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TUKANG PARKIR TEWAS DIKEROYOK PREMAN
saco-indonesia.com, Seorang juru parkir, Septian Papa alias Tomi, telah tewas dikeroyok preman di sekitar Jembatan Rel Kereta Gu
saco-indonesia.com, Seorang juru parkir, Septian Papa alias Tomi, telah tewas dikeroyok preman di sekitar Jembatan Rel Kereta Gunung Antang, Jatinegara, Jakarta Timur, Jumat (7/2) dinihari. Pemuda yang berusia sekitar 26 tahun itu tewas akibat luka bacok di sekujur tubuhnya.
Utar, seorang saksi mata telah mengaku sempat melihat korban dilempar dari atas jembatan di atas Jalan Matraman Raya. Pemantauan Pos Kota jarak jembatan ke jalan raya tersebut kurang lebih telah mencapai 5 m.
“Kejadiannya sekitar jam 2:00. Sebelum korban dilempar, saya juga telah mendengar teriakan sejumlah orang yang telah mengeroyok korban. Katanya, ‘buang aja, buang’,” ujarnya, di sekitar lokasi kejadian, Jumat (7/2) dini hari.
Belum cukup sampai di sana saja , urainya, korban juga sempat dilempari batu ketika tersungkur di pojok jalan bawah jembatan. Warga sekitar lokasi kemudian baru berani untuk menghampiri korban setelah tak ada lagi serangan dari para pelaku.
“Pas kami hampiri, ternyata korban juga banyak mendapat luka bacokan, mulai dari kepala, mata sebelah kanan hilang, leher sebelah kanan dan tangan kiri juga sobek, serta semua jari kaki kanannya hilang seperti habis dipotongi. Oleh warga korban langsung dibawa ke Rumah Sakit Cipto Mangunkusumo (RSCM),” paparnya.
Utar juga mengaku tak tahu persis kenapa pemuda tersebut telah dikeroyok sejumlah preman. Ia hanya mengetahui bahwa korban sehari-harinya bekerja sebagai juru parkir di sekitar warung di bawah jembatan itu.
Sementara, saksi lain yang tidak disebutkan namanya juga mengatakan, selain Tomi, ada satu korban lain yang juga menderita luka cukup serius. Korban itu, menurutnya adalah kakak Tomi, bernama Yupit Taimbonan alias Yores.
“Sekarang Yores lagi dirawat di Rumah Sakit Kramatjati (RS Polri),” ujarnya.
Ia telah menduga peristiwa pengeroyokan tersebut terjadi akibat dendam antara Yores dengan beberapa pemuda yang biasa berkeliaran di sekitar Jembatan Rel Gunung Antang. “Karena belum lama ini Yores sempat berkelahi dengan beberapa orang di sana. Kemudian Tomi mungkin tadi mencoba bikin perhitungan atau gimana, tapi ia malah dikeroyok hingga tewas,” ungkapnya.
Kasus ini telah ditangani Polsek Jatinegara. Hingga berita ini diturunkan, polisi juga masih harus melakukan penyelidikan mulai dari mendatangi lokasi kejadian dan mencari saksi yang dapat memberikan keterangan.
Editor : Dian Sukmawati
WARGA GUNUNG SINABUNG HARUS DIRELOKASI
saco-indonesia.com, Presiden Susilo Bambang Yudhoyono (SBY) telah memenuhi janjinya untuk dapat mendatangi posko pengungsi letus
saco-indonesia.com, Presiden Susilo Bambang Yudhoyono (SBY) telah memenuhi janjinya untuk dapat mendatangi posko pengungsi letusan Gunung Sinabung di Kabanjahe, Kabupaten Karo, Sumatera Utara. Pada kesempatan itu, SBY juga telah meminta agar pemerintah setempat merelokasi warga di lereng gunung ke lokasi yang lebih aman.
"Relokasi, radius 3 km itu saya kira gunung berapi manapun sangat berbahaya, yang berada di radius 3 km tidak bisa tinggal dan harus relokasi. Boleh bertani di tempat itu, tapi tempat tinggal harus di luar radius yang disebut aman tadi," kata SBY di Posko Gereja Katolik Paroki, Karo, Kamis (23/1).
Namun, SBY juga tidak menutup mata jika rencana tersebut akan mendapat perlawanan keras dari warga. SBY juga hanya meminta kepada gubernur dan bupati Karo agar bersabar melakukannya.
"Harus sabar karena kasus yang direlokasi tidak mau," tukasnya.
Selain telah menyoroti masalah relokasi warga, SBY juga telah meminta agar pengelolaan pengungsi dapat dijalankan dengan baik. Tidak boleh ada pengungsi yang mengalami sakit atau meninggal akibat tidak adanya perawatan atau pelayanan yang memadai untuk mereka.
"Masalah rumah rusak bisa diganti, kalau saudara kita meninggal, kita tidak bisa ganti. Semua upaya untuk keselamatan saudara kita," kata SBY usai mendengar paparan Gubernur Sumatera Utara Gatot Pudjobroto tentang penanganan pengungsi di Kabanjahe.
Kemudian, fasilitas dasar bagi pengungsi juga harus tetap diutamakan, tidak boleh ada satupun kekurangan. "Pelayanan saudara kita di tempat penampungan, 'basic' untuk makan minum air bersih dan peralatan kesehatan tidak boleh ada kekurangan," tegasnya.
Terakhir, SBY juga telah meminta gubernur dan bupati Karo untuk dapat mencarikan solusi bagi kerusakan yang telah terjadi atas lahan pertanian milik warga. Dia pun juga mengajak para pemimpin daerah untuk dapat menghitung langsung bersama-sama terkait kerugian-kerugian yang terjadi.
"Solusi bagi petani yang karena musibah benar-benar rusak. tentu kalau dibebankan pada yang bersangkutan akan berat, kebijakan seperti apa, nanti malam (saat rapat-red) saya ada hitung-hitungannya," kata Presiden.
Sebelumnya, Gatot dalam paparannya mengatakan, masa tanggap darurat sejak 15 September 2013 sudah enam kali diperpanjang. Intensitas terus menerus 750 kali erupsi, jumlah pengungsi 203 desa, 4 kecamatan 28.745 orang atau 9.045 Kepala Keluarga tersebar di 43 tempat pengungsian.
Editor : Dian Sukmawati
Ghostly Voices From Thomas Edisonís Dolls Can Now Be Heard
Though Robin and Joan Rolfs owned two rare talking dolls manufactured by Thomas Edison’s phonograph company in 1890, they did not dare play the wax cylinder records tucked inside each one.
The Rolfses, longtime collectors of Edison phonographs, knew that if they turned the cranks on the dolls’ backs, the steel phonograph needle might damage or destroy the grooves of the hollow, ring-shaped cylinder. And so for years, the dolls sat side by side inside a display cabinet, bearers of a message from the dawn of sound recording that nobody could hear.
In 1890, Edison’s dolls were a flop; production lasted only six weeks. Children found them difficult to operate and more scary than cuddly. The recordings inside, which featured snippets of nursery rhymes, wore out quickly.
Yet sound historians say the cylinders were the first entertainment records ever made, and the young girls hired to recite the rhymes were the world’s first recording artists.
Year after year, the Rolfses asked experts if there might be a safe way to play the recordings. Then a government laboratory developed a method to play fragile records without touching them.
The technique relies on a microscope to create images of the grooves in exquisite detail. A computer approximates — with great accuracy — the sounds that would have been created by a needle moving through those grooves.
In 2014, the technology was made available for the first time outside the laboratory.
“The fear all along is that we don’t want to damage these records. We don’t want to put a stylus on them,” said Jerry Fabris, the curator of the Thomas Edison Historical Park in West Orange, N.J. “Now we have the technology to play them safely.”
Last month, the Historical Park posted online three never-before-heard Edison doll recordings, including the two from the Rolfses’ collection. “There are probably more out there, and we’re hoping people will now get them digitized,” Mr. Fabris said.
The technology, which is known as Irene (Image, Reconstruct, Erase Noise, Etc.), was developed by the particle physicist Carl Haber and the engineer Earl Cornell at Lawrence Berkeley. Irene extracts sound from cylinder and disk records. It can also reconstruct audio from recordings so badly damaged they were deemed unplayable.
“We are now hearing sounds from history that I did not expect to hear in my lifetime,” Mr. Fabris said.
The Rolfses said they were not sure what to expect in August when they carefully packed their two Edison doll cylinders, still attached to their motors, and drove from their home in Hortonville, Wis., to the National Document Conservation Center in Andover, Mass. The center had recently acquired Irene technology.
Cylinders carry sound in a spiral groove cut by a phonograph recording needle that vibrates up and down, creating a surface made of tiny hills and valleys. In the Irene set-up, a microscope perched above the shaft takes thousands of high-resolution images of small sections of the grooves.
Stitched together, the images provide a topographic map of the cylinder’s surface, charting changes in depth as small as one five-hundredth the thickness of a human hair. Pitch, volume and timbre are all encoded in the hills and valleys and the speed at which the record is played.
At the conservation center, the preservation specialist Mason Vander Lugt attached one of the cylinders to the end of a rotating shaft. Huddled around a computer screen, the Rolfses first saw the wiggly waveform generated by Irene. Then came the digital audio. The words were at first indistinct, but as Mr. Lugt filtered out more of the noise, the rhyme became clearer.
Recently, the conservation center turned up another surprise.
In 2010, the Woody Guthrie Foundation received 18 oversize phonograph disks from an anonymous donor. No one knew if any of the dirt-stained recordings featured Guthrie, but Tiffany Colannino, then the foundation’s archivist, had stored them unplayed until she heard about Irene.
Last fall, the center extracted audio from one of the records, labeled “Jam Session 9” and emailed the digital file to Ms. Colannino.
“I was just sitting in my dining room, and the next thing I know, I’m hearing Woody,” she said. In between solo performances of “Ladies Auxiliary,” “Jesus Christ,” and “Dead or Alive,” Guthrie tells jokes, offers some back story, and makes the audience laugh. “It is quintessential Guthrie,” Ms. Colannino said.
The Rolfses’ dolls are back in the display cabinet in Wisconsin. But with audio stored on several computers, they now have a permanent voice.
As Vice Moves More to TV, It Tries to Keep Brash Voice
The live music at the Vice Media party on Friday shook the room. Shane Smith, Vice’s chief executive, was standing near the stage — with a drink in his hand, pants sagging, tattoos showing — watching the rapper-cum-chef Action Bronson make pizzas.
The event was an after-party, a happy-hour bacchanal for the hundreds of guests who had come for Vice’s annual presentation to advertisers and agencies that afternoon, part of the annual frenzy for ad dollars called the Digital Content NewFronts. Mr. Smith had spoken there for all of five minutes before running a slam-bang highlight reel of the company’s shows that had titles like “Weediquette” and “Gaycation.”
In the last year, Vice has secured $500 million in financing and signed deals worth hundreds of millions of dollars with established media companies like HBO that are eager to engage the young viewers Vice attracts. Vice said it was now worth at least $4 billion, with nearly $1 billion in projected revenue for 2015. It is a long way from Vice’s humble start as a free magazine in 1994.
But even as cash flows freely in Vice’s direction, the company is trying to keep its brash, insurgent image. At the party on Friday, it plied guests with beers and cocktails. Its apparently unrehearsed presentation to advertisers was peppered with expletives. At one point, the director Spike Jonze, a longtime Vice collaborator, asked on stage if Mr. Smith had been drinking.
“My assistant tried to cut me off,” Mr. Smith replied. “I’m on buzz control.”
Now, Vice is on the verge of getting its own cable channel, which would give the company a traditional outlet for its slate of non-news programming. If all goes as planned, A&E Networks, the television group owned by Hearst and Disney, will turn over its History Channel spinoff, H2, to Vice.
The deal’s announcement was expected last week, but not all of A&E’s distribution partners — the cable and satellite TV companies that carry the network’s channels — have signed off on the change, according to a person familiar with the negotiations who spoke on the condition of anonymity because the talks were private.
A cable channel would be a further step in a transformation for Vice, from bad-boy digital upstart to mainstream media company.
Keen for the core audience of young men who come to Vice, media giants like 21st Century Fox, Time Warner and Disney all showed interest in the company last year. Vice ultimately secured $500 million in financing from A&E Networks and Technology Crossover Ventures, a Silicon Valley venture capital firm that has invested in Facebook and Netflix.
Those investments valued Vice at more than $2.5 billion. (In 2013, Fox bought a 5 percent stake for $70 million.)
Then in March, HBO announced that it had signed a multiyear deal to broadcast a daily half-hour Vice newscast. Vice already produces a weekly newsmagazine show, called “Vice,” for the network. That show will extend its run through 2018, with an increase to 35 episodes a year, from 14.
Michael Lombardo, HBO’s president for programming, said when the deal was announced that it was “certainly one of our biggest investments with hours on the air.”
Vice, based in Brooklyn, also recently signed a multiyear $100 million deal with Rogers Communications, a Canadian media conglomerate, to produce original content for TV, smartphone and desktop viewers.
Vice’s finances are private, but according to an internal document reviewed by The New York Times and verified by a person familiar with the company’s financials, the company is on track to make about $915 million in revenue this year.
It brought in $545 million in a strong first quarter, which included portions of the new HBO deal and the Rogers deal, according to the document. More of its revenue now comes from these types of content partnerships, compared with the branded content deals that made up much of its revenue a year ago, the company said.
Mr. Smith said the company was worth at least $4 billion. If the valuation gets much higher, he said he would consider taking the company public.
“I don’t care about money; we have plenty of money,” Mr. Smith, who is Vice’s biggest shareholder, said in an interview after the presentation on Friday. “I care about strategic deals.”
In the United States, Vice Media had 35.2 million unique visitors across its sites in March, according to comScore.
The third season of Vice’s weekly HBO show has averaged 1.8 million viewers per episode, including reruns, through April 12, according to Brad Adgate, the director of research at Horizon Media. (Vice said the show attracted three million weekly viewers when repeat broadcasts, online and on-demand viewings were included.)
For years, Mr. Smith has criticized traditional TV, calling it slow and unable to draw younger viewers. But if all the deals Vice has struck are to work out, Mr. Smith may have to play more by the rules of traditional media. James Murdoch, Rupert Murdoch’s son and a member of Vice’s board, was at the company’s presentation on Friday, as were other top media executives.
“They know they need people like me to help them, but they can’t get out of their own way,” Mr. Smith said in the interview Friday. “My only real frustration is we’re used to being incredibly dynamic, and they’re not incredibly dynamic.”
With its own television channel in the United States, Vice would have something it has long coveted even as traditional media companies are looking beyond TV. Last year, Vice’s deal with Time Warner failed in part because the two companies could not agree on how much control Vice would have over a 24-hour television network.
Vice said it intended to fill its new channel with non-news programming. The company plans to have sports shows, fashion shows, food shows and the “Gaycation” travel show with the actress Ellen Page. It is also in talks with Kanye West about a show.
It remains to be seen whether Vice’s audience will watch a traditional cable channel. Still, Vice has effectively presold all of the ad spots to two of the biggest advertising agencies for the first three years, Mr. Smith said.
In the meantime, Mr. Smith is enjoying Vice’s newfound role as a potential savior of traditional media companies.
“I’m a C.E.O. of a content company,” Mr. Smith said before he caught a flight to Las Vegas for the boxing match on Saturday between Floyd Mayweather Jr. and Manny Pacquiao. “If it stops being fun, then why are you doing it?”