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Jual genset LOVOL OPEN DAN SILENT KAP 45KVA -175KVA Murah di Pesisir Selatan

Jual genset LOVOL OPEN DAN SILENT KAP 45KVA -175KVA Murah di Pesisir Selatan Hubungi : 0821 - 1310 - 3112/(021) 9224 - 2423 PT. Tribuana Diesel Adalah penjualan Generating-Set (genset) berkualitas import (builtup) bagi anda yang membutuhkan product berkualitas serta pengadaan yang cepat urgent tanpa berbelit-belit, Genset kami di lengkapi dengan dokumen Certificate Of Original , Manual book engine dan manual book generator, Kami sediakan Genset kapasitas 10 Kva - 650Kva (ANDA PESAN KAMI ANTAR). Jual genset LOVOL OPEN DAN SILENT KAP 45KVA -175KVA Murah di Pesisir Selatan

saco-indonesia.com, Awal tahun ini CEO Microsoft, Steve ballmer, telah menyatakan bahwa dirinya akan pensiun dalam waktu 12 bula

saco-indonesia.com, Awal tahun ini CEO Microsoft, Steve ballmer, telah menyatakan bahwa dirinya akan pensiun dalam waktu 12 bulan ke depan. Sejak saat itu, panitia khusus dewan telah melihat sejumlah kandidat untuk dapat menggantikan Ballmer. Namun hingga kini belum ada yang telah menjadi prioritas.

mengungkapkan bahwa hingga awal tahun 2014, Microsoft tidak akan mengumumkan keputusan CEO baru untuk dapat menggantikan Ballmer.

Hal tersebut telah didapat dari sebuah posting melalui blog resmi Microsoft oleh anggota dewan perusahaan, John Thompson. Pihaknya juga telah menyatakan bahwa perlu adanya penelitian yang lebih dalam serta investigasi untuk bisa menentukan pilihan yang tepat.

Selama ini ada beberapa nama yang telah disoroti sebagai calon pengganti Ballmer, diantaranya adalah Alan Mulally yang kini menjadi CEO Ford, Stephen Elop CEO Nokia, serta orang dalam Microsoft sendiri yaitu Satya Nadell dan Tony Bates.

Lantas, siapakah calon pengganti Steve Ballmer untuk bisa menduduki kursi CEO Microsoft tahun depan?


Editor : Dian Sukmawati

saco-indonesia.com, Komisi Pemberantasan Korupsi (KPK) masih akan terus menelusuri kasus dugaan korupsi hibah kereta KRL dari Je

saco-indonesia.com, Komisi Pemberantasan Korupsi (KPK) masih akan terus menelusuri kasus dugaan korupsi hibah kereta KRL dari Jepang tahun 2006-2007 lalu , yang diduga telah melibatkan menteri perekonomian Hatta Rajasa. Menurut Wakil Ketua KPK, Bambang Widjojanto memang saat ini belum ada perkembangan yang signifikan dari kasus tersebut.
 
"Hibah KRL Jepang kami belum dapat laporan lagi dari penyidik. Kami juga lihat tidak ada potensi yang bisa dikembangkan lagi," kata Bambang dalam pemaparan capaian kinerja KPK tahun 2013 di Gedung KPK, Kuningan, Jakarta Selatan.
 
Kendati demikian, sambung Bambang, penyelidikan juga akan dilakukan kembali bila memang ditemukan bukti baru. "Nanti kalau ada bukti-bukti baru bisa saja dikembangkan lagi," tandasnya
 
Seperti yang diketahui, kasus ini bermula ketika pemerintah Jepang telah memberikan bantuan berupa kereta KRL kepada Kementerian Perhubungan tahun 2006-2007 lalu dengan total proyek senilai Rp48 miliar, namun telah terjadi penggelembungan biaya pengiriman yang telah mengakibatkan kerugian negara yang ditaksir telah mencapai Rp11 miliar.
 
Terkait kasus ini,  Majelis Hakim Pengadilan Tipikor Jakarta telah menjerat satu terdakwa, mantan Dirjen Perkeretaapian Kemenhub Soemino Eko Saputro yang divonis tiga tahun penjara pada 2011 karena terbukti korupsi dalam proses pengangkutan 60 unit KRL dari Jepang.
 
Namun, Soemino telah menyatakan bila penunjukkan langsung perusahaan Sumino Corporation atas persetujuan Hatta Rajasa, termasuk proyek hibah KRL tersebut.


Editor : Dian Sukmawati

Late in April, after Native American actors walked off in disgust from the set of Adam Sandler’s latest film, a western sendup that its distributor, Netflix, has defended as being equally offensive to all, a glow of pride spread through several Native American communities.

Tantoo Cardinal, a Canadian indigenous actress who played Black Shawl in “Dances With Wolves,” recalled thinking to herself, “It’s come.” Larry Sellers, who starred as Cloud Dancing in the 1990s television show “Dr. Quinn, Medicine Woman,” thought, “It’s about time.” Jesse Wente, who is Ojibwe and directs film programming at the TIFF Bell Lightbox in Toronto, found himself encouraged and surprised. There are so few film roles for indigenous actors, he said, that walking off the set of a major production showed real mettle.

But what didn’t surprise Mr. Wente was the content of the script. According to the actors who walked off the set, the film, titled “The Ridiculous Six,” included a Native American woman who passes out and is revived after white men douse her with alcohol, and another woman squatting to urinate while lighting a peace pipe. “There’s enough history at this point to have set some expectations around these sort of Hollywood depictions,” Mr. Wente said.

The walkout prompted a rhetorical “What do you expect from an Adam Sandler film?,” and a Netflix spokesman said that in the movie, blacks, Mexicans and whites were lampooned as well. But Native American actors and critics said a broader issue was at stake. While mainstream portrayals of native peoples have, Mr. Wente said, become “incrementally better” over the decades, he and others say, they remain far from accurate and reflect a lack of opportunities for Native American performers. What’s more, as Native Americans hunger for representation on screen, critics say the absence of three-dimensional portrayals has very real off-screen consequences.

“Our people are still healing from historical trauma,” said Loren Anthony, one of the actors who walked out. “Our youth are still trying to figure out who they are, where they fit in this society. Kids are killing themselves. They’re not proud of who they are.” They also don’t, he added, see themselves on prime time television or the big screen. Netflix noted while about five people walked off the “The Ridiculous Six” set, 100 or so Native American actors and extras stayed.

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But in interviews, nearly a dozen Native American actors and film industry experts said that Mr. Sandler’s humor perpetuated decades-old negative stereotypes. Mr. Anthony said such depictions helped feed the despondency many Native Americans feel, with deadly results: Native Americans have the highest suicide rate out of all the country’s ethnicities.

The on-screen problem is twofold, Mr. Anthony and others said: There’s a paucity of roles for Native Americans — according to the Screen Actors Guild in 2008 they accounted for 0.3 percent of all on-screen parts (those figures have yet to be updated), compared to about 2 percent of the general population — and Native American actors are often perceived in a narrow way.

In his Peabody Award-winning documentary “Reel Injun,” the Cree filmmaker Neil Diamond explored Hollywood depictions of Native Americans over the years, and found they fell into a few stereotypical categories: the Noble Savage, the Drunk Indian, the Mystic, the Indian Princess, the backward tribal people futilely fighting John Wayne and manifest destiny. While the 1990 film “Dances With Wolves” won praise for depicting Native Americans as fully fleshed out human beings, not all indigenous people embraced it. It was still told, critics said, from the colonialists’ point of view. In an interview, John Trudell, a Santee Sioux writer, actor (“Thunderheart”) and the former chairman of the American Indian Movement, described the film as “a story of two white people.”

“God bless ‘Dances with Wolves,’ ” Michael Horse, who played Deputy Hawk in “Twin Peaks,” said sarcastically. “Even ‘Avatar.’ Someone’s got to come save the tribal people.”

Dan Spilo, a partner at Industry Entertainment who represents Adam Beach, one of today’s most prominent Native American actors, said while typecasting dogs many minorities, it is especially intractable when it comes to Native Americans. Casting directors, he said, rarely cast them as police officers, doctors or lawyers. “There’s the belief that the Native American character should be on reservations or riding a horse,” he said.

“We don’t see ourselves,” Mr. Horse said. “We’re still an antiquated culture to them, and to the rest of the world.”

Ms. Cardinal said she was once turned down for the role of the wife of a child-abusing cop because the filmmakers felt that casting her would somehow be “too political.”

Another sore point is the long run of white actors playing American Indians, among them Burt Lancaster, Rock Hudson, Audrey Hepburn and, more recently, Johnny Depp, whose depiction of Tonto in the 2013 film “Lone Ranger,” was viewed as racist by detractors. There are, of course, exceptions. The former A&E series “Longmire,” which, as it happens, will now be on Netflix, was roundly praised for its depiction of life on a Northern Cheyenne reservation, with Lou Diamond Phillips, who is of Cherokee descent, playing a Northern Cheyenne man.

Others also point to the success of Mr. Beach, who played a Mohawk detective in “Law & Order: Special Victims Unit” and landed a starring role in the forthcoming D C Comics picture “Suicide Squad.” Mr. Beach said he had come across insulting scripts backed by people who don’t see anything wrong with them.

“I’d rather starve than do something that is offensive to my ancestral roots,” Mr. Beach said. “But I think there will always be attempts to drawn on the weakness of native people’s struggles. The savage Indian will always be the savage Indian. The white man will always be smarter and more cunning. The cavalry will always win.”

The solution, Mr. Wente, Mr. Trudell and others said, lies in getting more stories written by and starring Native Americans. But Mr. Wente noted that while independent indigenous film has blossomed in the last two decades, mainstream depictions have yet to catch up. “You have to stop expecting for Hollywood to correct it, because there seems to be no ability or desire to correct it,” Mr. Wente said.

There have been calls to boycott Netflix but, writing for Indian Country Today Media Network, which first broke news of the walk off, the filmmaker Brian Young noted that the distributor also offered a number of films by or about Native Americans.

The furor around “The Ridiculous Six” may drive more people to see it. Then one of the questions that Mr. Trudell, echoing others, had about the film will be answered: “Who the hell laughs at this stuff?”

WASHINGTON — During a training course on defending against knife attacks, a young Salt Lake City police officer asked a question: “How close can somebody get to me before I’m justified in using deadly force?”

Dennis Tueller, the instructor in that class more than three decades ago, decided to find out. In the fall of 1982, he performed a rudimentary series of tests and concluded that an armed attacker who bolted toward an officer could clear 21 feet in the time it took most officers to draw, aim and fire their weapon.

The next spring, Mr. Tueller published his findings in SWAT magazine and transformed police training in the United States. The “21-foot rule” became dogma. It has been taught in police academies around the country, accepted by courts and cited by officers to justify countless shootings, including recent episodes involving a homeless woodcarver in Seattle and a schizophrenic woman in San Francisco.

Now, amid the largest national debate over policing since the 1991 beating of Rodney King in Los Angeles, a small but vocal set of law enforcement officials are calling for a rethinking of the 21-foot rule and other axioms that have emphasized how to use force, not how to avoid it. Several big-city police departments are already re-examining when officers should chase people or draw their guns and when they should back away, wait or try to defuse the situation

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