal sampai sepuluh hari pertama bulan Dzulhijjah. Amalan ibadah tertentu ialah thawaf, sa’i, wukuf, mazbit di Muzdalifah, melontar jumroh, dan mabit di Mina.
Umrah adalah berkunjung ke Ka’bah untuk melakukan serangkaian ibadah dengan syarat-syarat yang telah ditetapkan. Umroh disunahkan bagi muslim yang mampu. Umroh dapat dilakukan kapan saja, kecuali pada hari Arafah yaitu tgl 10 Zulhijah dan hari-hari Tasyrik yaitu tgl 11,12,13 Zulhijah. Melaksanakan Umroh pada bulan Ramadhan sama nilainya dengan melakukan Ibadah Haji (Hadits Muslim) [Kembali ke Menu]
Haji Ifrad, artinya menyendiri
Pelaksanaan ibadah haji disebut ifrad jika sesorang melaksanakan ibadah haji dan umroh dilaksanakan secara sendiri-sendiri, dengan mendahulukan ibadah haji. Artinya, ketika calon jamaah haji mengenakan pakaian ihram di miqat-nya, hanya berniat melaksanakan ibadah haji. Jika ibadah hajinya sudah selesai, maka orang tersebut mengenakan ihram kembali untuk melaksanakan ibadah umroh.
Haji Tamattu’, artinya bersenang-senang
Pelaksanaan ibadah haji disebut Tamattu’ jika seseorang melaksanakan ibadah umroh dan Haji di bulan haji yang sama dengan mendahulukan ibadah Umroh. Artinya, ketika seseorang mengenakan pakaian ihram di miqat-nya, hanya berniat melaksanakan ibadah Umroh. Jika ibadah Umrohnya sudah selesai, maka orang tersebut mengenakan ihram kembali untuk melaksanakan ibadah Haji.
Tamattu’ dapat juga berarti melaksanakan ibadah Umroh dan Haji didalam bulan-bulan serta didalam tahun yang sama, tanpa terlebih dahulu pulang ke negeri asal.
Haji Qiran, artinya menggabungkan
Pelaksanaan ibadah Haji disebut Qiran jika seseorang melaksanakan ibadah Haji dan Umroh disatukan atau menyekaliguskan berihram untuk melaksanakan ibadah haji dan umrah. Haji Qiran dilakukan dengan tetap berpakaian ihram sejak miqat makani dan melaksanakan semua rukun dan wajib haji sampai selesai, meskipun mungkin akan memakan waktu lama. [Kembali ke Menu]
Rukun dan Wajib Haji
Rukun haji :
Thawaf Ziyarah (disebut juga dengan Thawaf Ifadhah)
Wuquf di padang Arafah
Apabila salah satu rukun haji di atas tidak dilaksanakan maka hajinya batal. Sedangkan Abu Hanifah berpendapat bahwa rukun haji hanya ada 2 yaitu: Wuquf dan Thawaf. Ihram dan Sa’I tidak dimasukkan ke dalam rukun karena menurut beliau, ihram adalah syarat sah haji dan sa’I adalah yang wajib dilakukan dalam haji (wajib haji). Sementara Imam syafi’ie berpendapat bahwa rukun haji ada 6 yaitu: Ihram, Thawaf, Sa’ie, Wuquf, Mencukur rambut, dan Tertib berurutan).(Kitabul Fiqh Ala Madzhabil Arba’ah 1/578).
Iharam dimulai dari miqat yang telah ditentukan
Wuquf di Arafah sampai matahari tenggelam
Mabit di Mina
Mabit di Muzdalifah hingga lewat setengah malam
Syarat-syarat Wajib Haji
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Mewakilkan Seseorang Untuk Berhaji
Tidak boleh bagi seseorang berhaji untuk orang lain kecuali setelah ia berhaji untuk dirinya sendiri. Rasulullah bersabda: Berhajilah untuk dirimu sendiri, kemudian engkau berhaji untuknya. [Kembali ke Menu]
Haji Bagi Anak-anak yang belum Baligh
Tidaklah wajib bagi anak-anak untuk berhaji kecuali ia telah baligh. Namun jika ia telah berhaji maka hajinya sah sebagaimana yang telah diriwayatkan Ibnu Abbas ra bahwa Rasulullah r berjumpa dengan seorang berkendaraan dikawasan Ar-Rauha beliau bersabda: Siapakah kalian? Mereka menjawab: Kami orang-orang muslim, mereka balik bertanya: Siapa anda? Beliau menjawab: Saya Rasul Allah. Lalu ada seorang anak gadis yang masih kecil bertanya: Apakh ini yang disebut haji? Beliau menjawab: Ya dan bagimu pahala (HR. Ahmad, Muslim, Abu Daud, dan An Nasa dishahihkan oleh At Tirmidzi). [Kembali ke Menu]
Rangkaian Ibadah Haji dan Umroh:
Rangkaian kegiatan ibadah Haji
Sebelum tanggal 8 Dzulhijjah, calon jamaah haji mulai berbondong untuk melaksanakan Tawaf Haji di Masjid Al Haram, Makkah.
Calon jamaah haji memakai pakaian Ihram (dua lembar kain tanpa jahitan sebagai pakaian haji), sesuai miqatnya, kemudian berniat haji, dan membaca bacaan Talbiyah, yaitu mengucapkan Labbaikallahumma labbaik labbaika laa syarika laka labbaik. Innal hamda wan ni’mata laka wal mulk laa syarika laka..
Tanggal 9 Dzulhijjah, pagi harinya semua calon jamaah haji menuju ke padang Arafah untuk menjalankan ibadah wukuf. Kemudian jamaah melaksanakan ibadah Wukuf, yaitu berdiam diri dan berdoa di padang Arafah hingga Maghrib datang.
Tanggal 9 Dzulhijjah malam, jamaah menuju ke Muzdalifah untuk mabbit (bermalam) dan mengambil batu untuk melontar jumroh secukupnya.
Tanggal 9 Dzulhijjah tengah malam (setelah mabbit) jamaah meneruskan perjalanan ke Mina untuk melaksanakan ibadah melontar Jumroh
Tanggal 10 Dzulhijjah, jamaah melaksanakan ibadah melempar Jumroh sebanyak tujuh kali ke Jumroh Aqobah sebagai simbolisasi mengusir setan. Dilanjutkan dengan tahalul yaitu mencukur rambut atau sebagian rambut.
Jika jamaah mengambil nafar awal maka dapat dilanjutkan perjalanan ke Masjidil Haram untuk Tawaf Haji (menyelesaikan Haji)
Sedangkan jika mengambil nafar akhir jamaah tetap tinggal di Mina dan dilanjutkan dengan melontar jumroh sambungan (Ula dan Wustha).
Tanggal 11 Dzulhijjah, melempar jumrah sambungan (Ula) di tugu pertama, tugu kedua, dan tugu ketiga.
Tanggal 12 Dzulhijjah, melempar jumrah sambungan (Ula) di tugu pertama, tugu kedua, dan tugu ketiga.
Jamaah haji kembali ke Makkah untuk melaksanakan Thawaf Wada’ (Thawaf perpisahan) sebelum pulang ke negara masing-masing
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Rangkaian Kegiatan Ibadah Umrah
Diawali dengan mandi besar (janabah) sebelum ihram untuk umrah.
mengenakan pakaian ihram. Untuk lelaki 2 kain yang dijadikan sarung dan selendang, sedangkan untuk wanita memakai pakaian apa saja yang menutup aurat tanpa ada hiasannya dan tidak memakai cadar atau sarung tangan.
Niat umrah dalam hati dan mengucapkan Labbaika ‘umrotan atau Labbaikallahumma bi’umrotin. Kemudian bertalbiyah dengan dikeraskan suaranya bagi laki-laki dan cukup dengan suara yang didengar orang yang ada di sampingnya bagi wanita, yaitu mengucapkan Labbaikallahumma labbaik labbaika laa syarika laka labbaik. Innal hamda wan ni’mata laka wal mulk laa syarika laka.
Sesampai Masjidil Haram menuju ka’bah, lakukan thawaf sebanyak 7 kali putaran.3 putaran pertama jalan cepat dan sisanya jalan biasa. Thowaf diawali dan diakhiri di hajar aswad dan ka’bah dijadikan berada di sebelah kiri. Setiap putaran menuju hajar aswad sambil menyentuhnya dengan tangan kanan dan menciumnya jika mampu dan mengucapkan Bismillahi wallahu akbar. Jika tidak bisa menyentuh dan menciumya, maka cukup memberi isyarat dan berkata Allahu akbar.
Shalat 2 raka’at di belakang maqam Ibrahim jika bisa atau di tempat lainnya di masjidil haram dengan membaca surat Al-Kafirun pada raka’at pertama dan Al-Ikhlas pada raka’at kedua.
Selanjutnya Sa’i dengan naik ke bukit Shofa dan menghadap kiblat sambil mengangkat kedua tangan dan mengucapkan Innash shofa wal marwata min sya’aairillah. Abda’u bima bada’allahu bihi (Aku memulai dengan apa yang Allah memulainya). Kemudian bertakbir 3 kali tanpa memberi isyarat dan mengucapkan Laa ilaha illallahu wahdahu laa syarika lahu. Lahul mulku wa lahul hamdu wahuwa ‘alaa kulli syai’in qodiir. Laa ilaha illallahu wahdahu anjaza wa’dahu wa shodaqo ‘abdahu wa hazamal ahzaaba wahdahu 3x. Kemudian berdoa sekehendaknya. Sa’i dilakukan sebanyak 7 kali dengan hitungan berangkat satu kali dan kembalinya dihitung satu kali, diawali di bukit Shofa dan diakhiri di bukit Marwah.
Mencukur rambut kepala bagi lelaki dan memotongnya sebatas ujung jari bagi wanita.
Ibadah Umroh selesai
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Persiapan Ibadah Haji
Beberapa hal yang perlu dipersiapkan sebelum menunaikan ibadah Haji
Membersihkan diri dari dosa dan kesalahan baik langsung kepada Allah SWT. maupun kepada sesama manusia.
Karena ibadah Haji adalah ibadah fisik, maka perlu mempersiapkan mental untuk mengikuti seluruh rangkaian ibadah haji yang memerlukan stamina tinggi, keikhlasan dan kepasrahan kepada Allah SWT.
Mempersiapkan biaya, baik selama dalam perjalanan haji, maupun untuk nafkah keluarg yang ditinggalkan.
Melaksanakan kewajiban-kewajiban yang berhubungan dengan harta kekayaan, seperti zakat, nadzar, hutang, infaq dan shadaqah.
Melaksanakan janji yang pernah diucapkan.
Menyelesaikan segala urusan yang berhubungan dengan keluarga yang akan ditinggalkan.7. Memohon do’a restu kepada kedua orang tua (jika masih hidup)
Mempersiapkan ilmu dan pengetahuan agama, dan mengikuti kegiatan manasik haji.
Mempersiapkan obat-obatan pribadi selama menjalankan ibadah haji.
Mempersiapkan beberapa perlengkapan untuk keperluan selama perjalanan ibadah Haji:
Mukena minimal 2 buah
Pakaian ihram (rok putih dan mukena atas putih) 2 set
Pakaian sehari-hari secukupnya
Kaos kaki secukupnya
Perlengkapan untuk Pria dan Wanita
Sepatu sandal atau sendal gunung
Gunting kecil utk Tahallul
Senter kecil (untuk penerangan saat mengambil batu di Musdalifah)
Kantong kecil untuk menyimpan batu kerikil persiapan melempar jumroh
Kantong sandal untuk tempat sandal saat di Masjid
Pelembab atau cream, gunakan untuk tangan dan kaki
Biaya untuk dam, kurban dsb.
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Lokasi Utama Ibadah Haji dan Umroh
Makkah Al Mukaromah
Di kota Makkah Al-Mukaromah inilah terdapat Masjidil Haram yang didalamnya terdapat Ka’bah yang merupakan kiblat ibadah umat Islam sedunia. Dalam rangkaian perjalanan ibadah haji, Makkah menjadi tempat pembuka dan penutup ibadah haji.
Padang Arafah terdapat di sebelah timur Kota Makkah. Padang Arafah dikenal sebagai tempat pusatnya haji, sebagai tempat pelaksanaan ibadah wukuf yang merupakan rukun haji. Di Padang Arafah juga terdapat Jabal Rahmah tempat pertama kali pertemuan Nabi Adam dan Hawa. Di luar musim haji, daerah ini tidak dipakai.
Kota ini tidak jauh dari kota Mina dan Arafah Mota Muzdalifah merupakan tempat jamaah calon haji melakukan Mabit (bermalam) dan mengambil batu untuk melontar Jumroh di Kota Mina.
Kota Mina merupakan tempat berdirinya tugu (jumrah), yaitu tempat pelaksanaan melontarkan batu ke tugu (jumrah) sebagai simbolisasi tindakan nabi Ibrahim ketika mengusir setan. Disana terdapat tiga jumrah yaitu jumrah Aqabah, Jumrah Ula, dan Jumrah Wustha.
saco-indonesia.com, Manager-coach Persebaya, Rahmad Darmawan telah menekankan agar pasukannya berhati-hati terhadap calon lawan
saco-indonesia.com, Manager-coach Persebaya, Rahmad Darmawan telah menekankan agar pasukannya berhati-hati terhadap calon lawan mereka, Putra Samarinda (Pusam). Kedua tim tersebut akan bertemu di Stadion Gelora Bung Tomo (GBT), Rabu (5/2) besok sore.
Menurut Rahmad, Pusam didukung dengan materi pemain yang masih muda, bertenaga dan juga punya kecepatan.
"Di sana ada pemain-pemain yang pernah saya asuh, seperti Joko Sasongko, Bayu Gatra dan Engelbert Sani," ujar Rahmad.
"Mereka adalah pemain-pemain yang telah memiliki kualitas dan cepat," imbuhnya.
Bayu, Joko dan Engel bukan satu-satunya pemain yang harus diwaspadai oleh kubu Persebaya. Sebab Pesut Mahakam, julukan Pusam juga punya tiga pemain lain dengan karakter menyerang nan lincah, yakni Loudry Setiawan, Sultan Samma dan Radiansyah.
Untuk lini depan, tim besutan Mundari Karya ini telah memiliki salah satu pemain yang produktif mencetak gol, yakni Ilija Spasojevic. Dalam debutnya lawan PSM Makassar, Spaso sukses untuk mencetak satu gol sekaligus menghindarkan Pusam dari kekalahan.
Untuk dapat meredam kecepatan pemain Pusam, Rahmad telah meminta dua fullback-nya, yakni Hasim Kipuw dan Leo Saputra bermain lebih taktis dan telaten menghadapi licinnya para pemain Pesut Mahakam. "Blocking di kanan dan kiri harus lebih sabar," tutur Rahmad.
Pada pertandingan besok, Rahmad nampaknya belum bisa untuk menurunkan Ricardo Salampessy dan Dedi Kusnandar. Pasalnya, kondisi kedua pemain ini belum 100 persen. Sebagai ganti dari Salampessy, Rahmad telah mempercayakan Ambrizal untuk berduet dengan OK John.
Sedangkan Manahati Lestusen dipersiapkan sebagai opsi bila Dedi benar-benar tak bisa dimainkan. Untuk menyokong striker tunggal Emmanuel "Pacho" Kenmogne, Rahmad memainkan trio M Ilham, Alfin Tuasalamony dan kapten tim, Greg Nwokolo.
"Kita ingin menyapu bersih kemenangan pada dua pertandingan di kandang sendiri. Saya harap para pemain dapat menunjukkan performa lebih baik jika dibandingkan dengan pertandingan pertama," tutup asisten manajer Persebaya, Amran Said Ali.
Editor : Dian Sukmawati
From T Magazine: Street Litís Power Couple
THE WRITERS ASHLEY AND JAQUAVIS COLEMAN know the value of a good curtain-raiser. The couple have co-authored dozens of novels, and they like to start them with a bang: a headlong action sequence, a blast of violence or sex that rocks readers back on their heels. But the Colemans concede they would be hard-pressed to dream up anything more gripping than their own real-life opening scene.
In the summer of 2001, JaQuavis Coleman was a 16-year-old foster child in Flint, Mich., the former auto-manufacturing mecca that had devolved, in the wake of General Motors’ plant closures, into one of the country’s most dangerous cities, with a decimated economy and a violent crime rate more than three times the national average. When JaQuavis was 8, social services had removed him from his mother’s home. He spent years bouncing between foster families. At 16, JaQuavis was also a businessman: a crack dealer with a network of street-corner peddlers in his employ.
One day that summer, JaQuavis met a fellow dealer in a parking lot on Flint’s west side. He was there to make a bulk sale of a quarter-brick, or “nine-piece” — a nine-ounce parcel of cocaine, with a street value of about $11,000. In the middle of the transaction, JaQuavis heard the telltale chirp of a walkie-talkie. His customer, he now realized, was an undercover policeman. JaQuavis jumped into his car and spun out onto the road, with two unmarked police cars in pursuit. He didn’t want to get into a high-speed chase, so he whipped his car into a church parking lot and made a run for it, darting into an alleyway behind a row of small houses, where he tossed the quarter-brick into some bushes. When JaQuavis reached the small residential street on the other side of the houses, he was greeted by the police, who handcuffed him and went to search behind the houses where, they told him, they were certain he had ditched the drugs. JaQuavis had been dealing since he was 12, had amassed more than $100,000 and had never been arrested. Now, he thought: It’s over.
But when the police looked in the bushes, they couldn’t find any cocaine. They interrogated JaQuavis, who denied having ever possessed or sold drugs. They combed the backyard alley some more. After an hour of fruitless efforts, the police were forced to unlock the handcuffs and release their suspect.
JaQuavis was baffled by the turn of events until the next day, when he received a phone call. The previous afternoon, a 15-year-old girl had been sitting in her home on the west side of Flint when she heard sirens. She looked out of the window of her bedroom, and watched a young man throw a package in the bushes behind her house. She recognized him. He was a high school classmate — a handsome, charismatic boy whom she had admired from afar. The girl crept outside and grabbed the bundle, which she hid in her basement. “I have something that belongs to you,” Ashley Snell told JaQuavis Coleman when she reached him by phone. “You wanna come over here and pick it up?”
In the Colemans’ first novel, “Dirty Money” (2005), they told a version of this story. The outline was the same: the drug deal gone bad, the dope chucked in the bushes, the fateful phone call. To the extent that the authors took poetic license, it was to tone down the meet-cute improbability of the true-life events. In “Dirty Money,” the girl, Anari, and the crack dealer, Maurice, circle each other warily for a year or so before coupling up. But the facts of Ashley and JaQuavis’s romance outstripped pulp fiction. They fell in love more or less at first sight, moved into their own apartment while still in high school and were married in 2008. “We were together from the day we met,” Ashley says. “I don’t think we’ve spent more than a week apart in total over the past 14 years.”
That partnership turned out to be creative and entrepreneurial as well as romantic. Over the past decade, the Colemans have published nearly 50 books, sometimes as solo writers, sometimes under pseudonyms, but usually as collaborators with a byline that has become a trusted brand: “Ashley & JaQuavis.” They are marquee stars of urban fiction, or street lit, a genre whose inner-city settings and lurid mix of crime, sex and sensationalism have earned it comparisons to gangsta rap. The emergence of street lit is one of the big stories in recent American publishing, a juggernaut that has generated huge sales by catering to a readership — young, black and, for the most part, female — that historically has been ill-served by the book business. But the genre is also widely maligned. Street lit is subject to a kind of triple snobbery: scorned by literati who look down on genre fiction generally, ignored by a white publishing establishment that remains largely indifferent to black books and disparaged by African-American intellectuals for poor writing, coarse values and trafficking in racial stereotypes.
But if a certain kind of cultural prestige is shut off to the Colemans, they have reaped other rewards. They’ve built a large and loyal fan base, which gobbles up the new Ashley & JaQuavis titles that arrive every few months. Many of those books are sold at street-corner stands and other off-the-grid venues in African-American neighborhoods, a literary gray market that doesn’t register a blip on best-seller tallies. Yet the Colemans’ most popular series now regularly crack the trade fiction best-seller lists of The New York Times and Publishers Weekly. For years, the pair had no literary agent; they sold hundreds of thousands of books without banking a penny in royalties. Still, they have earned millions of dollars, almost exclusively from cash-for-manuscript deals negotiated directly with independent publishing houses. In short, though little known outside of the world of urban fiction, the Colemans are one of America’s most successful literary couples, a distinction they’ve achieved, they insist, because of their work’s gritty authenticity and their devotion to a primal literary virtue: the power of the ripping yarn.
“When you read our books, you’re gonna realize: ‘Ashley & JaQuavis are storytellers,’ ” says Ashley. “Our tales will get your heart pounding.”
THE COLEMANS’ HOME BASE — the cottage from which they operate their cottage industry — is a spacious four-bedroom house in a genteel suburb about 35 miles north of downtown Detroit. The house is plush, but when I visited this past winter, it was sparsely appointed. The couple had just recently moved in, and had only had time to fully furnish the bedroom of their 4-year-old son, Quaye.
In conversation, Ashley and JaQuavis exude both modesty and bravado: gratitude for their good fortune and bootstrappers’ pride in having made their own luck. They talk a lot about their time in the trenches, the years they spent as a drug dealer and “ride-or-die girl” tandem. In Flint they learned to “grind hard.” Writing, they say, is merely a more elevated kind of grind.
“Instead of hitting the block like we used to, we hit the laptops,” says Ashley. “I know what every word is worth. So while I’m writing, I’m like: ‘Okay, there’s a hundred dollars. There’s a thousand dollars. There’s five thousand dollars.’ ”
They maintain a rigorous regimen. They each try to write 5,000 words per day, five days a week. The writers stagger their shifts: JaQuavis goes to bed at 7 p.m. and wakes up early, around 3 or 4 in the morning, to work while his wife and child sleep. Ashley writes during the day, often in libraries or at Starbucks.
They divide the labor in other ways. Chapters are divvied up more or less equally, with tasks assigned according to individual strengths. (JaQuavis typically handles character development. Ashley loves writing murder scenes.) The results are stitched together, with no editorial interference from one author in the other’s text. The real work, they contend, is the brainstorming. The Colemans spend weeks mapping out their plot-driven books — long conversations that turn into elaborate diagrams on dry-erase boards. “JaQuavis and I are so close, it makes the process real easy,” says Ashley. “Sometimes when I’m thinking of something, a plot point, he’ll say it out loud, and I’m like: ‘Wait — did I say that?’ ”
Their collaboration developed by accident, and on the fly. Both were bookish teenagers. Ashley read lots of Judy Blume and John Grisham; JaQuavis liked Shakespeare, Richard Wright and “Atlas Shrugged.” (Their first official date was at a Borders bookstore, where Ashley bought “The Coldest Winter Ever,” the Sister Souljah novel often credited with kick-starting the contemporary street-lit movement.) In 2003, Ashley, then 17, was forced to terminate an ectopic pregnancy. She was bedridden for three weeks, and to provide distraction and boost her spirits, JaQuavis challenged his girlfriend to a writing contest. “She just wasn’t talking. She was laying in bed. I said, ‘You know what? I bet you I could write a better book than you.’ My wife is real competitive. So I said, ‘Yo, all right, $500 bet.’ And I saw her eyes spark, like, ‘What?! You can’t write no better book than me!’ So I wrote about three chapters. She wrote about three chapters. Two days later, we switched.”
The result, hammered out in a few days, would become “Dirty Money.” Two years later, when Ashley and JaQuavis were students at Ferris State University in Western Michigan, they sold the manuscript to Urban Books, a street-lit imprint founded by the best-selling author Carl Weber. At the time, JaQuavis was still making his living selling drugs. When Ashley got the phone call informing her that their book had been bought, she assumed they’d hit it big, and flushed more than $10,000 worth of cocaine down the toilet. Their advance was a mere $4,000.
Those advances would soon increase, eventually reaching five and six figures. The Colemans built their career, JaQuavis says, in a manner that made sense to him as a veteran dope peddler: by flooding the street with product. From the start, they were prolific, churning out books at a rate of four or five a year. Their novels made their way into stores; the now-defunct chain Waldenbooks, which had stores in urban areas typically bypassed by booksellers, was a major engine of the street-lit market. But Ashley and JaQuavis took advantage of distribution channels established by pioneering urban fiction authors such as Teri Woods and Vickie Stringer, and a network of street-corner tables, magazine stands, corner shops and bodegas. Like rappers who establish their bona fides with gray-market mixtapes, street-lit authors use this system to circumnavigate industry gatekeepers, bringing their work straight to the genre’s core readership. But urban fiction has other aficionados, in less likely places. “Our books are so popular in the prison system,” JaQuavis says. “We’re banned in certain penitentiaries. Inmates fight over the books — there are incidents, you know? I have loved ones in jail, and they’re like: ‘Yo, your books can’t come in here. It’s against the rules.’ ”
The appeal of the Colemans’ work is not hard to fathom. The books are formulaic and taut; they deliver the expected goods efficiently and exuberantly. The titles telegraph the contents: “Diary of a Street Diva,” “Kiss Kiss, Bang Bang,” “Murderville.” The novels serve up a stream of explicit sex and violence in a slangy, tangy, profane voice. In Ashley & JaQuavis’s books people don’t get killed: they get “popped,” “laid out,” get their “cap twisted back.” The smut is constant, with emphasis on the earthy, sticky, olfactory particulars. Romance novel clichés — shuddering orgasms, heroic carnal feats, superlative sexual skill sets — are rendered in the Colemans’ punchy patois.
Subtlety, in other words, isn’t Ashley & JaQuavis’s forte. But their books do have a grainy specificity. In “The Cartel” (2008), the first novel in the Colemans’ best-selling saga of a Miami drug syndicate, they catch the sights and smells of a crack workshop in a housing project: the nostril-stinging scent of cocaine and baking soda bubbling on stovetops; the teams of women, stripped naked except for hospital masks so they can’t pilfer the merchandise, “cutting up the cooked coke on the round wood table.” The subject matter is dark, but the Colemans’ tone is not quite noir. Even in the grimmest scenes, the mood is high-spirited, with the writers palpably relishing the lewd and gory details: the bodies writhing in boudoirs and crumpling under volleys of bullets, the geysers of blood and other bodily fluids.
The luridness of street lit has made it a flashpoint, inciting controversy reminiscent of the hip-hop culture wars of the 1980s and ’90s. But the street-lit debate touches deeper historical roots, reviving decades-old arguments in black literary circles about the mandate to uplift the race and present wholesome images of African-Americans. In 1928, W. E. B. Du Bois slammed the “licentiousness” of “Home to Harlem,” Claude McKay’s rollicking novel of Harlem nightlife. McKay’s book, Du Bois wrote, “for the most part nauseates me, and after the dirtier parts of its filth I feel distinctly like taking a bath.” Similar sentiments have greeted 21st-century street lit. In a 2006 New York Times Op-Ed essay, the journalist and author Nick Chiles decried “the sexualization and degradation of black fiction.” African-American bookstores, Chiles complained, are “overrun with novels that . . . appeal exclusively to our most prurient natures — as if these nasty books were pairing off back in the stockrooms like little paperback rabbits and churning out even more graphic offspring that make Ralph Ellison books cringe into a dusty corner.”
Copulating paperbacks aside, it’s clear that the street-lit debate is about more than literature, touching on questions of paternalism versus populism, and on middle-class anxieties about the black underclass. “It’s part and parcel of black elites’ efforts to define not only a literary tradition, but a racial politics,” said Kinohi Nishikawa, an assistant professor of English and African-American Studies at Princeton University. “There has always been a sense that because African-Americans’ opportunities to represent themselves are so limited in the first place, any hint of criminality or salaciousness would necessarily be a knock on the entire racial politics. One of the pressing debates about African-American literature today is: If we can’t include writers like Ashley & JaQuavis, to what extent is the foundation of our thinking about black literature faulty? Is it just a literature for elites? Or can it be inclusive, bringing urban fiction under the purview of our umbrella term ‘African-American literature’?”
Defenders of street lit note that the genre has a pedigree: a tradition of black pulp fiction that stretches from Chester Himes, the midcentury author of hardboiled Harlem detective stories, to the 1960s and ’70s “ghetto fiction” of Iceberg Slim and Donald Goines, to the current wave of urban fiction authors. Others argue for street lit as a social good, noting that it attracts a large audience that might otherwise never read at all. Scholars like Nishikawa link street lit to recent studies showing increased reading among African-Americans. A 2014 Pew Research Center report found that a greater percentage of black Americans are book readers than whites or Latinos.
For their part, the Colemans place their work in the broader black literary tradition. “You have Maya Angelou, Alice Walker, James Baldwin — all of these traditional black writers, who wrote about the struggles of racism, injustice, inequality,” says Ashley. “We’re writing about the struggle as it happens now. It’s just a different struggle. I’m telling my story. I’m telling the struggle of a black girl from Flint, Michigan, who grew up on welfare.”
Perhaps there is a high-minded case to be made for street lit. But the virtues of Ashley & JaQuavis’s work are more basic. Their novels do lack literary polish. The writing is not graceful; there are passages of clunky exposition and sex scenes that induce guffaws and eye rolls. But the pleasure quotient is high. The books flaunt a garish brand of feminism, with women characters cast not just as vixens, but also as gangsters — cold-blooded killers, “murder mamas.” The stories are exceptionally well-plotted. “The Cartel” opens by introducing its hero, the crime boss Carter Diamond; on page 9, a gunshot spatters Diamond’s brain across the interior of a police cruiser. The book then flashes back seven years and begins to hurtle forward again — a bullet train, whizzing readers through shifting alliances, romantic entanglements and betrayals, kidnappings, shootouts with Haitian and Dominican gangsters, and a cliffhanger closing scene that leaves the novel’s heroine tied to a chair in a basement, gruesomely tortured to the edge of death. Ashley & JaQuavis’s books are not Ralph Ellison, certainly, but they build up quite a head of steam. They move.
The Colemans are moving themselves these days. They recently signed a deal with St. Martin’s Press, which will bring out the next installment in the “Cartel” series as well as new solo series by both writers. The St. Martin’s deal is both lucrative and legitimizing — a validation of Ashley and JaQuavis’s work by one of publishing’s most venerable houses. The Colemans’ ambitions have grown, as well. A recent trilogy, “Murderville,” tackles human trafficking and the blood-diamond industry in West Africa, with storylines that sweep from Sierra Leone to Mexico to Los Angeles. Increasingly, Ashley & JaQuavis are leaning on research — traveling to far-flung settings and hitting the books in the libraries — and spending less time mining their own rough-and-tumble past.
But Flint remains a source of inspiration. One evening not long ago, JaQuavis led me on a tour of his hometown: a popular roadside bar; the parking lot where he met the undercover cop for the ill-fated drug deal; Ashley’s old house, the site of his almost-arrest. He took me to a ramshackle vehicle repair shop on Flint’s west side, where he worked as a kid, washing cars. He showed me a bathroom at the rear of the garage, where, at age 12, he sneaked away to inspect the first “boulder” of crack that he ever sold. A spray-painted sign on the garage wall, which JaQuavis remembered from his time at the car wash, offered words of warning:
WHAT EVERY YOUNG MAN SHOULD KNOW
ABOUT USING A GUN:
MURDER . . . 30 Years
ARMED ROBBERY . . . 15 Years
ASSAULT . . . 15 Years
RAPE . . . 20 Years
POSSESSION . . . 5 Years
JACKING . . . 20 YEARS
“We still love Flint, Michigan,” JaQuavis says. “It’s so seedy, so treacherous. But there’s some heart in this city. This is where it all started, selling books out the box. In the days when we would get those little $40,000 advances, they’d send us a couple boxes of books for free. We would hit the streets to sell our books, right out of the car trunk. It was a hustle. It still is.”
One old neighborhood asset that the Colemans have not shaken off is swagger. “My wife is the best female writer in the game,” JaQuavis told me. “I believe I’m the best male writer in the game. I’m sleeping next to the best writer in the world. And she’s doing the same.”
Advertisement Politics Obama Finds a Bolder Voice on Race Issues
As he reflected on the festering wounds deepened by race and grievance that have been on painful display in America’s cities lately, President Obama on Monday found himself thinking about a young man he had just met named Malachi.
A few minutes before, in a closed-door round-table discussion at Lehman College in the Bronx, Mr. Obama had asked a group of black and Hispanic students from disadvantaged backgrounds what could be done to help them reach their goals. Several talked about counseling and guidance programs.
“Malachi, he just talked about — we should talk about love,” Mr. Obama told a crowd afterward, drifting away from his prepared remarks. “Because Malachi and I shared the fact that our dad wasn’t around and that sometimes we wondered why he wasn’t around and what had happened. But really, that’s what this comes down to is: Do we love these kids?”
Many presidents have governed during times of racial tension, but Mr. Obama is the first to see in the mirror a face that looks like those on the other side of history’s ledger. While his first term was consumed with the economy, war and health care, his second keeps coming back to the societal divide that was not bridged by his election. A president who eschewed focusing on race now seems to have found his voice again as he thinks about how to use his remaining time in office and beyond.
In the aftermath of racially charged unrest in places like Baltimore, Ferguson, Mo., and New York, Mr. Obama came to the Bronx on Monday for the announcement of a new nonprofit organization that is being spun off from his White House initiative called My Brother’s Keeper. Staked by more than $80 million in commitments from corporations and other donors, the new group, My Brother’s Keeper Alliance, will in effect provide the nucleus for Mr. Obama’s post-presidency, which will begin in January 2017.
“This will remain a mission for me and for Michelle not just for the rest of my presidency but for the rest of my life,” Mr. Obama said. “And the reason is simple,” he added. Referring to some of the youths he had just met, he said: “We see ourselves in these young men. I grew up without a dad. I grew up lost sometimes and adrift, not having a sense of a clear path. The only difference between me and a lot of other young men in this neighborhood and all across the country is that I grew up in an environment that was a little more forgiving.”
Organizers said the new alliance already had financial pledges from companies like American Express, Deloitte, Discovery Communications and News Corporation. The money will be used to help companies address obstacles facing young black and Hispanic men, provide grants to programs for disadvantaged youths, and help communities aid their populations.
Joe Echevarria, a former chief executive of Deloitte, the accounting and consulting firm, will lead the alliance, and among those on its leadership team or advisory group are executives at PepsiCo, News Corporation, Sprint, BET and Prudential Group Insurance; former Secretary of State Colin L. Powell; Senator Cory Booker, Democrat of New Jersey; former Attorney General Eric H. Holder Jr.; the music star John Legend; the retired athletes Alonzo Mourning, Jerome Bettis and Shaquille O’Neal; and the mayors of Indianapolis, Sacramento and Philadelphia.
The alliance, while nominally independent of the White House, may face some of the same questions confronting former Secretary of State Hillary Rodham Clinton as she begins another presidential campaign. Some of those donating to the alliance may have interests in government action, and skeptics may wonder whether they are trying to curry favor with the president by contributing.
“The Obama administration will have no role in deciding how donations are screened and what criteria they’ll set at the alliance for donor policies, because it’s an entirely separate entity,” Josh Earnest, the White House press secretary, told reporters on Air Force One en route to New York. But he added, “I’m confident that the members of the board are well aware of the president’s commitment to transparency.”
The alliance was in the works before the disturbances last week after the death of Freddie Gray, the black man who suffered fatal injuries while in police custody in Baltimore, but it reflected the evolution of Mr. Obama’s presidency. For him, in a way, it is coming back to issues that animated him as a young community organizer and politician. It was his own struggle with race and identity, captured in his youthful memoir, “Dreams From My Father,” that stood him apart from other presidential aspirants.
But that was a side of him that he kept largely to himself through the first years of his presidency while he focused on other priorities like turning the economy around, expanding government-subsidized health care and avoiding electoral land mines en route to re-election.
After securing a second term, Mr. Obama appeared more emboldened. Just a month after his 2013 inauguration, he talked passionately about opportunity and race with a group of teenage boys in Chicago, a moment aides point to as perhaps the first time he had spoken about these issues in such a personal, powerful way as president. A few months later, he publicly lamented the death of Trayvon Martin, a black Florida teenager, saying that “could have been me 35 years ago.”
That case, along with public ruptures of anger over police shootings in Ferguson and elsewhere, have pushed the issue of race and law enforcement onto the public agenda. Aides said they imagined that with his presidency in its final stages, Mr. Obama might be thinking more about what comes next and causes he can advance as a private citizen.
That is not to say that his public discussion of these issues has been universally welcomed. Some conservatives said he had made matters worse by seeming in their view to blame police officers in some of the disputed cases.
“President Obama, when he was elected, could have been a unifying leader,” Senator Ted Cruz of Texas, a Republican candidate for president, said at a forum last week. “He has made decisions that I think have inflamed racial tensions.”
On the other side of the ideological spectrum, some liberal African-American activists have complained that Mr. Obama has not done enough to help downtrodden communities. While he is speaking out more, these critics argue, he has hardly used the power of the presidency to make the sort of radical change they say is necessary.
The line Mr. Obama has tried to straddle has been a serrated one. He condemns police brutality as he defends most officers as honorable. He condemns “criminals and thugs” who looted in Baltimore while expressing empathy with those trapped in a cycle of poverty and hopelessness.
In the Bronx on Monday, Mr. Obama bemoaned the death of Brian Moore, a plainclothes New York police officer who had died earlier in the day after being shot in the head Saturday on a Queens street. Most police officers are “good and honest and fair and care deeply about their communities,” even as they put their lives on the line, Mr. Obama said.
“Which is why in addressing the issues in Baltimore or Ferguson or New York, the point I made was that if we’re just looking at policing, we’re looking at it too narrowly,” he added. “If we ask the police to simply contain and control problems that we ourselves have been unwilling to invest and solve, that’s not fair to the communities, it’s not fair to the police.”
Moreover, if society writes off some people, he said, “that’s not the kind of country I want to live in; that’s not what America is about.”
His message to young men like Malachi Hernandez, who attends Boston Latin Academy in Massachusetts, is not to give up.
“I want you to know you matter,” he said. “You matter to us.”