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POLISI BURU PEMBUNUH PRIA RENTENIR
saco-indonesia.com, Polisi masih akan memburu pembunuh Dedi Sulaiman yang berusia 48 tahun , yang telah ditemukan tewas dalam ke
saco-indonesia.com, Polisi masih akan memburu pembunuh Dedi Sulaiman yang berusia 48 tahun , yang telah ditemukan tewas dalam keadaan luka sayatan pada bagian kantong kelaminya di Jalan Anggrek, RT 02/03, Kel. Cisalak Pasar, Kec.Cimanggis Kota Depok.
Menurut Kapolsek Cimanggis, Kompol Bambang Irianto SH, pihaknya juga telah membentuk tim khusus untuk dapat mengejar pelaku. “Pelaku kita perkirakan berjumlah dua orang, dan sekarang anggota masih mengejarnya di daerah Lampung,”ujar Kapolsek.
Kapolsek juga mengatakan, korban diduga dibunuh oleh rekanan sesama jenis. “Dugaan kita pembunuh korban seorang waria,”katanya.
“Sejumlah keterangan saksi yaitu dua orang saudaranya yang pertama kali telah menemukan yaitu Tanti dan Cindy sudah kita ambil keterangannya,”terang kapolsek.
Seperti yang telah diketahui, korban dikenal rentenir ini pertama kali ditemukan seorang kerabat, Rabu 22 Januari lalu yang berniat mengantar undangan pernikahan. Saat itu (ditemukan), korban dalam posisi terlentang dalam balutan kaos hitam serta sarung motif kotak-kotak warna biru. Pada tubuh korban juga ditemukan sejumlah bekas luka, seperti sisa sundutan rokok serta lembam di wajah.
Editor : Dian Sukmawati
Matahari "Mengamuk", 3 Badai Matahari dalam 24 Jam
seperti sedang 'mengamuk".
Saco-Indonesia.com — Matahari
seperti sedang 'mengamuk". Dalam 24 jam, terhitung sejak Senin (13/3/2013) hingga Selasa
(14/5/2013), Matahari telah menghasilkan tiga badai Matahari.
pada Selasa hari ini menyatakan bahwa badai Matahari tersebut adalah badai terbesar sejak awal
2013 hingga bulan Mei ini. Ketiga badai Matahari itu termasuk dalam kelas X, golongan badai
Matahari paling kuat.
Badai Matahari pertama terjadi pada Senin kemarin
sekitar pukul 9.17 WIB. Badai pertama termasuk kelas X 1,7. Sementara badai kedua terjadi pada
hari yang sama sekitar pukul 23.09 WIB, termasuk kelas 2,8.
kelas X 2 dua kali lebih besar dari X 1, sedangkan kelas X 3 tiga kali lebih besar dari kelas X
Badai Matahari terkini terjadi Selasa pagi ini sekitar pukul 08.17 WIB.
Jika sebelumnya hanya masuk kelas X 1 dan X 2, badai Matahari terkini itu masuk kelas X 3,2.
Inilah badai Matahari terbesar tahun 2013.
Fenomena badai Matahari ini
terdeteksi oleh satelit Solar Dynamics Observatory (SDO). Sumber badai Matahari sendiri adalah
bintik Matahari AR 1748 yang terbentuk seminggu lalu. Bintik ini tak terdeteksi sebelumnya
karena terbentuk di sisi Matahari yang tak menghadap Bumi.
bahwa badai Matahari tak mengarah ke Bumi sehingga tak akan menimbulkan dampak apa pun.
NASA juga menyatakan bahwa jika pun badai Matahari mengarah ke Bumi tak ada bencana
yang akan terjadi. Gangguan yang muncul akibat badai Matahari adalah pada komunikasi. Pada tahun
1989, badai Matahari membuat listrik di wilayah Quebec, Kanada, mati.
paling serius akibat tiga badai Matahari ini adalah pada komunikasi satelit Spitzer dan wahana
Deep Impact. Badai diperkirakan akan sampai di satelit tersebut pada 15 atau 16 Mei 2013
mendatang. NASA berencana untuk menonaktifkan satelit itu sementara.
Matahari, seperti diketahui, berbeda dengan pengertian badai yang terjadi di Bumi. Badai
Matahari adalah pancaran gelombang elektromagnetik terkait dengan fenomena Lontaran Massa Korona
yang sanggup melemparkan partikel berenergi tinggi dari Matahari ke antariksa.
KATHMANDU, Nepal — When the dense pillar of smoke from cremations by the Bagmati River was thinning late last week, the bodies were all coming from Gongabu, a common stopover for Nepali migrant workers headed overseas, and they were all of young men.
Hindu custom dictates that funeral pyres should be lighted by the oldest son of the deceased, but these men were too young to have sons, so they were burned by their brothers or fathers. Sukla Lal, a maize farmer, made a 14-hour journey by bus to retrieve the body of his 19-year-old son, who had been on his way to the Persian Gulf to work as a laborer.
“He wanted to live in the countryside, but he was compelled to leave by poverty,” Mr. Lal said, gazing ahead steadily as his son’s remains smoldered. “He told me, ‘You can live on your land, and I will come up with money, and we will have a happy family.’ ”
Weeks will pass before the authorities can give a complete accounting of who died in the April 25 earthquake, but it is already clear that Nepal cannot afford the losses. The countryside was largely stripped of its healthy young men even before the quake, as they migrated in great waves — 1,500 a day by some estimates — to work as laborers in India, Malaysia or one of the gulf nations, leaving many small communities populated only by elderly parents, women and children. Economists say that at some times of the year, one-quarter of Nepal’s population is working outside the country.
Rhapsody, a Lofty Literary Journal, Perused at 39,000 Feet
Last summer at a writers’ workshop in Oregon, the novelists Anthony Doerr, Karen Russell and Elissa Schappell were chatting over cocktails when they realized they had all published work in the same magazine. It wasn’t one of the usual literary outlets, like Tin House, The Paris Review or The New Yorker. It was Rhapsody, an in-flight magazine for United Airlines.
It seemed like a weird coincidence. Then again, considering Rhapsody’s growing roster of A-list fiction writers, maybe not. Since its first issue hit plane cabins a year and a half ago, Rhapsody has published original works by literary stars like Joyce Carol Oates, Rick Moody, Amy Bloom, Emma Straub and Mr. Doerr, who won the Pulitzer Prize for fiction two weeks ago.
As airlines try to distinguish their high-end service with luxuries like private sleeping chambers, showers, butler service and meals from five-star chefs, United Airlines is offering a loftier, more cerebral amenity to its first-class and business-class passengers: elegant prose by prominent novelists. There are no airport maps or disheartening lists of in-flight meal and entertainment options in Rhapsody. Instead, the magazine has published ruminative first-person travel accounts, cultural dispatches and probing essays about flight by more than 30 literary fiction writers.
An airline might seem like an odd literary patron. But as publishers and writers look for new ways to reach readers in a shaky retail climate, many have formed corporate alliances with transit companies, including American Airlines, JetBlue and Amtrak, that provide a captive audience.
Mark Krolick, United Airlines’ managing director of marketing and product development, said the quality of the writing in Rhapsody brings a patina of sophistication to its first-class service, along with other opulent touches like mood lighting, soft music and a branded scent.
“The high-end leisure or business-class traveler has higher expectations, even in the entertainment we provide,” he said.
Some of Rhapsody’s contributing writers say they were lured by the promise of free airfare and luxury accommodations provided by United, as well as exposure to an elite audience of some two million first-class and business-class travelers.
“It’s not your normal Park Slope Community Bookstore types who read Rhapsody,” Mr. Moody, author of the 1994 novel “The Ice Storm,” who wrote an introspective, philosophical piece about traveling to the Aran Islands of Ireland for Rhapsody, said in an email. “I’m not sure I myself am in that Rhapsody demographic, but I would like them to buy my books one day.”
In addition to offering travel perks, the magazine pays well and gives writers freedom, within reason, to choose their subject matter and write with style. Certain genres of flight stories are off limits, naturally: no plane crashes or woeful tales of lost luggage or rude flight attendants, and nothing too risqué.
“We’re not going to have someone write about joining the mile-high club,” said Jordan Heller, the editor in chief of Rhapsody. “Despite those restrictions, we’ve managed to come up with a lot of high-minded literary content.”
Guiding writers toward the right idea occasionally requires some gentle prodding. When Rhapsody’s executive editor asked Ms. Russell to contribute an essay about a memorable flight experience, she first pitched a story about the time she was chaperoning a group of teenagers on a trip to Europe, and their delayed plane sat at the airport in New York for several hours while other passengers got progressively drunker.
“He pointed out that disaster flights are not what people want to read about when they’re in transit, and very diplomatically suggested that maybe people want to read something that casts air travel in a more positive light,” said Ms. Russell, whose novel “Swamplandia!” was a finalist for the 2012 Pulitzer Prize.
She turned in a nostalgia-tinged essay about her first flight on a trip to Disney World when she was 6. “The Magic Kingdom was an anticlimax,” she wrote. “What ride could compare to that first flight?”
Ms. Oates also wrote about her first flight, in a tiny yellow propeller plane piloted by her father. The novelist Joyce Maynard told of the constant disappointment of never seeing her books in airport bookstores and the thrill of finally spotting a fellow plane passenger reading her novel “Labor Day.” Emily St. John Mandel, who was a finalist for the National Book Award in fiction last year, wrote about agonizing over which books to bring on a long flight.
“There’s nobody that’s looked down their noses at us as an in-flight magazine,” said Sean Manning, the magazine’s executive editor. “As big as these people are in the literary world, there’s still this untapped audience for them of luxury travelers.”
United is one of a handful of companies showcasing work by literary writers as a way to elevate their brands and engage customers. Chipotle has printed original work from writers like Toni Morrison, Jeffrey Eugenides and Barbara Kingsolver on its disposable cups and paper bags. The eyeglass company Warby Parker hosts parties for authors and sells books from 14 independent publishers in its stores.
JetBlue offers around 40 e-books from HarperCollins and Penguin Random House on its free wireless network, allowing passengers to read free samples and buy and download books. JetBlue will start offering 11 digital titles from Simon & Schuster soon. Amtrak recently forged an alliance with Penguin Random House to provide free digital samples from 28 popular titles, which passengers can buy and download over Amtrak’s admittedly spotty wireless service.
Amtrak is becoming an incubator for literary talent in its own right. Last year, it started a residency program, offering writers a free long-distance train trip and complimentary food. More than 16,000 writers applied and 24 made the cut.
Like Amtrak, Rhapsody has found that writers are eager to get onboard. On a rainy spring afternoon, Rhapsody’s editorial staff sat around a conference table discussing the June issue, which will feature an essay by the novelist Hannah Pittard and an unpublished short story by the late Elmore Leonard.
“Do you have that photo of Elmore Leonard? Can I see it?” Mr. Heller, the editor in chief, asked Rhapsody’s design director, Christos Hannides. Mr. Hannides slid it across the table and noted that they also had a photograph of cowboy spurs. “It’s very simple; it won’t take away from the literature,” he said.
Rhapsody’s office, an open space with exposed pipes and a vaulted brick ceiling, sits in Dumbo at the epicenter of literary Brooklyn, in the same converted tea warehouse as the literary journal N+1 and the digital publisher Atavist. Two of the magazine’s seven staff members hold graduate degrees in creative writing. Mr. Manning, the executive editor, has published a memoir and edited five literary anthologies.
Mr. Manning said Rhapsody was conceived from the start as a place for literary novelists to write with voice and style, and nobody had been put off that their work would live in plane cabins and airport lounges.
Still, some contributors say they wish the magazine were more widely circulated.
“I would love it if I could read it,” said Ms. Schappell, a Brooklyn-based novelist who wrote a feature story for Rhapsody’s inaugural issue. “But I never fly first class.”