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Pemerintah Provinsi DKI Jakarta telah mengeluarkan Rp 3.621.272.885.000 untuk dana hibah, bantuan sosial, dan bantuan keuangan lainnya.

JAKARTA, Saco-Indonesia.com — Pemerintah Provinsi DKI Jakarta telah mengeluarkan Rp 3.621.272.885.000 untuk dana hibah, bantuan sosial, dan bantuan keuangan lainnya. Bantuan itu diberikan kepada individu, keluarga, masyarakat, kelompok masyarakat, ormas, pemda lain, dan partai politik.

Dilansir dari website resmi Wakil Gubernur DKI Jakarta Basuki Tjahaja Purnama, ahok.org, bantuan dana hibah itu telah sesuai dengan Keputusan Gubernur Nomor 465 Tahun 2013 tertanggal 26 Maret 2013.

Berikut rincian dana hibah dari Pemprov DKI yang dikeluarkan SKPD/UKPD:
1. Sekretariat DPRD Rp 2.500.000.000
2. Badan Perencanaan Pembangunan Daerah Rp 2.000.000.000
3. Satpol PP 23.000.000.000
4. Biro Tata Pemerintahan Rp 55.700.375.000
5. Dinas Kesehatan Rp 60.250.000.000
6. Dinas Olahraga dan Pemuda Rp 127.145.000.000
7. Dinas Pariwisata dan Kebudayaan Rp 22.300.000.000
8. Dinas Sosial Rp 2.200.000.000
9. Badan Pemberdayaan Masyarakat, Perempuan, dan KB Rp 72.000.000.000
10. Dinas Perindustrian dan Energi Rp 2.500.000.000
11. Badan Kesatuan Bangsa dan Politik Rp 7.379.500.000
12. DPP Korpri Provinsi DKI Jakarta Rp 2.500.000.000
13. Dinas Pendidikan Rp 2.296.725.010.000
14. Dinas Komunikasi, Informatika, dan Kehumasan Rp 11.575.000.000
15. Biro Kesejahteraan Sosial Rp 2.115.000.000
16. Biro Pendidikan dan Mental Spiritual Rp 49.268.480.000
17. Biro Hukum Rp 2.100.000.000
18. Dinas Kelautan dan Pertanian Rp 900.000.000
19. Dinas Koperasi, Usaha Mikro, Kecil, dan Menengah, dan Perdagangan Rp 2.350.000.000
20. Dinas Perumahan dan Gedung Pemda Rp 850.338.000
21. Biro Umum Rp 13.166.520.000

Total Rp 3.621.272.885.000

 

Editor :Liwon Maulana

Sumber:Kompas.com

Seorang Perempuan calon anggota legislatif (Caleg) Dapil V DPRD Kabupaten Ngawi dari Partai Demokrat, Miftahul Jannah, ditemani suaminya menggelar ritual doa dan mandi di Sungai Tempuk Alas Ketonggo (Srigati) Desa Babadan, Kecamatan Paron, Kabupaten Ngawi, Rabu (12/3/2014) kemarin.

NGAWI, Saco-Indonesia.com — Seorang Perempuan calon anggota legislatif (Caleg) Dapil V DPRD Kabupaten Ngawi dari Partai Demokrat, Miftahul Jannah, ditemani suaminya menggelar ritual doa dan mandi di Sungai Tempuk Alas Ketonggo (Srigati) Desa Babadan, Kecamatan Paron, Kabupaten Ngawi, Rabu (12/3/2014) kemarin.

Ritual dilakukan agar bisa lolos menjadi anggota DPRD Kabupaten Ngawi dalam Pemilihan Umum Lagislatif (Pileg) 9 April 2014.


Surya/Sudarmawan Miftahul Jannah membasuh muka


Surya/Sudarmawan Miftahul Jannah membasuh muka
Berbagai upaya, termasuk upaya spiritual yang tidak masuk akal dilakukan para caleg di daerah untuk mendapatkan berkah dan terpilih menjadi wakil rakyat. Puluhan caleg mendatangi tempat ini, tetapi kebanyakan melakukan ritual di sungai ini secara sembunyi.

Tak hanya Miftahul Jannah, sejak sebulan mendekati pelaksanaan pemilihan umum legislatif (Pileg), puluhan calon anggota legislatif (Caleg) sudah berdatangan ke Alas Ketonggo (Srigati).

Mereka datang ke Alas Ketonggo untuk menggelar ritual doa dan mandi di Sungai Tempuk yang ada di tengah hutan jati itu.

Juru Kunci Alas Ketonggo, Marji, mengatakan, sudah banyak caleg yang datang ke Alas Ketonggo untuk menggelar ritual berdoa dan mandi di Sungai Tumpuk.

 

 

Surya/Sudarmawan Miftahul Jannah saat ritual doa dan mandi di Sungai Tempuk

Surya/Sudarmawan Miftahul Jannah saat ritual doa dan mandi di Sungai Tempuk
Rata-rata mereka berharap bisa lolos menjadi anggota DPR RI, DPRD Provinsi, DPRD Kabupaten, dan DPD di lokasi yang dianggap keramat itu.

"Yang datang kalau puluhan atau sekitar 50 orang sudah ada. Rata-rata datangnya secara sembunyi-sembunyi. Kalau namanya saya lupa mereka merata dari bermacam-macam partai yang bertarung dalam Pileg 9 April itu. Wong sehari sudah ada 3 sampai 5 orang sejak dua pekan terakhir," kata Marji.

Since a white police officer, Darren Wilson fatally shot unarmed black teenager, Michael Brown, in a confrontation last August in Ferguson, Mo., there have been many other cases in which the police have shot and killed suspects, some of them unarmed. Mr. Brown's death set off protests throughout the country, pushing law enforcement into the spotlight and sparking a public debate on police tactics. Here is a selection of police shootings that have been reported by news organizations since Mr. Brown's death. In some cases, investigations are continuing.

Photo
 
 
The apartment complex northeast of Atlanta where Anthony Hill, 27, was fatally shot by a DeKalb County police officer. Credit Ben Gray/Atlanta Journal Constitution

Chamblee, Ga.

Late in April, after Native American actors walked off in disgust from the set of Adam Sandler’s latest film, a western sendup that its distributor, Netflix, has defended as being equally offensive to all, a glow of pride spread through several Native American communities.

Tantoo Cardinal, a Canadian indigenous actress who played Black Shawl in “Dances With Wolves,” recalled thinking to herself, “It’s come.” Larry Sellers, who starred as Cloud Dancing in the 1990s television show “Dr. Quinn, Medicine Woman,” thought, “It’s about time.” Jesse Wente, who is Ojibwe and directs film programming at the TIFF Bell Lightbox in Toronto, found himself encouraged and surprised. There are so few film roles for indigenous actors, he said, that walking off the set of a major production showed real mettle.

But what didn’t surprise Mr. Wente was the content of the script. According to the actors who walked off the set, the film, titled “The Ridiculous Six,” included a Native American woman who passes out and is revived after white men douse her with alcohol, and another woman squatting to urinate while lighting a peace pipe. “There’s enough history at this point to have set some expectations around these sort of Hollywood depictions,” Mr. Wente said.

The walkout prompted a rhetorical “What do you expect from an Adam Sandler film?,” and a Netflix spokesman said that in the movie, blacks, Mexicans and whites were lampooned as well. But Native American actors and critics said a broader issue was at stake. While mainstream portrayals of native peoples have, Mr. Wente said, become “incrementally better” over the decades, he and others say, they remain far from accurate and reflect a lack of opportunities for Native American performers. What’s more, as Native Americans hunger for representation on screen, critics say the absence of three-dimensional portrayals has very real off-screen consequences.

“Our people are still healing from historical trauma,” said Loren Anthony, one of the actors who walked out. “Our youth are still trying to figure out who they are, where they fit in this society. Kids are killing themselves. They’re not proud of who they are.” They also don’t, he added, see themselves on prime time television or the big screen. Netflix noted while about five people walked off the “The Ridiculous Six” set, 100 or so Native American actors and extras stayed.

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But in interviews, nearly a dozen Native American actors and film industry experts said that Mr. Sandler’s humor perpetuated decades-old negative stereotypes. Mr. Anthony said such depictions helped feed the despondency many Native Americans feel, with deadly results: Native Americans have the highest suicide rate out of all the country’s ethnicities.

The on-screen problem is twofold, Mr. Anthony and others said: There’s a paucity of roles for Native Americans — according to the Screen Actors Guild in 2008 they accounted for 0.3 percent of all on-screen parts (those figures have yet to be updated), compared to about 2 percent of the general population — and Native American actors are often perceived in a narrow way.

In his Peabody Award-winning documentary “Reel Injun,” the Cree filmmaker Neil Diamond explored Hollywood depictions of Native Americans over the years, and found they fell into a few stereotypical categories: the Noble Savage, the Drunk Indian, the Mystic, the Indian Princess, the backward tribal people futilely fighting John Wayne and manifest destiny. While the 1990 film “Dances With Wolves” won praise for depicting Native Americans as fully fleshed out human beings, not all indigenous people embraced it. It was still told, critics said, from the colonialists’ point of view. In an interview, John Trudell, a Santee Sioux writer, actor (“Thunderheart”) and the former chairman of the American Indian Movement, described the film as “a story of two white people.”

“God bless ‘Dances with Wolves,’ ” Michael Horse, who played Deputy Hawk in “Twin Peaks,” said sarcastically. “Even ‘Avatar.’ Someone’s got to come save the tribal people.”

Dan Spilo, a partner at Industry Entertainment who represents Adam Beach, one of today’s most prominent Native American actors, said while typecasting dogs many minorities, it is especially intractable when it comes to Native Americans. Casting directors, he said, rarely cast them as police officers, doctors or lawyers. “There’s the belief that the Native American character should be on reservations or riding a horse,” he said.

“We don’t see ourselves,” Mr. Horse said. “We’re still an antiquated culture to them, and to the rest of the world.”

Ms. Cardinal said she was once turned down for the role of the wife of a child-abusing cop because the filmmakers felt that casting her would somehow be “too political.”

Another sore point is the long run of white actors playing American Indians, among them Burt Lancaster, Rock Hudson, Audrey Hepburn and, more recently, Johnny Depp, whose depiction of Tonto in the 2013 film “Lone Ranger,” was viewed as racist by detractors. There are, of course, exceptions. The former A&E series “Longmire,” which, as it happens, will now be on Netflix, was roundly praised for its depiction of life on a Northern Cheyenne reservation, with Lou Diamond Phillips, who is of Cherokee descent, playing a Northern Cheyenne man.

Others also point to the success of Mr. Beach, who played a Mohawk detective in “Law & Order: Special Victims Unit” and landed a starring role in the forthcoming D C Comics picture “Suicide Squad.” Mr. Beach said he had come across insulting scripts backed by people who don’t see anything wrong with them.

“I’d rather starve than do something that is offensive to my ancestral roots,” Mr. Beach said. “But I think there will always be attempts to drawn on the weakness of native people’s struggles. The savage Indian will always be the savage Indian. The white man will always be smarter and more cunning. The cavalry will always win.”

The solution, Mr. Wente, Mr. Trudell and others said, lies in getting more stories written by and starring Native Americans. But Mr. Wente noted that while independent indigenous film has blossomed in the last two decades, mainstream depictions have yet to catch up. “You have to stop expecting for Hollywood to correct it, because there seems to be no ability or desire to correct it,” Mr. Wente said.

There have been calls to boycott Netflix but, writing for Indian Country Today Media Network, which first broke news of the walk off, the filmmaker Brian Young noted that the distributor also offered a number of films by or about Native Americans.

The furor around “The Ridiculous Six” may drive more people to see it. Then one of the questions that Mr. Trudell, echoing others, had about the film will be answered: “Who the hell laughs at this stuff?”

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