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saco-indonesia.com, I heard that youíre settled down That you found a girl and youíre married now I heard that your dreams came true Guess she gave you things I didnít give to you

saco-indonesia.com,

I heard that you’re settled down
That you found a girl and you’re married now
I heard that your dreams came true
Guess she gave you things I didn’t give to you

Old friend, why are you so shy?
It ain’t like you to hold back or hide from the lie

I hate to turn up out of the blue uninvited
But I couldn’t stay away, I couldn’t fight it
I hoped you’d see my face & that you’d be reminded
That for me, it isn’t over

Nevermind, I’ll find someone like you
I wish nothing but the best for you too
Don’t forget me, I beg, I remember you said
"Sometimes it lasts in love but sometimes it hurts instead"
Sometimes it lasts in love but sometimes it hurts instead, yeah

You’d know how the time flies
Only yesterday was the time of our lives
We were born and raised in a summery haze
Bound by the surprise of our glory days

I hate to turn up out of the blue uninvited
But I couldn’t stay away, I couldn’t fight it
lyricsalls.blogspot.com
I hoped you’d see my face & that you’d be reminded
That for me, it isn’t over yet

Nevermind, I’ll find someone like you
I wish nothing but the best for you too
Don’t forget me, I beg, I remember you said
"Sometimes it lasts in love but sometimes it hurts instead", yay

Nothing compares, no worries or cares
Regret’s and mistakes they’re memories made
Who would have known how bittersweet this would taste?

Nevermind, I’ll find someone like you
I wish nothing but the best for you too
Don’t forget me, I beg, I remembered you said
"Sometimes it lasts in love but sometimes it hurts instead"

Nevermind, I’ll find someone like you
I wish nothing but the best for you too
Don’t forget me, I beg, I remembered you said
"Sometimes it lasts in love but sometimes it hurts instead"
Sometimes it lasts in love but sometimes it hurts instead, yeah

Editor : dian sukmawati

saco-indonesia.com, Cara Merawat Printer Cara merawat printer yang kurang baik sering dapat menimbulkan permasalahan ketik

saco-indonesia.com,

Cara Merawat Printer

Cara merawat printer yang kurang baik sering dapat menimbulkan permasalahan ketika printer digunakan. Bagaimanapun juga, merawat printer juga harus dilakukan tidak hanya bagian luarnya saja namun juga harus memahami cara merawat komponen-komponen di dalamnya, seperti di bawah ini :

    Perhatikan penggunaan printer. Gunakan printer secara berkala, jangan sampai tidak digunakan dalam kurun waktu yang lama. Head pada cartridge juga harus senantiasa biasa basah, namun jika lama tidak digunakan akan dapat membuatnya kering dan akhirnya dapat menyumbat proses print.
    Fitur pembersihan head printer yang biasanya secara langsung bisa digunakan ini, dilakukan secara berkala untuk dapat memudahkan tinta keluar dengan lancar.
    Cara merawat printer selanjutnya dengan cara menjaga perangkat agar tetap bersih, agar tidak ada debu yang bersarang yang dapat menyebabkan tinta macet.
    Ikuti dengan benar cara pemakaian printer, seperti mematikan laptop yang harus dilakuka dengan memencet tombol power terlebih dahulu. Jangan mencabut kabel langsung tanpa mematikannya.
    Gunakan kertas yang sesuai dengan printer untuk cara merawat printer tetap awet digunakan. Pastikan kertas tidak lusuh atau terlipat saat digunakan.
    Jika dengan menggunakan tinta refill, gunakan tinta isi ulang yang telah direkomendasikan. Isi ulang cartridge memang lebih hemat dari pada membelinya lagi namun, perhatikan isi ulang tinta yang direkomendasikan.
    Isi ulang cartridge secepatnya setelah tinta, dalam keadaan kosong. Ingat, head cartridge juga sangat rentan rusak jika kering terlalu lama.

Editor : Dian Sukmawati

Photo
 
Many bodies prepared for cremation last week in Kathmandu were of young men from Gongabu, a common stopover for Nepali migrant workers headed overseas. Credit Daniel Berehulak for The New York Times

KATHMANDU, Nepal — When the dense pillar of smoke from cremations by the Bagmati River was thinning late last week, the bodies were all coming from Gongabu, a common stopover for Nepali migrant workers headed overseas, and they were all of young men.

Hindu custom dictates that funeral pyres should be lighted by the oldest son of the deceased, but these men were too young to have sons, so they were burned by their brothers or fathers. Sukla Lal, a maize farmer, made a 14-hour journey by bus to retrieve the body of his 19-year-old son, who had been on his way to the Persian Gulf to work as a laborer.

“He wanted to live in the countryside, but he was compelled to leave by poverty,” Mr. Lal said, gazing ahead steadily as his son’s remains smoldered. “He told me, ‘You can live on your land, and I will come up with money, and we will have a happy family.’ ”

Weeks will pass before the authorities can give a complete accounting of who died in the April 25 earthquake, but it is already clear that Nepal cannot afford the losses. The countryside was largely stripped of its healthy young men even before the quake, as they migrated in great waves — 1,500 a day by some estimates — to work as laborers in India, Malaysia or one of the gulf nations, leaving many small communities populated only by elderly parents, women and children. Economists say that at some times of the year, one-quarter of Nepal’s population is working outside the country.

Late in April, after Native American actors walked off in disgust from the set of Adam Sandler’s latest film, a western sendup that its distributor, Netflix, has defended as being equally offensive to all, a glow of pride spread through several Native American communities.

Tantoo Cardinal, a Canadian indigenous actress who played Black Shawl in “Dances With Wolves,” recalled thinking to herself, “It’s come.” Larry Sellers, who starred as Cloud Dancing in the 1990s television show “Dr. Quinn, Medicine Woman,” thought, “It’s about time.” Jesse Wente, who is Ojibwe and directs film programming at the TIFF Bell Lightbox in Toronto, found himself encouraged and surprised. There are so few film roles for indigenous actors, he said, that walking off the set of a major production showed real mettle.

But what didn’t surprise Mr. Wente was the content of the script. According to the actors who walked off the set, the film, titled “The Ridiculous Six,” included a Native American woman who passes out and is revived after white men douse her with alcohol, and another woman squatting to urinate while lighting a peace pipe. “There’s enough history at this point to have set some expectations around these sort of Hollywood depictions,” Mr. Wente said.

The walkout prompted a rhetorical “What do you expect from an Adam Sandler film?,” and a Netflix spokesman said that in the movie, blacks, Mexicans and whites were lampooned as well. But Native American actors and critics said a broader issue was at stake. While mainstream portrayals of native peoples have, Mr. Wente said, become “incrementally better” over the decades, he and others say, they remain far from accurate and reflect a lack of opportunities for Native American performers. What’s more, as Native Americans hunger for representation on screen, critics say the absence of three-dimensional portrayals has very real off-screen consequences.

“Our people are still healing from historical trauma,” said Loren Anthony, one of the actors who walked out. “Our youth are still trying to figure out who they are, where they fit in this society. Kids are killing themselves. They’re not proud of who they are.” They also don’t, he added, see themselves on prime time television or the big screen. Netflix noted while about five people walked off the “The Ridiculous Six” set, 100 or so Native American actors and extras stayed.

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But in interviews, nearly a dozen Native American actors and film industry experts said that Mr. Sandler’s humor perpetuated decades-old negative stereotypes. Mr. Anthony said such depictions helped feed the despondency many Native Americans feel, with deadly results: Native Americans have the highest suicide rate out of all the country’s ethnicities.

The on-screen problem is twofold, Mr. Anthony and others said: There’s a paucity of roles for Native Americans — according to the Screen Actors Guild in 2008 they accounted for 0.3 percent of all on-screen parts (those figures have yet to be updated), compared to about 2 percent of the general population — and Native American actors are often perceived in a narrow way.

In his Peabody Award-winning documentary “Reel Injun,” the Cree filmmaker Neil Diamond explored Hollywood depictions of Native Americans over the years, and found they fell into a few stereotypical categories: the Noble Savage, the Drunk Indian, the Mystic, the Indian Princess, the backward tribal people futilely fighting John Wayne and manifest destiny. While the 1990 film “Dances With Wolves” won praise for depicting Native Americans as fully fleshed out human beings, not all indigenous people embraced it. It was still told, critics said, from the colonialists’ point of view. In an interview, John Trudell, a Santee Sioux writer, actor (“Thunderheart”) and the former chairman of the American Indian Movement, described the film as “a story of two white people.”

“God bless ‘Dances with Wolves,’ ” Michael Horse, who played Deputy Hawk in “Twin Peaks,” said sarcastically. “Even ‘Avatar.’ Someone’s got to come save the tribal people.”

Dan Spilo, a partner at Industry Entertainment who represents Adam Beach, one of today’s most prominent Native American actors, said while typecasting dogs many minorities, it is especially intractable when it comes to Native Americans. Casting directors, he said, rarely cast them as police officers, doctors or lawyers. “There’s the belief that the Native American character should be on reservations or riding a horse,” he said.

“We don’t see ourselves,” Mr. Horse said. “We’re still an antiquated culture to them, and to the rest of the world.”

Ms. Cardinal said she was once turned down for the role of the wife of a child-abusing cop because the filmmakers felt that casting her would somehow be “too political.”

Another sore point is the long run of white actors playing American Indians, among them Burt Lancaster, Rock Hudson, Audrey Hepburn and, more recently, Johnny Depp, whose depiction of Tonto in the 2013 film “Lone Ranger,” was viewed as racist by detractors. There are, of course, exceptions. The former A&E series “Longmire,” which, as it happens, will now be on Netflix, was roundly praised for its depiction of life on a Northern Cheyenne reservation, with Lou Diamond Phillips, who is of Cherokee descent, playing a Northern Cheyenne man.

Others also point to the success of Mr. Beach, who played a Mohawk detective in “Law & Order: Special Victims Unit” and landed a starring role in the forthcoming D C Comics picture “Suicide Squad.” Mr. Beach said he had come across insulting scripts backed by people who don’t see anything wrong with them.

“I’d rather starve than do something that is offensive to my ancestral roots,” Mr. Beach said. “But I think there will always be attempts to drawn on the weakness of native people’s struggles. The savage Indian will always be the savage Indian. The white man will always be smarter and more cunning. The cavalry will always win.”

The solution, Mr. Wente, Mr. Trudell and others said, lies in getting more stories written by and starring Native Americans. But Mr. Wente noted that while independent indigenous film has blossomed in the last two decades, mainstream depictions have yet to catch up. “You have to stop expecting for Hollywood to correct it, because there seems to be no ability or desire to correct it,” Mr. Wente said.

There have been calls to boycott Netflix but, writing for Indian Country Today Media Network, which first broke news of the walk off, the filmmaker Brian Young noted that the distributor also offered a number of films by or about Native Americans.

The furor around “The Ridiculous Six” may drive more people to see it. Then one of the questions that Mr. Trudell, echoing others, had about the film will be answered: “Who the hell laughs at this stuff?”

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